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Author: Scott Gant
Publisher: Simon and Schuster
ISBN: 1416545948
Category : Law
Languages : en
Pages : 259
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Book Description
As the internet continues to reshape almost all corners of our world, no institution has been more profoundly altered than the practice of journalism and distribution of information. In this provocative new book, Scott Gant, a distinguished Washington attorney and constitutional law scholar, argues that we as a society need to rethink our notions of what journalism is, who is a journalist and exactly what the founding fathers intended when they referred to "the freedom of the press." Are bloggers journalists, even if they receive no income? Even if they are unedited and sometimes irresponsible? Many traditional news organizations would say no. But Gant contends otherwise and suggests we think of these sometimes unruly online purveyors of information and opinion as heirs to those early pamphleteers who helped shape our fledgling democracy. He gives us a persuasive and engaging argument for affording bloggers and everyone else who disseminates information and opinion in the U.S. the same rights and privileges that traditional journalists enjoy. The rise of the Internet and blogosphere has blurred the once distinct role of the media in our society. It wasn't long ago that the line between journalists and the rest of us seemed relatively clear: Those who worked for news organizations were journalists and everyone else was not. Those days are gone. On the Internet, the line has totally disappeared. It's harder than ever to answer the question, "Who is a journalist?" Yet it is a question asked routinely in American courtrooms and legislatures because there are many circumstances where those deemed "journalists" are afforded rights and privileges not available to the rest of us. The question will become increasingly important as the transformation of journalism continues, and bloggers and other "citizen journalists" battle for equal standing with professional journalists. Advancing arguments that are sure to stir controversy, Scott Gant leads the debate with a serious yet accessible discussion about whether, where, and how the government can decide who is a journalist. Challenging the mainstream media, Gant puts forth specific arguments about how to change existing laws and makes elegant suggestions for new laws that will properly account for the undeniable reality that We're All Journalists Now. For all of us who care about the ways in which the digital revolution is sweeping through our culture, this is a work of opinion that will be seen as required reading.
Author: Scott Gant
Publisher: Free Press
ISBN: 9780743299275
Category : Law
Languages : en
Pages : 0
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Book Description
There is a battle brewing in American life in which bloggers and other citizen journalists will demand the same rights and privileges traditionally enjoyed by professional journalists. What is a journalist? What differentiates journalists from other people who seek to disseminate ideas and information to the public? Does whether someone is considered a journalist depend on where his or her words are published? On whether he gets paid? On whether she offers only "objective" facts or also supplies her own analysis and ideas? It was not long ago that the lines between journalists and the rest of us seemed relatively clear. Those who worked for "news" organizations were journalists; everyone else was not. In the view of most, you knew the press when you saw it. Those days are gone. Thanks to the internet and the growing "blogosphere," the lines distinguishing journalists from other people who disseminate information, ideas and opinions to a wide audience have been blurred, perhaps beyond recognition. Some of that blurring has resulted from forces outside the media, some from the transformation of the media itself. Whatever the causes, it is harder than ever to tell who is a journalist.
Author: Scott Gant
Publisher: Simon and Schuster
ISBN: 1416545948
Category : Law
Languages : en
Pages : 259
Get Book Here
Book Description
As the internet continues to reshape almost all corners of our world, no institution has been more profoundly altered than the practice of journalism and distribution of information. In this provocative new book, Scott Gant, a distinguished Washington attorney and constitutional law scholar, argues that we as a society need to rethink our notions of what journalism is, who is a journalist and exactly what the founding fathers intended when they referred to "the freedom of the press." Are bloggers journalists, even if they receive no income? Even if they are unedited and sometimes irresponsible? Many traditional news organizations would say no. But Gant contends otherwise and suggests we think of these sometimes unruly online purveyors of information and opinion as heirs to those early pamphleteers who helped shape our fledgling democracy. He gives us a persuasive and engaging argument for affording bloggers and everyone else who disseminates information and opinion in the U.S. the same rights and privileges that traditional journalists enjoy. The rise of the Internet and blogosphere has blurred the once distinct role of the media in our society. It wasn't long ago that the line between journalists and the rest of us seemed relatively clear: Those who worked for news organizations were journalists and everyone else was not. Those days are gone. On the Internet, the line has totally disappeared. It's harder than ever to answer the question, "Who is a journalist?" Yet it is a question asked routinely in American courtrooms and legislatures because there are many circumstances where those deemed "journalists" are afforded rights and privileges not available to the rest of us. The question will become increasingly important as the transformation of journalism continues, and bloggers and other "citizen journalists" battle for equal standing with professional journalists. Advancing arguments that are sure to stir controversy, Scott Gant leads the debate with a serious yet accessible discussion about whether, where, and how the government can decide who is a journalist. Challenging the mainstream media, Gant puts forth specific arguments about how to change existing laws and makes elegant suggestions for new laws that will properly account for the undeniable reality that We're All Journalists Now. For all of us who care about the ways in which the digital revolution is sweeping through our culture, this is a work of opinion that will be seen as required reading.
Author: Alicia C. Shepard
Publisher: Turner Publishing Company
ISBN: 0470362456
Category : Biography & Autobiography
Languages : en
Pages : 242
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Book Description
Based on new interviews and never-before-seen archival materials, Woodward and Bernstein takes a fresh, thought-provoking look at this unlikely journalistic duo. Thrown together by fate or luck, Woodward and Bernstein changed the face of journalism and the American presidency. For the first time, Shepard separates myth from reality as she traces the lives of the iconic journalists before and after Watergate.
Author: Patrick Lawrence
Publisher: Clarity Press
ISBN: 9781949762785
Category : Political Science
Languages : en
Pages : 0
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Book Description
Part memoir, part social history, Journalists and Their Shadows captures the deplorable state of the American media in our time--recording its deterioration, its moments of crisis, and, ultimately, its transformation as seen through the eyes of a journalist engaged at its very heart through all its phases. The press had a bad Cold War, Patrick Lawrence contends, and never recovered from it. Why? Because it never acknowledged its errors and so could not learn from them. Its dysfunctional relationship with the national security state today is strikingly reminiscent of how it was in the Cold War's earliest days. With remarkable fidelity, all the old errors are being repeated. As a result, the mainstream American media have entered into a period of profound transformation, in the course of which independent media are emerging as the profession's most dynamic sector--and represent, indeed, the promise of a brilliant future. A weave of three elements, Lawrence's book offers a searing cultural and political critique, punctuated by the kind of piquant detail only insiders can provide. He also makes the case for a way forward--an optimistic case based on the vitality now apparent among independent media. Here, too, he is at home, providing the book's most original coverage of this brave new world. The memoir woven throughout this history draws upon the author's many years in the profession, ranging from his decades as foreign correspondent for the venerable International Herald Tribune to his work now as a columnist for the notable and fearless independent news outlet, Consortium News. Shadows also probes a psychological question that must be understood if we are to address the current crisis. Journalists in our time are divided within themselves--driven to meet thoroughly professional but ideologically conformist standards, but on the other, subliminally struggling to breach the barriers that preclude the truths they know should be conveyed. This latter, as Jung has put it, is the journalist's shadow. Shadows' case for the reintegration of the divided journalist is striking and original. This record of the American media's increasingly shabby betrayal of the public trust sheds light on why the American public thought and thinks the way it does, how it has become aware that the truth it seeks is absent, and where and how it may yet be able to ferret it out. Here is a guide to the future, in fact, of journalism itself
Author: Norman Pearlstine
Publisher: Farrar, Straus and Giroux
ISBN: 0374708347
Category : Political Science
Languages : en
Pages : 304
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Book Description
When Norman Pearlstine—as editor in chief of Time Inc.—agreed to give prosecutor Patrick Fitzgerald a reporter's notes of a conversation with a "confidential source," he was vilified for betraying the freedom of the press. But in this hard-hitting inside story, Pearlstine shows that "Plamegate" was not the clear case it seemed to be—and that confidentiality has become a weapon in the White House's war on the press, a war fought with the unwitting complicity of the press itself. Watergate and the publication of the Pentagon Papers are the benchmark incidents of government malfeasance exposed by a fearless press. But as Pearlstine explains with great clarity and brio, the press's hunger for a new Watergate has made reporters vulnerable to officials who use confidentiality to get their message out, even if it means leaking state secrets and breaking the law. Prosecutors appointed to investigate the government have investigated the press instead; news organizations such as The New York Times have defended the principle of confidentiality at all costs—implicitly putting themselves above the law. Meanwhile, the use of unnamed sources has become common in everything from celebrity weeklies to the so-called papers of record. What is to be done? Pearlstine calls on Congress to pass a federal shield law protecting journalists from the needless intrusions of government; at the same time, he calls on the press to name its sources whenever possible. Off the Record is a powerful argument with the vividness and narrative drive of the best long-form journalism; it is sure to spark controversy among the people who run the government—and among the people who tell their stories.
Author: Martin Baron
Publisher: Flatiron Books
ISBN: 1250844215
Category : History
Languages : en
Pages : 362
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Book Description
“A closely observed, gripping chronicle of politics and journalism during a decade of turmoil.” —The New York Times Book Review Politics. Money. Media. Tech. ...It’s all here in Collision of Power. “All the President's Men for a new generation.” —Town & Country Marty Baron took charge of The Washington Postnewsroom in 2013, after nearly a dozen years leading The Boston Globe. Just seven months into his new job, Baron received explosive news: Jeff Bezos, the founder of Amazon, would buy the Post, marking a sudden end to control by the venerated family that had presided over the paper for 80 years. Just over two years later, Donald Trump won the presidency. Now, the capital’s newspaper, owned by one of the world’s richest men, was tasked with reporting on a president who had campaigned against the press as the “lowest form of humanity.” Pressures on Baron and his colleagues were immense and unrelenting, having to meet the demands of their new owner while contending with a president who waged a war of unprecedented vitriol and vengeance against the media. In the face of Trump’s unceasing attacks, Baron steadfastly managed the Post’s newsroom. Their groundbreaking and award-winning coverage included stories about Trump’s purported charitable giving, misconduct by the Secret Service, and Roy Moore’s troubling sexual history. At the same time, Baron managed a restive staff during a period of rapidly changing societal dynamics around gender and race. In Collision of Power, Baron recounts this with the tenacity of a reporter and the sure hand of an experienced editor. The result is elegant and revelatory―an urgent exploration of the nature of power in the 21st century.
Author: Alecia Swasy
Publisher: Lexington Books
ISBN: 1498532195
Category : Language Arts & Disciplines
Languages : en
Pages : 111
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Book Description
How Journalists Use Twitter: The Changing Landscape of U.S. Newsrooms shows how leading reporters and editors at four major metropolitan newspapers are embracing Twitter as a key tool in their daily routines and how the social media platform influences coverage. This book builds on social media research by analyzing newsroom work through the lens of four different communications theories—diffusion of innovation, boundary, social capital and agenda-setting theories. This book will be of interest to scholars of communication, journalism, and new media.
Author: Joan Deppa
Publisher: NYU Press
ISBN: 9780814718575
Category : Social Science
Languages : en
Pages : 346
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Book Description
The lucidly written, sobering account of how the press fared in covering the tragedy and how news organizations might improve on their disasters coverage in the future. --Quill On a bitter December night in 1988, Pan Am Flight 103, the Maid of the Seas, flying from Frankfurt to New York, exploded over Lockerbie, Scotland, killing 270 people. Among the victims were citizens from over 21 countries, 11 villagers, and 35 Syracuse University students returning home from studying abroad. The bombing set in motion a drama of epic proportions, played out on television screens and newspaper pages around the world. Scenes from the tragedy etched themselves on the public consciousness: a screaming mother at Kennedy Airport, collapsing upon learning of the fate of her child; flames engulfing the modest homes of Lockerbie; weeping Syracuse University students in mourning at a basketball game; the mangled cockpit of the jumbo jet resting in an idyllic Scottish meadow. Behind these scenes, another drama unfolded: Hundreds of journalists swarmed to the traumatized village. In New York, scores of reporters, photographers, and cameramen rushed to the airport to record the reactions of bereaved family members. All over the country, people watched the names of the dead scrolling across their televisions, many praying for those presumed to be on board. The disaster also engulfed institutions, many unprepared to mediate between the public's need for informations and the need for privacy by those most affected. In engrossing detail, THE MEDIA AND DISASTERS chronicles the story behind the headlines, illustrating how the media and the people it encounter in pursuit of the news experienced and affected the journalistic process. The book addresses, in narrative fashion, the universal themes common to most tragedies, emphasizing the increasingly powerful role of the media and its agents in representing such catastrophes to the world. Joan Deppa and her coauthors, all of whom witnessed the effects of this media coverage at Syracuse University, focus on reactions to the disaster--individual and collective. Journalists, police, government officials, rescue workers, and witnesses all had to make important ethical decisions immediately, under conditions of great stress: --how should families of the victims be informed? --What could journalists do to get the story without adding to the distress of grieving families and friends? --should the terrible human carnage of such a disaster be conveyed--in words, in photographs, on television? One particularly telling debate on these issues pits editors of the New York Daily Newsagainst those of Newsday. The destruction of Flight 103 forever altered the media landscape. It marked a watershed moment in media history, a turning point in the global coverage of disasters. Just as the Gulf War was piped directly into living rooms two years later, disasters were now live events. THE MEDIA AND DISASTERS is must reading for anyone interested in journalism, communications, the evolution of the media, and institutional responses to disaster.
Author: George M. Killenberg
Publisher: Focal Press
ISBN: 9781138136823
Category : Language Arts & Disciplines
Languages : en
Pages : 0
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Book Description
Everyday life, no whether the issues or events arise next-door or a continent away, raises questions and concerns that the public counts on journalists to answer and, more important, confront. More than ever before, we all rely on the news media for warnings, explanations and insights. The profession - and society - cannot afford lazy, inept, uncommitted journalists. Today's reporters must learn how to cover public affairs intelligently and thoroughly. First you must learn about the institutions and people who influence the news; understanding how a legislative conference committee functions or how a trial is conducted remain important pre-requisites. But it is not enough merely to know how to report. Journalists must also understand how they see, define and influence the news. Don't be fooled by the daily dose of fluffy stories about fads, fashions or fetishes. People love to revel in celebrity gossip or fantasize about extreme makeovers. But Donald Trump's love life or the South Beach Diet don't satisfy when people worry about a home invasion in their neighborhood or a rezoning proposal to bring a Wal-Mart super center to town or a Department of Education report that their child's school scored bottom-most in reading achievement. Public Affairs Reporting Now is intended to teach you the best practices and give you the best advice for covering what's generically known as "public affairs reporting." It's a term that's neither inspiring nor precise, but it's long been a convenient way of describing the kind of news coverage that keeps people informed as citizens and keeps our institutions, public and private, focused on the public good.
Author: Alan Rusbridger
Publisher: Macmillan + ORM
ISBN: 0374717214
Category : Language Arts & Disciplines
Languages : en
Pages : 354
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Book Description
An urgent account of the revolution that has upended the news business, written by one of the most accomplished journalists of our time Technology has radically altered the news landscape. Once-powerful newspapers have lost their clout or been purchased by owners with particular agendas. Algorithms select which stories we see. The Internet allows consequential revelations, closely guarded secrets, and dangerous misinformation to spread at the speed of a click. In Breaking News, Alan Rusbridger demonstrates how these decisive shifts have occurred, and what they mean for the future of democracy. In the twenty years he spent editing The Guardian, Rusbridger managed the transformation of the progressive British daily into the most visited serious English-language newspaper site in the world. He oversaw an extraordinary run of world-shaking scoops, including the exposure of phone hacking by London tabloids, the Wikileaks release of U.S.diplomatic cables, and later the revelation of Edward Snowden’s National Security Agency files. At the same time, Rusbridger helped The Guardian become a pioneer in Internet journalism, stressing free access and robust interactions with readers. Here, Rusbridger vividly observes the media’s transformation from close range while also offering a vital assessment of the risks and rewards of practicing journalism in a high-impact, high-stress time.
