Author: Phyllis Ackerman
Publisher:
ISBN:
Category : Wallpaper
Languages : en
Pages : 332
Book Description
Wallpaper, Its History, Design and Use
Author: Phyllis Ackerman
Publisher:
ISBN:
Category : Wallpaper
Languages : en
Pages : 332
Book Description
Publisher:
ISBN:
Category : Wallpaper
Languages : en
Pages : 332
Book Description
Wallpaper
Author: Carolle Thibaut-Pomerantz
Publisher: Flammarion-Pere Castor
ISBN:
Category : House & Home
Languages : en
Pages : 248
Book Description
Wallpaper was initially used as an affordable substitute for lavish coverings, such as frescoes, tapestries, leathers, or hangings. Its current form debuted in sixteenth-century England, and its popularity took off at the end of the eighteenth century following advances in reproduction techniques. Wallpaper transformed the world of interiors, offering depth and perspective, creating the illusion of panoramic vistas, and incorporating narrative sequences, collections of engravings, or brief morality or history lessons. It eventually developed into the wide range of styles that have marked four centuries of decorative art, from Raphael to conceptual art, and from frescoes to photography. This stunning contribution to wallpaper’s current revival offers a comprehensive review of a savoir faire that continues to thrive.
Publisher: Flammarion-Pere Castor
ISBN:
Category : House & Home
Languages : en
Pages : 248
Book Description
Wallpaper was initially used as an affordable substitute for lavish coverings, such as frescoes, tapestries, leathers, or hangings. Its current form debuted in sixteenth-century England, and its popularity took off at the end of the eighteenth century following advances in reproduction techniques. Wallpaper transformed the world of interiors, offering depth and perspective, creating the illusion of panoramic vistas, and incorporating narrative sequences, collections of engravings, or brief morality or history lessons. It eventually developed into the wide range of styles that have marked four centuries of decorative art, from Raphael to conceptual art, and from frescoes to photography. This stunning contribution to wallpaper’s current revival offers a comprehensive review of a savoir faire that continues to thrive.
Wallpaper
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 492
Book Description
The Cutting Edge of Wallpaper
Author: Timothy Brittain-Catlin
Publisher: Black Dog Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
After a brief look at the past history of wallpaper, this title goes on to explain the techniques & methods being used in wallpaper design today.
Publisher: Black Dog Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
After a brief look at the past history of wallpaper, this title goes on to explain the techniques & methods being used in wallpaper design today.
Wallpaper in America
Author: Catherine Lynn
Publisher: W. W. Norton & Company
ISBN: 9780393014488
Category : Antiques & Collectibles
Languages : en
Pages : 570
Book Description
Drawing on the extensive collections of the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, as well as from sources across America and Europe, the author documents the changing tastes in pattern and color preferences. Richly illustrated with 102 color plates and over 245 black and white photographs, this book is a stunning achievement.
Publisher: W. W. Norton & Company
ISBN: 9780393014488
Category : Antiques & Collectibles
Languages : en
Pages : 570
Book Description
Drawing on the extensive collections of the Cooper-Hewitt Museum, the Smithsonian Institution's National Museum of Design, as well as from sources across America and Europe, the author documents the changing tastes in pattern and color preferences. Richly illustrated with 102 color plates and over 245 black and white photographs, this book is a stunning achievement.
Surface and Deep Histories
Author: Anuradha Chatterjee
Publisher: Cambridge Scholars Publishing
ISBN: 1443862967
Category : Architecture
Languages : en
Pages : 245
Book Description
Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or ‘functional,’ as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. The collection choreographs contributions that focus on a variety of topics, such as montage and construction of colonial modernity and visual culture (Molly Duggins); wallpaper, rational space, and femininity (Anna Daly); the inter-constituted nature of bodies, clothes, and cities (Stella North); the reconstruction of the urban surface through a true integration of information and topology (M Hank Haeusler); James Fergusson’s theory of ornament (Peter Kohane); traditional and new verandahs in Australia (Chris Brisbin); contradictory effects of surface in Green architecture debates (Flavia Marcello and Ian Woodcock); and the thickness of thin curtain walls in contemporary Australian architecture (Anuradha Chatterjee). Surface and Deep Histories shows that surface is not thin — spatially or conceptually. It demonstrates that the practice of surface is simultaneously superficial and pervasive, symbol and space, meaningful and functional, static and transitory, and object and envelope.
Publisher: Cambridge Scholars Publishing
ISBN: 1443862967
Category : Architecture
Languages : en
Pages : 245
Book Description
Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or ‘functional,’ as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. The collection choreographs contributions that focus on a variety of topics, such as montage and construction of colonial modernity and visual culture (Molly Duggins); wallpaper, rational space, and femininity (Anna Daly); the inter-constituted nature of bodies, clothes, and cities (Stella North); the reconstruction of the urban surface through a true integration of information and topology (M Hank Haeusler); James Fergusson’s theory of ornament (Peter Kohane); traditional and new verandahs in Australia (Chris Brisbin); contradictory effects of surface in Green architecture debates (Flavia Marcello and Ian Woodcock); and the thickness of thin curtain walls in contemporary Australian architecture (Anuradha Chatterjee). Surface and Deep Histories shows that surface is not thin — spatially or conceptually. It demonstrates that the practice of surface is simultaneously superficial and pervasive, symbol and space, meaningful and functional, static and transitory, and object and envelope.
The Wallpaper Magazine
Author:
Publisher:
ISBN:
Category : Wall coverings
Languages : en
Pages : 420
Book Description
Publisher:
ISBN:
Category : Wall coverings
Languages : en
Pages : 420
Book Description
Wallpaper
Author: Charlotte Abrahams
Publisher:
ISBN: 9781849493574
Category : Interior decoration
Languages : en
Pages : 0
Book Description
Wallpaper has burst back onto the interiors scene and shows no sign of departing.Here, Charlotte Abrahams has scoured the interior design world to create a stunning visual compendium of modern wallpapers.
Publisher:
ISBN: 9781849493574
Category : Interior decoration
Languages : en
Pages : 0
Book Description
Wallpaper has burst back onto the interiors scene and shows no sign of departing.Here, Charlotte Abrahams has scoured the interior design world to create a stunning visual compendium of modern wallpapers.
The Design, Production and Reception of Eighteenth-Century Wallpaper in Britain
Author: Clare Taylor
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
Publisher: Routledge
ISBN: 1351021761
Category : Art
Languages : en
Pages : 234
Book Description
Wallpaper’s spread across trades, class and gender is charted in this first full-length study of the material’s use in Britain during the long eighteenth century. It examines the types of wallpaper that were designed and produced and the interior spaces it occupied, from the country house to the homes of prosperous townsfolk and gentry, showing that wallpaper was hung by Earls and merchants as well as by aristocratic women. Drawing on a wide range of little known examples of interior schemes and surviving wallpapers, together with unpublished evidence from archives including letters and bills, it charts wallpaper’s evolution across the century from cheap textile imitation to innovative new decorative material. Wallpaper’s growth is considered not in terms of chronology, but rather alongside the categories used by eighteenth-century tradesmen and consumers, from plains to flocks, from China papers to papier mâché and from stucco papers to materials for creating print rooms. It ends by assessing the ways in which eighteenth-century wallpaper was used to create historicist interiors in the twentieth century. Including a wide range of illustrations, many in colour, the book will be of interest to historians of material culture and design, scholars of art and architectural history as well as practicing designers and those interested in the historic interior.
The Art of Wallpaper
Author: Victoria & Albert Museum
Publisher: National Geographic Books
ISBN: 0500480206
Category : Design
Languages : en
Pages : 0
Book Description
Color, complete, and create wallpaper patterns inspired by a dazzling range of historical designs The choice of wallpaper—an intricate floral motif, a complex repeat pattern, or a bold abstract design—can transform a room. The Art of Wallpaper showcases inspirational wallpapers from the V&A’s outstanding collection, from intricate hand-drawn designs to bold, woodblocked prints, and invites readers to create designs of their own. The book begins with a brief history of wallpaper manufacture and design. The activities are divided into four sections, becoming progressively more difficult: Experiment with Color, Complete the Repeat, Fill in the Gaps, and Create Your Own. Thumbnails at the end of the book identify all the featured designs. Wallpaper’s ubiquity and versatility have allowed designers to innovate and experiment with color, technique, and style. The Art of Wallpaper encourages readers to explore the endless variety of this medium and provides inspiration for new designs.
Publisher: National Geographic Books
ISBN: 0500480206
Category : Design
Languages : en
Pages : 0
Book Description
Color, complete, and create wallpaper patterns inspired by a dazzling range of historical designs The choice of wallpaper—an intricate floral motif, a complex repeat pattern, or a bold abstract design—can transform a room. The Art of Wallpaper showcases inspirational wallpapers from the V&A’s outstanding collection, from intricate hand-drawn designs to bold, woodblocked prints, and invites readers to create designs of their own. The book begins with a brief history of wallpaper manufacture and design. The activities are divided into four sections, becoming progressively more difficult: Experiment with Color, Complete the Repeat, Fill in the Gaps, and Create Your Own. Thumbnails at the end of the book identify all the featured designs. Wallpaper’s ubiquity and versatility have allowed designers to innovate and experiment with color, technique, and style. The Art of Wallpaper encourages readers to explore the endless variety of this medium and provides inspiration for new designs.