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Author: Xianyong Bai
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
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Book Description
Fourteen short stories by one of the major figures in modern Chinese literature.
Author: Xianyong Bai
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
Get Book Here
Book Description
Fourteen short stories by one of the major figures in modern Chinese literature.
Author: Xianyong Bai
Publisher:
ISBN:
Category : Fiction
Languages : en
Pages : 232
Get Book Here
Book Description
Fourteen short stories by one of the major figures in modern Chinese literature.
Author: 白先勇
Publisher: Chinese University Press
ISBN: 9789622018594
Category : Fiction
Languages : en
Pages : 488
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Book Description
The stories in this book appeared some thirty years ago over a period of time in the magazine Hsien-tai wen hsueh (Modern Literature), which Pai Hsien-yung, the author, and other young writers founded, edited and wrote for in Taiwan.
Author: Sung-sheng Chang
Publisher: Duke University Press
ISBN: 9780822313489
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan. As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.
Author: Edward Gunn
Publisher: Stanford University Press
ISBN: 0804766223
Category : Literary Criticism
Languages : en
Pages : 376
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Book Description
Everyone who has studied the upheavals of modern China knows that one of them has taken place in Chinese writing. Anyone who has read Chinese texts has also eventually pondered the possible significance of this upheaval for understanding the text, and vice versa. By analyzing formal features and speculating about their relevance to the construction of a modern Chinese culture, this book intends to show why the Chinese have come to write the way they do in this century. Drawing on linguistic and rhetorical descriptions of language in writing as features of style, the author reviews the innovations that have been introduced into modern Chinese prose from both Chinese and foreign sources. The social history of these features, the attempts by various writers to assert cultural, political, and aesthetic principles through them and the resulting tensions and conventions that arise all form the critical framework for a study of Chinese prose literature and its most innovative authors in this century. The study is introduced and informed throughout by a succinct review o scholarly research from a wide range of disciplines relevant to the question of style as an object of study in contemporary criticism. The book begins its approach to style with an Introduction that draws on Gestalt theory, information theory, and linguistics to develop a nuanced concept of what "style" is, one that gives adequate weight to the complex interplay of psychological, formal, and historical features at work. Two chapters then examine various aspects of convention, necessarily a historical phenomenon. The fourth chapter, by contrast, discusses the aesthetic prescriptions by which modern Chinese writers sought consciously to introduce innovation and points out the limitations of a prescriptive approach. The final two chapters study the strategies of specific writers. Almost half the book is an Appendix that consists of a rich catalog of rhetorical and stylistic examples, drawn from a wide range of twentieth-century Chinese literary writing. These hundreds of examples, identified by the nomenclature of grammar, rhetoric, and sentence cohesion, constitute a veritable handbook of modern Chinese prose. The book also contains a Glossary of terms draw from rhetoric and linguistics.
Author:
Publisher:
ISBN:
Category : Short stories
Languages : en
Pages : 958
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Book Description
Author: Pai Hsienyung
Publisher: The Chinese University of Hong Kong Press
ISBN: 9882370063
Category : Literary Collections
Languages : en
Pages : 220
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Book Description
Literary critics such as C. T. Hsia called Pai Hsienyung a "rare talent" who according to another critic, "has absorbed the diverse techniques of contemporary Western literature to temper and modernize his writing; however, the characters he writes about remain Chinese people and the stories he tells remain Chinese tales." Widely acclaimed as a classic of contemporary fiction, Taipei People has been frequently compared to James Joyce's Dubliners. Henry Miller considers Pai Hsienyung "a master of portraiture." The collection of fourteen stories from this reprint edition has already been translated to great acclaim into French, German, Italian, Dutch, Hebrew, Japanese, and Korean.
Author: Pang-Yuan Chi
Publisher: Indiana University Press
ISBN: 9780253108364
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
"... an important contribution to the study of recent Chinese literature." -- Choice "This fine, scholarly survey of Chinese literature since 1949... discusses such trends as modernism, nativism, realism, root-seeking and 'scar' literature, 'misty' poets, and political, feminist, and societal issues in modern Chinese literature." -- Library Journal This volume is a survey of modern Chinese literature in the second half of the twentieth century. It has three goals: (1) to introduce figures, works, movements, and debates that constitute the dynamics of Chinese literature from 1949 to the end of the century; (2) to depict the enunciative endeavors, ranging from ideological treatises to avant-garde experiments, that inform the polyphonic discourse of Chinese cultural politics; (3) to observe the historical factors that enacted the interplay of literary (post)modernities across the Chinese communities in the Mainland, Taiwan, Hong Kong, and overseas.
Author: Bret Hinsch
Publisher: Univ of California Press
ISBN: 0520078691
Category : History
Languages : en
Pages : 252
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Book Description
Originally published in hardcover in 1990.
Author: Christopher Lupke
Publisher: University of Hawaii Press
ISBN: 082487398X
Category : Literary Criticism
Languages : en
Pages : 392
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Book Description
Few ideas in Chinese discourse are as ubiquitous as ming, variously understood as “command,” “allotted lifespan,” “fate,” or “life.” In the earliest days of Chinese writing, ming was already present, invoked in divinations and etched into ancient bronzes; it has continued to inscribe itself down to the twenty-first century in literature and film. This volume assembles twelve essays by some of the most eminent scholars currently working in Chinese studies to produce the first comprehensive study in English of ming’s broad web of meanings. The essays span the history of Chinese civilization and represent disciplines as varied as religion, philosophy, anthropology, literary studies, history, and sociology. Cross-cultural comparisons between ancient Chinese views of ming and Western conceptions of moira and fatum are discussed, providing a specific point of departure for contrasting the structure of attitudes between the two civilizations. Ming is central to debates on the legitimacy of rulership and is the crucial variable in Daoist manuals for prolonging one’s life. It has preoccupied the philosopher and the poet and weighed on the minds of commoners throughout imperial China. Ming was the subject of the great critic Jin Shengtan’s last major literary work and drove the narrative of such classic novels as The Investiture of the Gods and The Romance of the Three Kingdoms. Confucius, Mencius, and most other great thinkers of the classical age, as well as those in ages to come, had much to say on the subject. It has only been eschewed in contemporary Chinese philosophy, but even its effacement there has ironically turned it into a sort of absent cause. Contributors: Stephen Bokenkamp, Zong-qi Cai, Robert Campany, Woei Lien Chong, Deirdre Sabina Knight, Christopher Lupke, Mu-chou Poo, Michael Puett, Lisa Raphals, P. Steven Sangren, David Schaberg, Patricia Sieber.
