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Author: Deborah Schaumberg
Publisher: HarperCollins
ISBN: 0062656465
Category : Young Adult Fiction
Languages : en
Pages : 372
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Book Description
New York, 1882. A dark, forbidding city, and no place for a girl with unexplainable powers. Deborah Schaumberg’s gripping debut takes readers on a breathless trip across a teeming turn-of-the-century New York and asks the question: Where can you hide in a city that wants you buried? Sixteen-year-old Avery Kohl pines for the life she had before her mother was taken. She fears the mysterious men in crow masks who locked her mother in the Tombs asylum for being able to see what others couldn’t. Avery denies the signs in herself, focusing instead on her shifts at the ironworks factory and keeping her inventor father out of trouble. Other than listening to secondhand tales of adventure from her best friend, Khan, an ex-slave, and caring for her falcon, Seraphine, Avery spends her days struggling to survive. Like her mother’s, Avery’s powers refuse to be contained. When she causes a bizarre explosion at the factory, she has no choice but to run from her lies, straight into the darkest corners of the city. Avery must embrace her abilities and learn to wield their power—or join her mother in the cavernous horrors of the Tombs. And the Tombs has secrets of its own: strange experiments are being performed on “patients”...and no one knows why.
Author: Deborah Schaumberg
Publisher: HarperCollins
ISBN: 0062656465
Category : Young Adult Fiction
Languages : en
Pages : 372
Get Book Here
Book Description
New York, 1882. A dark, forbidding city, and no place for a girl with unexplainable powers. Deborah Schaumberg’s gripping debut takes readers on a breathless trip across a teeming turn-of-the-century New York and asks the question: Where can you hide in a city that wants you buried? Sixteen-year-old Avery Kohl pines for the life she had before her mother was taken. She fears the mysterious men in crow masks who locked her mother in the Tombs asylum for being able to see what others couldn’t. Avery denies the signs in herself, focusing instead on her shifts at the ironworks factory and keeping her inventor father out of trouble. Other than listening to secondhand tales of adventure from her best friend, Khan, an ex-slave, and caring for her falcon, Seraphine, Avery spends her days struggling to survive. Like her mother’s, Avery’s powers refuse to be contained. When she causes a bizarre explosion at the factory, she has no choice but to run from her lies, straight into the darkest corners of the city. Avery must embrace her abilities and learn to wield their power—or join her mother in the cavernous horrors of the Tombs. And the Tombs has secrets of its own: strange experiments are being performed on “patients”...and no one knows why.
Author: Tim Gautreaux
Publisher: Macmillan + ORM
ISBN: 1466833939
Category : Fiction
Languages : en
Pages : 213
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Book Description
A master storyteller's triumphant, moving collection about lost souls, found love, and rediscovered tradition Tim Gautreaux returns to the form that won him his first fans, with tales of family, sin, and redemption: from a man who realizes his grandchildren are growing up without any sense of right or wrong, and he's to blame; to a camera repairman who uncovers a young woman's secret in the undeveloped film she brings him; to a one-armed hitch-hiker who changes the life of the man who gives her a ride. Each one a small miracle of storytelling and compassion, these stories in Welding with Children are a joyous confirmation of Tim Gautreaux's rare and generous talent.
Author: John Eyre Winstanley Wallis
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 136
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Book Description
Author: Lola E. Neeley
Publisher: Xlibris Corporation
ISBN: 145358398X
Category : Fiction
Languages : en
Pages : 225
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Book Description
Author: Charlotte Weld Fowler
Publisher:
ISBN:
Category :
Languages : en
Pages : 80
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Book Description
Author: Lisa Wheeler
Publisher: Penguin
ISBN: 1984814346
Category : Juvenile Fiction
Languages : en
Pages : 48
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Book Description
Buildings, bridges, and books don't exist without the workers who are often invisible in the final product, as this joyous and profound picture book reveals from acclaimed author of The Christmas Boot Lisa Wheeler and New York Times bestselling illustrator of Love Loren Long All across this great big world, jobs are getting done by many hands in many lands. It takes much more than ONE. Gorgeously written and illustrated, this is an eye-opening exploration of the many types of work that go into building our world--from the making of a bridge to a wind farm, an amusement park, and even the very picture book that you are reading. An architect may dream up the plans for a house, but someone has to actually work the saws and pound the nails. This book is a thank-you to the skilled women and men who work tirelessly to see our dreams brought to life.
Author: Allen Hayden Weld
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 248
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Book Description
Author: Charles Grosvenor Osgood
Publisher:
ISBN:
Category : Concordances
Languages : en
Pages : 1018
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Book Description
Author: Roger Ebert
Publisher: Andrews McMeel Publishing
ISBN: 9780740706721
Category : Performing Arts
Languages : en
Pages : 402
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Book Description
I Hated, Hated, Hated This Movie is a collection of more than 200 of Ebert's most biting and entertaining reviews of films receiving a mere star or less from the only film critic to win the Pulitzer Prize. Ebert has no patience for these atrocious movies and minces no words in skewering the offenders.Witness:Armageddon * (1998) - The movie is an assault on the eyes, the ears, the brain, common sense, and the human desire to be entertained. No matter what they're charging to get in, it's worth more to get out.The Beverly Hillbillies* (1993) - Imagine the dumbest half-hour sitcom you've ever seen, spin it out to ninety-three minutes by making it even more thin and shallow, and you have this movie. It's appalling.North no stars (1994) - I hated this movie. Hated hated hated hated hated this movie. Hated it. Hated every simpering stupid vacant audience-insulting moment of it. Hated the sensibility that thought anyone would like it. Hated the implied insult to the audience by its belief that anyone would be entertained by it.Police Academy no stars (1984) - It's so bad, maybe you should pool your money and draw straws and send one of the guys off to rent it so that in the future, whenever you think you're sitting through a bad comedy, he could shake his head, chuckle tolerantly, and explain that you don't know what bad is.Dear God * (1996) - Dear God is the kind of movie where you walk out repeating the title, but not with a smile.The movies reviewed within I Hated, Hated, Hated This Movie are motion pictures you'll want to distance yourself from, but Roger Ebert's creative and comical musings on those films make for a book no movie fan should miss.
Author: Kate Millett
Publisher: Verso Books
ISBN: 178960799X
Category : Biography & Autobiography
Languages : en
Pages : 404
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Book Description
Kate Millett's tremulous and hauntingly beautiful memoir begins with a telephone call from Minnesota where her mother is dying. Her return home to a severe, intelligent, and controlling matriarch is the catalyst for a meditation on her upbringing in middle America and her subsequent outcast status as a political activist, artist, and lesbian. Mother Millett is an intensely personal journey through the author's interior life, a subject she has visited over the years in such classic texts as Sita and The Loony Bin Trip. In these pages are reflections on a life of political engagement, beginning with the sexual politics of the feminist movement, proceeding to the struggle for gay liberation, and culminating in her campaign for housing rights on the Lower East Side of New York where she and her neighbors currently face eviction. Throughout, Millett confronts her fears of losing her mother, the anchor to a world she has long ago rejected but which continues to define her. Echoing Philip Roth's Patrimony, Millett writes with great poignancy about caring for the person who brought her into the world, a role reversal that brings with it both devastation and grace.
