Author: John Ringo
Publisher: Baen Books
ISBN: 0743499182
Category : Fiction
Languages : en
Pages : 237
Book Description
In the dark days after the events in the book Gust Front, but before the primary invasion, the Chancellor of Germany faces a critical decision.
Watch on the Rhine
Author: John Ringo
Publisher: Baen Books
ISBN: 0743499182
Category : Fiction
Languages : en
Pages : 237
Book Description
In the dark days after the events in the book Gust Front, but before the primary invasion, the Chancellor of Germany faces a critical decision.
Publisher: Baen Books
ISBN: 0743499182
Category : Fiction
Languages : en
Pages : 237
Book Description
In the dark days after the events in the book Gust Front, but before the primary invasion, the Chancellor of Germany faces a critical decision.
Watch on the Rhine
Author: Lillian Hellman
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822212232
Category : Drama
Languages : en
Pages : 80
Book Description
THE STORY: Concerns an idealistic German who, with his American wife and two children, flees Hitler's Germany and finds sanctuary with his wife's family in the United States. He hopes for a respite from the dangerous work in which he has been invol
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822212232
Category : Drama
Languages : en
Pages : 80
Book Description
THE STORY: Concerns an idealistic German who, with his American wife and two children, flees Hitler's Germany and finds sanctuary with his wife's family in the United States. He hopes for a respite from the dangerous work in which he has been invol
Four Hours of Fury
Author: James M. Fenelon
Publisher: Scribner
ISBN: 1501179381
Category : History
Languages : en
Pages : 448
Book Description
“Compellingly chronicles one of the least studied great episodes of World War II with power and authority…A riveting read” (Donald L. Miller, New York Times bestselling author of Masters of the Air) about World War II’s largest airborne operation—one that dropped 17,000 Allied paratroopers deep into the heart of Nazi Germany. On the morning of March 24, 1945, more than two thousand Allied aircraft droned through a cloudless sky toward Germany. Escorted by swarms of darting fighters, the armada of transport planes carried 17,000 troops to be dropped, via parachute and glider, on the far banks of the Rhine River. Four hours later, after what was the war’s largest airdrop, all major objectives had been seized. The invasion smashed Germany’s last line of defense and gutted Hitler’s war machine; the war in Europe ended less than two months later. Four Hours of Fury follows the 17th Airborne Division as they prepare for Operation Varsity, a campaign that would rival Normandy in scale and become one of the most successful and important of the war. Even as the Third Reich began to implode, it was vital for Allied troops to have direct access into Germany to guarantee victory—the 17th Airborne secured that bridgehead over the River Rhine. And yet their story has until now been relegated to history’s footnotes. In this viscerally exciting account, paratrooper-turned-historian James Fenelon “details every aspect of the American 17th Airborne Division’s role in Operation Varsity...inspired” (The Wall Street Journal). Reminiscent of A Bridge Too Far and Masters of the Air, Four Hours of Fury does for the 17th Airborne what Band of Brothers did for the 101st. It is a captivating, action-packed tale of heroism and triumph spotlighting one of World War II’s most under-chronicled and dangerous operations.
Publisher: Scribner
ISBN: 1501179381
Category : History
Languages : en
Pages : 448
Book Description
“Compellingly chronicles one of the least studied great episodes of World War II with power and authority…A riveting read” (Donald L. Miller, New York Times bestselling author of Masters of the Air) about World War II’s largest airborne operation—one that dropped 17,000 Allied paratroopers deep into the heart of Nazi Germany. On the morning of March 24, 1945, more than two thousand Allied aircraft droned through a cloudless sky toward Germany. Escorted by swarms of darting fighters, the armada of transport planes carried 17,000 troops to be dropped, via parachute and glider, on the far banks of the Rhine River. Four hours later, after what was the war’s largest airdrop, all major objectives had been seized. The invasion smashed Germany’s last line of defense and gutted Hitler’s war machine; the war in Europe ended less than two months later. Four Hours of Fury follows the 17th Airborne Division as they prepare for Operation Varsity, a campaign that would rival Normandy in scale and become one of the most successful and important of the war. Even as the Third Reich began to implode, it was vital for Allied troops to have direct access into Germany to guarantee victory—the 17th Airborne secured that bridgehead over the River Rhine. And yet their story has until now been relegated to history’s footnotes. In this viscerally exciting account, paratrooper-turned-historian James Fenelon “details every aspect of the American 17th Airborne Division’s role in Operation Varsity...inspired” (The Wall Street Journal). Reminiscent of A Bridge Too Far and Masters of the Air, Four Hours of Fury does for the 17th Airborne what Band of Brothers did for the 101st. It is a captivating, action-packed tale of heroism and triumph spotlighting one of World War II’s most under-chronicled and dangerous operations.
Bingen on the Rhine
Author: Caroline Sheridan Norton
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 58
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 58
Book Description
The Sisters Rosensweig
Author: Wendy Wasserstein
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156000130
Category : Drama
Languages : en
Pages : 130
Book Description
Three Jewish middle-aged sisters, originally from Brooklyn, come together in Queen Anne's Gate, London, to celebrate the fifty-fourth birthday of Sara, the eldest, now a brilliant British banker. Divorced, a single mother, Sara no longer sees the necessity for romance. Gorgeous, suburban housewife and mother, is also a talk-show personality. And Pfeni, journalist and travel writer, still hasn't written her serious book on the women of Tajikistan. Pfeni's boyfriend, Geoffrey, director of the hit musical The Scarlet Pimpernel, brings to Sara's house Mervyn, a faux furrier, "the world leader in synthetic animal protective covering". Sara meets Merv and finds that even at fifty-four there are possibilities. An exuberant, heart-warming, contemporary comedy by one of America's best playwrights.
Publisher: Houghton Mifflin Harcourt
ISBN: 9780156000130
Category : Drama
Languages : en
Pages : 130
Book Description
Three Jewish middle-aged sisters, originally from Brooklyn, come together in Queen Anne's Gate, London, to celebrate the fifty-fourth birthday of Sara, the eldest, now a brilliant British banker. Divorced, a single mother, Sara no longer sees the necessity for romance. Gorgeous, suburban housewife and mother, is also a talk-show personality. And Pfeni, journalist and travel writer, still hasn't written her serious book on the women of Tajikistan. Pfeni's boyfriend, Geoffrey, director of the hit musical The Scarlet Pimpernel, brings to Sara's house Mervyn, a faux furrier, "the world leader in synthetic animal protective covering". Sara meets Merv and finds that even at fifty-four there are possibilities. An exuberant, heart-warming, contemporary comedy by one of America's best playwrights.
Screen Nazis
Author: Sabine Hake
Publisher: University of Wisconsin Pres
ISBN: 0299287130
Category : Performing Arts
Languages : en
Pages : 325
Book Description
From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.
Publisher: University of Wisconsin Pres
ISBN: 0299287130
Category : Performing Arts
Languages : en
Pages : 325
Book Description
From the late 1930s to the early twenty-first century, European and American filmmakers have displayed an enduring fascination with Nazi leaders, rituals, and symbols, making scores of films from Confessions of a Nazi Spy (1939) and Watch on the Rhine (1943) through Des Teufels General (The Devil’s General, 1955) and Pasqualino settebellezze (Seven Beauties, 1975), up to Der Untergang (Downfall, 2004), Inglourious Basterds (2009), and beyond. Probing the emotional sources and effects of this fascination, Sabine Hake looks at the historical relationship between film and fascism and its far-reaching implications for mass culture, media society, and political life. In confronting the specter and spectacle of fascist power, these films not only depict historical figures and events but also demand emotional responses from their audiences, infusing the abstract ideals of democracy, liberalism, and pluralism with new meaning and relevance. Hake underscores her argument with a comprehensive discussion of films, including perspectives on production history, film authorship, reception history, and questions of performance, spectatorship, and intertextuality. Chapters focus on the Hollywood anti-Nazi films of the 1940s, the West German anti-Nazi films of the 1950s, the East German anti-fascist films of the 1960s, the Italian “Naziploitation” films of the 1970s, and issues related to fascist aesthetics, the ethics of resistance, and questions of historicization in films of the 1980s–2000s from the United States and numerous European countries.
Staging the War
Author: Albert Wertheim
Publisher: Indiana University Press
ISBN: 0253110858
Category : History
Languages : en
Pages : 350
Book Description
What happened in American drama in the years between the Depression and the conclusion of World War II? How did war make its impact on the theatre? More important, how was drama used during the war years to shape American beliefs and actions? Albert Wertheim's Staging the War brings to light the important role played by the drama during what might arguably be called the most important decade in American history. As much of the country experienced the dislocation of military service and work in war industries, the dramatic arts registered the enormous changes to the boundaries of social classes, ethnicities, and gender roles. In research ranging over more than 150 plays, Wertheim discusses some of the well-known works of the period, including The Time of Your Life, Our Town, Watch on the Rhine, and All My Sons. But he also uncovers little-known and largely unpublished plays for the stage and radio, by such future luminaries as Arthur Miller and Frank Loesser, including those written at the behest of the U.S. government or as U.S.O. musicals. The American son of refugees who escaped the Third Reich in 1937, Wertheim gives life to this vital period in American history.
Publisher: Indiana University Press
ISBN: 0253110858
Category : History
Languages : en
Pages : 350
Book Description
What happened in American drama in the years between the Depression and the conclusion of World War II? How did war make its impact on the theatre? More important, how was drama used during the war years to shape American beliefs and actions? Albert Wertheim's Staging the War brings to light the important role played by the drama during what might arguably be called the most important decade in American history. As much of the country experienced the dislocation of military service and work in war industries, the dramatic arts registered the enormous changes to the boundaries of social classes, ethnicities, and gender roles. In research ranging over more than 150 plays, Wertheim discusses some of the well-known works of the period, including The Time of Your Life, Our Town, Watch on the Rhine, and All My Sons. But he also uncovers little-known and largely unpublished plays for the stage and radio, by such future luminaries as Arthur Miller and Frank Loesser, including those written at the behest of the U.S. government or as U.S.O. musicals. The American son of refugees who escaped the Third Reich in 1937, Wertheim gives life to this vital period in American history.
Three River Valleys Called Home
Author: Vicki Holmes
Publisher: FriesenPress
ISBN: 1525544659
Category : Fiction
Languages : en
Pages : 681
Book Description
Sometimes people leave their home with the hopes of finding something better. Sometimes they are forced out and chased away. Philip Eamer and his wife, Catrina, experience both in this true story of immigrants searching for a place to call home. The Eamer family’s story begins in 1755 as they leave the Rhine Valley for a better life in America. Once there, they move to the Mohawk River Valley in New York, where they build a home and raise 10 children. Despite the effects of the French Indian War, the Eamers flourish and happily find their lives intertwined with their neighbours and fellow immigrants for almost two decades. However, no family’s story occurs in isolation, and eventually the Eamers find themselves at the mercy of the political and historic events of the American Revolution. Choosing to side with the Crown, they are forced to flee their home at the hands of neighbours and soldiers. What follows next is representative of many Loyalists’ experiences. The Eamer family is forced to make a 370-km (230-mile) trek to Montreal, where they must live in a refugee camp for three years before finally being granted their own land in the St. Lawrence Valley for their loyalty to the King. Told by one of Philip and Catrina’s descendants, Three River Valleys Called Home is historical fiction based on a real family and true events. Although some of the interactions and dialogue may be imagined, they are firmly planted in the harsh realities that many immigrants faced and pay tribute to the true grit of the settlers who built North America. While this book will have special meaning for the thousands of descendants of the Eamer family (and the other families who made up their community), their story will touch anyone with a history of immigration in their family tree.
Publisher: FriesenPress
ISBN: 1525544659
Category : Fiction
Languages : en
Pages : 681
Book Description
Sometimes people leave their home with the hopes of finding something better. Sometimes they are forced out and chased away. Philip Eamer and his wife, Catrina, experience both in this true story of immigrants searching for a place to call home. The Eamer family’s story begins in 1755 as they leave the Rhine Valley for a better life in America. Once there, they move to the Mohawk River Valley in New York, where they build a home and raise 10 children. Despite the effects of the French Indian War, the Eamers flourish and happily find their lives intertwined with their neighbours and fellow immigrants for almost two decades. However, no family’s story occurs in isolation, and eventually the Eamers find themselves at the mercy of the political and historic events of the American Revolution. Choosing to side with the Crown, they are forced to flee their home at the hands of neighbours and soldiers. What follows next is representative of many Loyalists’ experiences. The Eamer family is forced to make a 370-km (230-mile) trek to Montreal, where they must live in a refugee camp for three years before finally being granted their own land in the St. Lawrence Valley for their loyalty to the King. Told by one of Philip and Catrina’s descendants, Three River Valleys Called Home is historical fiction based on a real family and true events. Although some of the interactions and dialogue may be imagined, they are firmly planted in the harsh realities that many immigrants faced and pay tribute to the true grit of the settlers who built North America. While this book will have special meaning for the thousands of descendants of the Eamer family (and the other families who made up their community), their story will touch anyone with a history of immigration in their family tree.
Six Plays by Lillian Hellman
Author: Lillian Hellman
Publisher: Paw Prints
ISBN: 9781439513866
Category :
Languages : en
Pages : 0
Book Description
Six acclaimed plays by Lillian Hellman span nearly twenty years of the American theater from 1934 to 1951
Publisher: Paw Prints
ISBN: 9781439513866
Category :
Languages : en
Pages : 0
Book Description
Six acclaimed plays by Lillian Hellman span nearly twenty years of the American theater from 1934 to 1951
Broadway Goes to War
Author: Robert L. Mclaughlin
Publisher:
ISBN: 9780813180946
Category : History
Languages : en
Pages : 288
Book Description
"Theater is the art by which human beings make or find human action worth watching." -- Paul Woodruff, The Necessity of Theater: The Art of Watching and Being Watched Before World War II, Hollywood dictated what films were released, debuting movies such as The Man I Married (1940), The Mortal Storm (1940), Escape (1940), and The Great Dictator (1940) that conveyed an unambiguously critical view of Nazi Germany and warned the public about the dangers of fascism and the threat of war. Meanwhile, the theater stages in New York broached and debated topics of fascism, interventionism, and the democratic state of the country with productions like Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943) , and A Bell for Adano (1944) . While the United States' government used media platforms such as posters, periodicals, and radio to convey a popular opinion on the war and Germany, theater was not as highly monitored, and writers, directors, actors, and even audiences were able to discuss and argue their viewpoints on topics that would have been considered taboo on a film set. The theater became the perfect medium to express home-front tensions and anxieties. In Broadway Goes to War: American Theater during World War II, authors Robert L. McLaughlin and Sally E. Parry explore numerous theater productions during the era of the Second World War, analyzing how the American stage grappled with significant issues ranging from neutrality and isolationism, to racism and genocide, to heroism and battle fatigue. Theater engaged in public discussion about war's impact on daily life, and McLaughlin and Parry suggest that these productions raised critical topics about the war well before other forms of popular media. Through the details of each production, the authors highlight challenges faced by ordinary people during the war alongside their attempts to overcome and create a better post-war community. American drama of the 1940s is frequently overlooked, especially in comparison with the plays of the surrounding decades. Taken together, the numerous plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. Furthermore, the theater provided an understanding of the complexities of popular culture and how it functioned alongside a world war. Filling a void in World War II scholarship, McLaughlin and Parry provide a unique perspective on theater activity during a time of division and social change. Broadway Goes to War will appeal to historians of wartime studies, film, and theater.
Publisher:
ISBN: 9780813180946
Category : History
Languages : en
Pages : 288
Book Description
"Theater is the art by which human beings make or find human action worth watching." -- Paul Woodruff, The Necessity of Theater: The Art of Watching and Being Watched Before World War II, Hollywood dictated what films were released, debuting movies such as The Man I Married (1940), The Mortal Storm (1940), Escape (1940), and The Great Dictator (1940) that conveyed an unambiguously critical view of Nazi Germany and warned the public about the dangers of fascism and the threat of war. Meanwhile, the theater stages in New York broached and debated topics of fascism, interventionism, and the democratic state of the country with productions like Watch on the Rhine (1941), The Moon is Down (1942), Tomorrow the World (1943) , and A Bell for Adano (1944) . While the United States' government used media platforms such as posters, periodicals, and radio to convey a popular opinion on the war and Germany, theater was not as highly monitored, and writers, directors, actors, and even audiences were able to discuss and argue their viewpoints on topics that would have been considered taboo on a film set. The theater became the perfect medium to express home-front tensions and anxieties. In Broadway Goes to War: American Theater during World War II, authors Robert L. McLaughlin and Sally E. Parry explore numerous theater productions during the era of the Second World War, analyzing how the American stage grappled with significant issues ranging from neutrality and isolationism, to racism and genocide, to heroism and battle fatigue. Theater engaged in public discussion about war's impact on daily life, and McLaughlin and Parry suggest that these productions raised critical topics about the war well before other forms of popular media. Through the details of each production, the authors highlight challenges faced by ordinary people during the war alongside their attempts to overcome and create a better post-war community. American drama of the 1940s is frequently overlooked, especially in comparison with the plays of the surrounding decades. Taken together, the numerous plays performed during this eventful decade provide a picture of the rich and complex experience of living in the US during the war years. Furthermore, the theater provided an understanding of the complexities of popular culture and how it functioned alongside a world war. Filling a void in World War II scholarship, McLaughlin and Parry provide a unique perspective on theater activity during a time of division and social change. Broadway Goes to War will appeal to historians of wartime studies, film, and theater.