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Author: Luca Magni
Publisher: GRIN Verlag
ISBN: 3640840305
Category : Romanticism in music
Languages : en
Pages : 73
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Book Description
Research Paper (postgraduate) from the year 2011 in the subject Philosophy - Theoretical (Realisation, Science, Logic, Language), Trinity College Dublin (Department of Philosophy), course: Philosophy, language: English, abstract: This is the English translation, and the widening, of section 1.2 of the first chapter of my Essay "La Metafisica dell'Arte attraverso l'Opera di Richard Wagner". The original Italian title of this section is "1.2 Wagner e Goethe: Faust e l'Eroica di Beethoven". This section is here published separately, in a widening version, as were explicit more references and insights related to my interpretation on the relation between Wagner and Beethoven. Bond that in my interpretation is symbolized in the triadic union of Goethe, Wagner and Beethoven. An union which has its extremes in Faust and the Eroica, but its midpoint and maximum expression id the Work of Wagner.
Author: Luca Magni
Publisher: GRIN Verlag
ISBN: 3640840305
Category : Romanticism in music
Languages : en
Pages : 73
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Book Description
Research Paper (postgraduate) from the year 2011 in the subject Philosophy - Theoretical (Realisation, Science, Logic, Language), Trinity College Dublin (Department of Philosophy), course: Philosophy, language: English, abstract: This is the English translation, and the widening, of section 1.2 of the first chapter of my Essay "La Metafisica dell'Arte attraverso l'Opera di Richard Wagner". The original Italian title of this section is "1.2 Wagner e Goethe: Faust e l'Eroica di Beethoven". This section is here published separately, in a widening version, as were explicit more references and insights related to my interpretation on the relation between Wagner and Beethoven. Bond that in my interpretation is symbolized in the triadic union of Goethe, Wagner and Beethoven. An union which has its extremes in Faust and the Eroica, but its midpoint and maximum expression id the Work of Wagner.
Author: Christopher Alan Reynolds
Publisher: Univ of California Press
ISBN: 0520960971
Category : Music
Languages : en
Pages : 227
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Book Description
In this original study, Christopher Alan Reynolds examines the influence of Beethoven’s Ninth Symphony on two major nineteenth-century composers, Richard Wagner and Robert Schumann. During 1845–46 the compositional styles of Schumann and Wagner changed in a common direction, toward a style that was more contrapuntal, more densely motivic, and engaged in processes of thematic transformation. Reynolds shows that the stylistic advances that both composers made in Dresden in 1845–46 stemmed from a deepened understanding of Beethoven’s techniques and strategies in the Ninth Symphony. The evidence provided by their compositions from this pivotal year and the surrounding years suggests that they discussed Beethoven’s Ninth with each other in the months leading up to the performance of this work, which Wagner conducted on Palm Sunday in 1846. Two primary aspects that appear to have interested them both are Beethoven’s use of counterpoint involving contrary motion and his gradual development of the "Ode to Joy" melody through the preceding movements. Combining a novel examination of the historical record with careful readings of the music, Reynolds adds further layers to this argument, speculating that Wagner and Schumann may not have come to these discoveries entirely independently of each other. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms’s First Symphony.
Author: Corliss Richard Arnold
Publisher: Scarecrow Press
ISBN: 0810846977
Category : Music
Languages : en
Pages : 399
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Book Description
Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
Author: Christopher A. Reynolds
Publisher: Harvard University Press
ISBN: 9780674010376
Category : Music
Languages : en
Pages : 264
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Book Description
Definitions -- Transformations -- Assimilative allusions -- Contrastive allusions -- Texting -- Inspiration -- Naming -- Allusive traditions and audiences -- Motives for allusion.
Author: Chris Woodstra
Publisher: Hal Leonard Corporation
ISBN: 9780879308650
Category : Music
Languages : en
Pages : 1620
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Book Description
Offering comprehensive coverage of classical music, this guide surveys more than eleven thousand albums and presents biographies of five hundred composers and eight hundred performers, as well as twenty-three essays on forms, eras, and genres of classical music. Original.
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category :
Languages : en
Pages : 1156
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Book Description
![Concert Bulletin[s] ... PDF](https://books.google.com/books/content/images/frontcover/5EvWAAAAMAAJ?fife=w80-h100)
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 838
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Book Description
Author: Boston Symphony Orchestra
Publisher:
ISBN:
Category : Concerts
Languages : en
Pages : 1688
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Book Description
Author:
Publisher: University of Illinois Press
ISBN:
Category :
Languages : en
Pages : 144
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Book Description
Author: Geoffrey Block
Publisher: Rowman & Littlefield
ISBN: 1442245468
Category : Music
Languages : en
Pages : 291
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Book Description
The life and music of Beethoven still fascinate classical music lovers, new and old. His many symphonies, sonatas, concertos, string quartets, and his one opera enchant audiences, challenge performers, engage students, and support scholars in their work. In Experiencing Beethoven, music historian Geoffrey Block explores in layman’s terms a highly representative body of about two dozen Beethoven instrumental and vocal works, offering listeners who know him well, or are just discovering him, an opportunity to grasp the breadth and depth of his musical genius. Designed for those unversed in musical terminology or theory, Experiencing Beethoven places the composer’s works within the evolving context of his personal and professional life and social and cultural milieu. Block sheds light on the public and private audiences of Beethoven’s music, from the concerts for the composer’s own financial benefit to the debut of the “Eroica” Symphony at the palace of Prince Lobkowitz to the historic public premiere of his Ninth Symphony. Experiencing Beethoven paints a portrait of the composer’s youth in Bonn, his early triumphs and artistic maturation in Vienna, and—despite the challenges his music posed to his contemporaries— the recognition he received during his lifetime as the most acclaimed composer of the era. Block conveys the range and scope of Beethoven’s achievement, from his heroic style to his lyricism, grappling throughout with the composer’s power to communicate his idealistic musical vision to listeners in both his time and ours. Finally, Experiencing Beethoven explores why Beethoven’s music continues to enjoy an unwavering appeal in an age saturated with a range of musical styles.
