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Author:
Publisher:
ISBN:
Category : Art
Languages : ms
Pages : 176
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Author:
Publisher:
ISBN:
Category : Art
Languages : ms
Pages : 176
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Book Description
Author: Graeme Wilkinson
Publisher: Sunway University Press
ISBN: 9675492724
Category : Art
Languages : en
Pages : 259
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Book Description
Colours of Malaysia: The Art of Amirudin Ariffin features the works of Malaysian artist Amirudin Ariffin whose oil paintings and watercolours capture the true spirit of Malaysia and the lives and emotions of ordinary citizens. For the first time, some of Ariffin's most distinctive and remarkable works, including city scenes, landscapes, portraits, and abstracts, are brought together in a single volume that demonstrates the quality and breadth of his art and the narratives underlying the works.
Author:
Publisher:
ISBN:
Category : Art, Malaysian
Languages : en
Pages : 316
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Author:
Publisher:
ISBN:
Category : Art
Languages : ms
Pages : 224
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Author: J. A. J. Verheijen
Publisher:
ISBN:
Category : Bajau language
Languages : en
Pages : 262
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Author: John Crawfurd
Publisher: London : [s.n.]
ISBN:
Category : English language
Languages : id
Pages : 426
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Author: John Crawfurd
Publisher: Legare Street Press
ISBN: 9781020906961
Category :
Languages : en
Pages : 0
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Book Description
This comprehensive grammar and dictionary provides a thorough introduction to the Malay language and culture. With examples drawn from literature and daily life, Crawfurd provides an essential resource for anyone seeking to learn this beautiful and complex language. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Susan Felleman
Publisher: University of Texas Press
ISBN: 0292782055
Category : Performing Arts
Languages : en
Pages : 214
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Book Description
Bringing an art historical perspective to the realm of American and European film, Art in the Cinematic Imagination examines the ways in which films have used works of art and artists themselves as cinematic and narrative motifs. From the use of portraits in Vertigo to the cinematic depiction of women artists in Artemisia and Camille Claudel, Susan Felleman incorporates feminist and psychoanalytic criticism to reveal individual and collective perspectives on sex, gender, identity, commerce, and class. Probing more than twenty films from the postwar era through contemporary times, Art in the Cinematic Imagination considers a range of structurally significant art objects, artist characters, and art-world settings to explore how the medium of film can amplify, reinvent, or recontextualize the other visual arts. Fluently speaking across disciplines, Felleman's study brings a broad array of methodologies to bear on questions such as the evolution of the "Hollywood Love Goddess" and the pairing of the feminine with death on screen. A persuasive approach to an engaging body of films, Art in the Cinematic Imagination illuminates a compelling and significant facet of the cinematic experience.
Author: Angela Dalle Vacche
Publisher: University of Texas Press
ISBN: 9780292715837
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
The visual image is the common denominator of cinema and painting, and indeed many filmmakers have used the imagery of paintings to shape or enrich the meaning of their films. In this discerning new approach to cinema studies, Angela Dalle Vacche discusses how the use of pictorial sources in film enables eight filmmakers to comment on the interplay between the arts, on the dialectic of word and image, on the relationship between artistic creativity and sexual difference, and on the tension between tradition and modernity. Specifically, Dalle Vacche explores Jean-Luc Godard's iconophobia (Pierrot Le Fou) and Andrei Tarkovsky's iconophilia (Andrei Rubleov), Kenji Mizoguchi's split allegiances between East and West (Five Women around Utamaro), Michelangelo Antonioni's melodramatic sensibility (Red Desert), Eric Rohmer's project to convey interiority through images (The Marquise of O), F. W. Murnau's debt to Romantic landscape painting (Nosferatu), Vincente Minnelli's affinities with American Abstract Expressionism (An American in Paris), and Alain Cavalier's use of still life and the close-up to explore the realms of mysticism and femininity (Thérèse). While addressing issues of influence and intentionality, Dalle Vacche concludes that intertextuality is central to an appreciation of the dialogical nature of the filmic medium, which, in appropriating or rejecting art history, defines itself in relation to national traditions and broadly shared visual cultures.
Author:
Publisher:
ISBN: 9780734041067
Category : Architecture
Languages : en
Pages : 151
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Book Description
