Author: Thomas Andrew Denenberg
Publisher: Yale University Press
ISBN: 9780300096835
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Congregational minister, author, photographer & entrepreneur, Wallace Nutting collected, reproduced & marketed colonial American artefacts.
Wallace Nutting and the Invention of Old America
Author: Thomas Andrew Denenberg
Publisher: Yale University Press
ISBN: 9780300096835
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Congregational minister, author, photographer & entrepreneur, Wallace Nutting collected, reproduced & marketed colonial American artefacts.
Publisher: Yale University Press
ISBN: 9780300096835
Category : Biography & Autobiography
Languages : en
Pages : 252
Book Description
Congregational minister, author, photographer & entrepreneur, Wallace Nutting collected, reproduced & marketed colonial American artefacts.
Re-creating the American Past
Author: Richard Guy Wilson
Publisher: University of Virginia Press
ISBN: 9780813923482
Category : Architecture
Languages : en
Pages : 448
Book Description
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Publisher: University of Virginia Press
ISBN: 9780813923482
Category : Architecture
Languages : en
Pages : 448
Book Description
Although individually and collectively Americans have many histories, the dominant view of our national past focuses on the colonial era. The reasons for this are many and complex, touching on stories of the country's origins and of the founding fathers, the privileged position in history granted the thirteen original colonies, and the ways in which the nation has adjusted to change and modernity. But no matter the cause, the result is obvious: images and forms derived from and related to America's colonial past are the single most popular form of cultural expression. Often conceived solely in architectural terms, from the red-brick and white-trimmed buildings that recall eighteenth-century James River estates to the clapboarded saltboxes that recall early New England, Colonial Revival is in fact better understood as a process of remembering. In Re-creating the American Past, architectural historian Richard Guy Wilson and a host of other scholars examine how and why Colonial Revival has persisted in modern times. The volume contains essays that explore Colonial Revival expressions in architecture, landscape architecture, historic preservation, decorative arts, and painting and sculpture, as well as the social, intellectual, and cultural background of the phenomena. Based on the University of Virginia's landmark 2000 conference "The Colonial Revival in America," Re-creating the American Past is a comprehensive and handsome volume that recovers the origins, characteristics, diversity, and significance of the Colonial Revival, situating it within the broader history of American design, culture, and society.
Katie's Trunk
Author: Ann Turner
Publisher: Aladdin
ISBN: 0689810547
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Based on a true incident that happened to one of the author’s ancestors, Katie’s Trunk gives an unusual and arresting glimpse of the beginnings of the American Revolution. Katie could feel it in the air—something was wrong. Neighbors didn’t speak to each other anymore, and someone even hissed “Tory!” at her. All around Katie, men were arming themselves for war. Then one day it happened—the rebels came! Katie’s father told the family to hide in the woods. At first Katie obeyed, but as she crouched in the underbrush she got mad and ran back to defend her home. It wasn’t right for people to treat one another this way. But what could one little girl do about it?
Publisher: Aladdin
ISBN: 0689810547
Category : Juvenile Fiction
Languages : en
Pages : 32
Book Description
Based on a true incident that happened to one of the author’s ancestors, Katie’s Trunk gives an unusual and arresting glimpse of the beginnings of the American Revolution. Katie could feel it in the air—something was wrong. Neighbors didn’t speak to each other anymore, and someone even hissed “Tory!” at her. All around Katie, men were arming themselves for war. Then one day it happened—the rebels came! Katie’s father told the family to hide in the woods. At first Katie obeyed, but as she crouched in the underbrush she got mad and ran back to defend her home. It wasn’t right for people to treat one another this way. But what could one little girl do about it?
Collecting the Globe
Author: George H. Schwartz
Publisher: Public History in Historical P
ISBN: 9781625344717
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
"A cabinet, that every mariner may possess the history of the world"--Origins -- "May resources from the ambition of its members continue to accomplish its design" -- A society of collectors -- "Gathered, with cost and pains, from every clime" -- A museum built by mariners, the public, and the global networks of nineteenth-century maritime trade -- Exhibition and display -- Visitor experiences at the East India Marine Society Museum -- "That thus their exploits, on the ocean wave, from age to age might still be handed down" -- A continuing legacy of inspiration
Publisher: Public History in Historical P
ISBN: 9781625344717
Category : Antiques & Collectibles
Languages : en
Pages : 0
Book Description
"A cabinet, that every mariner may possess the history of the world"--Origins -- "May resources from the ambition of its members continue to accomplish its design" -- A society of collectors -- "Gathered, with cost and pains, from every clime" -- A museum built by mariners, the public, and the global networks of nineteenth-century maritime trade -- Exhibition and display -- Visitor experiences at the East India Marine Society Museum -- "That thus their exploits, on the ocean wave, from age to age might still be handed down" -- A continuing legacy of inspiration
The Invention of the American Art Museum
Author: Kathleen Curran
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Publisher: Getty Publications
ISBN: 1606064789
Category : Art
Languages : en
Pages : 260
Book Description
American art museums share a mission and format that differ from those of their European counterparts, which often have origins in aristocratic collections. This groundbreaking work recounts the fascinating story of the invention of the modern American art museum, starting with its roots in the 1870s in the craft museum type, which was based on London’s South Kensington (now the Victoria and Albert) Museum. At the turn of the twentieth century, American planners grew enthusiastic about a new type of museum and presentation that was developed in Northern Europe, particularly in Germany, Switzerland, and Scandinavia. Called Kulturgeschichte (cultural history) museums, they were evocative displays of regional history. American trustees, museum directors, and curators found that the Kulturgeschichte approach offered a variety of transformational options in planning museums, classifying and displaying objects, and broadening collecting categories, including American art and the decorative arts. Leading institutions, including the Museum of Fine Arts, Boston, and the Metropolitan Museum of Art in New York, adopted and developed crucial aspects of the Kulturgeschichte model. By the 1930s, such museum plans and exhibition techniques had become standard practice at museums across the country.
Consumed by the Past
Author: Thomas Andrew Denenberg
Publisher:
ISBN:
Category : Colonial revival (Art)
Languages : en
Pages : 778
Book Description
Publisher:
ISBN:
Category : Colonial revival (Art)
Languages : en
Pages : 778
Book Description
Welsh Stick Chairs
Author: John Brown
Publisher:
ISBN: 9780854420834
Category : Crafts & Hobbies
Languages : en
Pages : 96
Book Description
This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.
Publisher:
ISBN: 9780854420834
Category : Crafts & Hobbies
Languages : en
Pages : 96
Book Description
This work provides an insight into the history of Welsh stick chairs and includes instructions on how to make a chair, covering methods of bending the wood for chair construction. Illustrations show each stage in the building process.
To Make Their Own Way in the World
Author: Ilisa Barbash
Publisher: Aperture
ISBN: 9781597114783
Category : History
Languages : en
Pages : 0
Book Description
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes--made in 1850 by photographer Joseph T. Zealy--portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University's Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs' historical context and the "science" of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry. Copublished by Aperture and Peabody Museum Press
Publisher: Aperture
ISBN: 9781597114783
Category : History
Languages : en
Pages : 0
Book Description
To Make Their Own Way in the World is a profound consideration of some of the most challenging images in the early history of photography. The fifteen daguerreotypes--made in 1850 by photographer Joseph T. Zealy--portray Alfred, Delia, Drana, Fassena, Jack, Jem, and Renty, men and women of African descent who were enslaved in South Carolina. Since 1976, when the daguerreotypes were rediscovered at Harvard University's Peabody Museum, the photographs have been the subject of intense and widespread study. To Make Their Own Way in the World features essays by prominent scholars who explore everything from the photographs' historical context and the "science" of race to the ways in which photography created a visual narrative of slavery and its effects. Multidisciplinary, deeply collaborative, and with more than two hundred illustrations, including new photography by contemporary artist Carrie Mae Weems, this book frames the Zealy daguerreotypes as works of urgent contemporary inquiry. Copublished by Aperture and Peabody Museum Press
At the Edge of Sight
Author: Shawn Michelle Smith
Publisher: Duke University Press
ISBN: 0822378264
Category : Photography
Languages : en
Pages : 320
Book Description
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
Publisher: Duke University Press
ISBN: 0822378264
Category : Photography
Languages : en
Pages : 320
Book Description
The advent of photography revolutionized perception, making visible what was once impossible to see with the human eye. In At the Edge of Sight, Shawn Michelle Smith engages these dynamics of seeing and not seeing, focusing attention as much on absence as presence, on the invisible as the visible. Exploring the limits of photography and vision, she asks: What fails to register photographically, and what remains beyond the frame? What is hidden by design, and what is obscured by cultural blindness? Smith studies manifestations of photography's brush with the unseen in her own photographic work and across the wide-ranging images of early American photographers, including F. Holland Day, Eadweard Muybridge, Andrew J. Russell, Chansonetta Stanley Emmons, and Augustus Washington. She concludes by showing how concerns raised in the nineteenth century remain pertinent today in the photographs of Abu Ghraib. Ultimately, Smith explores the capacity of photography to reveal what remains beyond the edge of sight.
For Adam's Sake: A Family Saga in Colonial New England
Author: Allegra di Bonaventura
Publisher: W. W. Norton & Company
ISBN: 0871403471
Category : History
Languages : en
Pages : 505
Book Description
Winner of the New England Historical Association’s James P. Hanlan Book Award Winner the Association for the Study of Connecticut History’s Homer D. Babbidge Jr. Award “Incomparably vivid . . . as enthralling a portrait of family life [in colonial New England] as we are likely to have.”—Wall Street Journal In the tradition of Laurel Thatcher Ulrich’s classic, A Midwife’s Tale, comes this groundbreaking narrative by one of America’s most promising colonial historians. Joshua Hempstead was a well-respected farmer and tradesman in New London, Connecticut. As his remarkable diary—kept from 1711 until 1758—reveals, he was also a slave owner who owned Adam Jackson for over thirty years. In this engrossing narrative of family life and the slave experience in the colonial North, Allegra di Bonaventura describes the complexity of this master/slave relationship and traces the intertwining stories of two families until the eve of the Revolution. Slavery is often left out of our collective memory of New England’s history, but it was hugely impactful on the central unit of colonial life: the family. In every corner, the lines between slavery and freedom were blurred as families across the social spectrum fought to survive. In this enlightening study, a new portrait of an era emerges.
Publisher: W. W. Norton & Company
ISBN: 0871403471
Category : History
Languages : en
Pages : 505
Book Description
Winner of the New England Historical Association’s James P. Hanlan Book Award Winner the Association for the Study of Connecticut History’s Homer D. Babbidge Jr. Award “Incomparably vivid . . . as enthralling a portrait of family life [in colonial New England] as we are likely to have.”—Wall Street Journal In the tradition of Laurel Thatcher Ulrich’s classic, A Midwife’s Tale, comes this groundbreaking narrative by one of America’s most promising colonial historians. Joshua Hempstead was a well-respected farmer and tradesman in New London, Connecticut. As his remarkable diary—kept from 1711 until 1758—reveals, he was also a slave owner who owned Adam Jackson for over thirty years. In this engrossing narrative of family life and the slave experience in the colonial North, Allegra di Bonaventura describes the complexity of this master/slave relationship and traces the intertwining stories of two families until the eve of the Revolution. Slavery is often left out of our collective memory of New England’s history, but it was hugely impactful on the central unit of colonial life: the family. In every corner, the lines between slavery and freedom were blurred as families across the social spectrum fought to survive. In this enlightening study, a new portrait of an era emerges.