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Author: Max Bannah
Publisher: CRC Press
ISBN: 1000282635
Category : Computers
Languages : en
Pages : 109
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Book Description
This book examines the life of the Australian artist Harry Reade (1927–1998) and his largely overlooked contribution to animation. It constitutes a biography of Reade, tracing his life from his birth to his period of involvement with animation between 1956 and 1969. It explores the forces that shaped Reade and chronicles his experiences as a child, his early working life, the influence of left-wing ideology on his creative development, his introduction to animation through the small but radical Waterside Workers’ Federation Film Unit (WWFFU), and the influence he had on the development of Cuban animation as an educational tool of the Revolution. Key Features The text offers an alternative framework for considering the political, social, and cultural themes that characterised 1950s Australia and 1960s Cuba. A rare look into the cultural heritage of labor organizations and the populist power of animation to stimulate radical social consciousness. The book also crosses a range of intellectual disciplines, including Animation Studies, Art History, Cinema Studies, and the social and political histories of Australia and Cuba. Max Bannah lives on Queensland’s Sunshine Coast. Between 1976 and 2010, he worked in Brisbane as an animator producing television commercials, short films, and cartoon graphics. He also lectured in Animation History and Practice and Drawing for Animation at the Queensland University of Technology where, in 2007, he completed his Masters by Research thesis, A Cause for Animation: Harry Reade and the Cuban Revolution.
Author: Max Bannah
Publisher: CRC Press
ISBN: 1000282635
Category : Computers
Languages : en
Pages : 109
Get Book Here
Book Description
This book examines the life of the Australian artist Harry Reade (1927–1998) and his largely overlooked contribution to animation. It constitutes a biography of Reade, tracing his life from his birth to his period of involvement with animation between 1956 and 1969. It explores the forces that shaped Reade and chronicles his experiences as a child, his early working life, the influence of left-wing ideology on his creative development, his introduction to animation through the small but radical Waterside Workers’ Federation Film Unit (WWFFU), and the influence he had on the development of Cuban animation as an educational tool of the Revolution. Key Features The text offers an alternative framework for considering the political, social, and cultural themes that characterised 1950s Australia and 1960s Cuba. A rare look into the cultural heritage of labor organizations and the populist power of animation to stimulate radical social consciousness. The book also crosses a range of intellectual disciplines, including Animation Studies, Art History, Cinema Studies, and the social and political histories of Australia and Cuba. Max Bannah lives on Queensland’s Sunshine Coast. Between 1976 and 2010, he worked in Brisbane as an animator producing television commercials, short films, and cartoon graphics. He also lectured in Animation History and Practice and Drawing for Animation at the Queensland University of Technology where, in 2007, he completed his Masters by Research thesis, A Cause for Animation: Harry Reade and the Cuban Revolution.
Author: Chris Robinson
Publisher: CRC Press
ISBN: 1003837956
Category : Computers
Languages : en
Pages : 169
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Book Description
One of the most acclaimed writers in animation returns with this informal sequel to his previous books on indie animation, Unsung Heroes of Animation, Animators Unearthed, and Mad Eyed Misfits. In this collection, award-winning writer, Chris Robinson, looks at a wide range of films, topics (sex, censorship, cultural politics, programming, felt, gifs, VR, dogs) and filmmakers (Masaaki Yuasa, Xi Chen, Gil Alkabetz, Jacques Drouin, Bordo, Rosto, Joaquín Cociña, Cristóbal León, George Schwizgebel, Lizzy Hobbs, Andreas Hykade, Leah Shore, and many others). Eclectic, brief, fiery, and opinionated, Robinson’s gonzo-tinged writing will amuse, confuse, annoy, and maybe even inspire while, hopefully introducing readers to the wonders of independently-produced animation.
Author: Olga Bobrowska
Publisher: CRC Press
ISBN: 100382224X
Category : Computers
Languages : en
Pages : 136
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Book Description
This book presents a contextualized overview of the history of Chinese animated film, pointing out the most influential self-definitions of Chinese culture employed in animation art of Mao Zedong’s rule (1949–1976) but largely focusing on the representation strategies created in the times of reforms and opening-up under Deng Xiaoping (1978–1989/1992). Deeply grounded in cultural studies, the book employs an interdisciplinary approach, interlacing the reflection with the perspectives of political science, film studies, and film festival studies. It focuses on phenomena anchored to the paradigms of nationalization, reform, and internationalization: among them, nuanced understanding of the minzu (national) category (including the classic style of Chinese animation); invention of wash-and-ink painting animation (shuimo donghua); renewal of film theory and animated film language; soft power and cultural diplomacy; and regular access and co-creation of the international industry (festival distribution). This book will be of great interest to those in the fields of animation studies, film studies, political science, Chinese area studies, and Chinese philology.
Author: Chris Robinson
Publisher: CRC Press
ISBN: 1000919943
Category : Computers
Languages : en
Pages : 132
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Book Description
Collage art and film date back to the early 20th century (the earliest collages have roots in 12th-century Japan). It was rooted in the age of consumerism where artists addressed an array of political and social issues by creating a carefully crafted collision of pre-existing images and sounds to generate new meanings and commentaries on the surrounding world. Collage has also pushed the boundaries of animation, by incorporating other artistic forms (e.g., photography, live action, experimental cinema, literature, found sound) while exploring an array of social, cultural and political issues. In Earmarked for Collision, award-winning writer Chris Robinson (The Animation Pimp, Mad Eyed Misfits, Unsung Heroes of Animation) takes us on a tour of the history of collage animation, cataloguing the collage works of notable artists like Larry Jordan, Harry Smith, Stan Vanderbeek, Terry Gilliam, Janie Geiser, Martha Colburn, Lewis Klahr, Run Wrake, Lei Lei, Kelly Sears, Jodie Mack, and many, many others.
Author: Laura Buono
Publisher: CRC Press
ISBN: 1000996875
Category : Computers
Languages : en
Pages : 121
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Book Description
This unique book examines the career of Michel Ocelot, from his earliest works to his latest research and productions, including an interview regarding his latest film Le Pharaon, le Sauvage et la Princesse (2022). The book highlights the director’s role in the panorama of contemporary animated cinema and his relationship with the tradition, both artistic and cinematographic. The book carefully analyses the ethical and social nature of Ocelot’s work to underscore the duality of the director’s oeuvre, both artistic and social, using an interdisciplinary approach that blends film and aesthetic criticism with gender studies and decolonial thought. Particular attention will be given to the themes of multiculturalism, discrimination, and treatment of women, which are at the centre of many current cultural debates. The book will be of interest to an audience of experts, animation enthusiasts, and film scholars, as well as to a wider readership interested in learning about the poetics of Kirikou’s father.
Author: Laura Pontieri
Publisher: CRC Press
ISBN: 1000912442
Category : Computers
Languages : en
Pages : 181
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Book Description
This book is a first and long-awaited study of the directorial work of the animation master Fëdor Khitruk (1917–2012), an artist who formed in the tradition of classical cel animation only to break the conventions once he turned into a director; a liaison between artists and authorities; a personality who promoted daring films to be created in the Soviet Union dominated by socialist realism; and a teacher and supporter of young artists that continued to carry on his legacy long after the Soviet empire collapsed. Fëdor Khitruk: A Look at Soviet Animation through the Work of One Master reveals Khitruk’s mastery in the art of the moving image and his critical role as a director of films that changed the look of Soviet animation and its relation to the animation world within and beyond the Eastern Bloc. Based on archival research, personal interviews, published memoirs, and perceptive analyses of Khitruk’s production of films for children and adults, this study is a must-read for scholars in Soviet art and culture as well as readers fascinated by traditional animation art.
Author:
Publisher:
ISBN:
Category : Shock (Mechanics)
Languages : en
Pages : 274
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Book Description
Author: Owen
Publisher:
ISBN:
Category :
Languages : en
Pages : 258
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Book Description
Author: Iris Gower
Publisher: Canelo
ISBN: 1788639596
Category : Fiction
Languages : en
Pages : 526
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Book Description
A woman steers her own destiny in a deeply emotional tale set in South Wales at the beginning of the century from the author of A Royal Ambition. From the ashes of the war, can love blossom? Rhian Grey left her home in Sweyn’s Eye to make a life for herself in Yorkshire, where she learned the skills of spinning and weaving. She also learned to love Mansel Jack, a charismatic and ambitious mill-owner. When Rhian returns to Sweyn’s Eye, it is to a town torn apart by anxiety and uncertainty, by the devastation of the Great War, a town whose worker’s lives are governed by fear. Amidst the anguish and dedication of the women who were left behind, Rhian must decide where her own future lies—in respectable marriage to Heath Jenkins, her former sweetheart—or in the arms of Mansel Jack. Praise for Iris Gower “Iris Gower writes with warmth and fluency.”—The Yorkshire Post “A series well worth watching.”—Publishing News “An atmospheric, compassionate tale.”—Daily Post “Packed with action, drama and tragedy.”—South Wales Evening Post
Author: Jesse Bull
Publisher: Jesse Bull, Logan McHenry
ISBN: 0985546808
Category : Fiction
Languages : en
Pages : 79
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Book Description
Tokyo, 2034 A.D. Japan has finally relaxed her borders to allow an overdue influx of immigration, and with it subsequent street crime and true multilingual diversity. The world's first transition to an entirely cashless banking system has created a society completely reliant on the Personal Life Assistant, or PLA, a mobile device that acts as phone, wallet, keys, identification and more. Over the course of roughly one week a story of technological security, financial terrorism and socioeconomic upheaval unfolds around a small cast of characters, including J., an American banker, Sana, a female television personality, and Shade, an underground tech kingpin shrouded in mystery. The Wharf is a subversive, parodical black comedy and also a classic crime novel penned by two Americans with a combined twelve years experience working, studying and living in Japan.
