Author: Gregory Tate
Publisher: OUP Oxford
ISBN: 0191634328
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
The Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.
The Poet's Mind
Author: Gregory Tate
Publisher: OUP Oxford
ISBN: 0191634328
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
The Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.
Publisher: OUP Oxford
ISBN: 0191634328
Category : Literary Criticism
Languages : en
Pages : 214
Book Description
The Poet's Mind is a major study of how Victorian poets thought and wrote about the human mind. It argues that Victorian poets, inheriting from their Romantic forerunners the belief that subjective thoughts and feelings were the most important materials for poetry, used their writing both to give expression to mental processes and to scrutinise and analyse those processes. In this volume Gregory Tate considers why and how psychological analysis became an increasingly important element of poetic theory and practice in the mid-nineteenth century, a time when the discipline of psychology was emerging alongside the growing recognition that the workings of the mind might be understood using the analytical methods of science. The writings of Victorian poets often show an awareness of this psychology, but, at the same time, the language and tone of their psychological verse, and especially their ambivalent use of terms such as 'brain', 'mind', and 'soul', voice an unresolved tension, felt throughout Victorian culture, between scientific theories of psychology and metaphysical or religious accounts of selfhood. The Poet's Mind considers the poetry of Browning, Tennyson, Arnold, Clough, and George Eliot, offering detailed readings of several major Victorian poems, and presenting new evidence of their authors' interest in contemporary psychological theory. Ranging across lyric verse, epic poetry, and the dramatic monologue, the book explores the ways in which poetry simultaneously drew on, resisted, and contributed to the spread of scientific theories of mind in Victorian Britain.
Pater the Classicist
Author: Charles Martindale
Publisher: Oxford University Press
ISBN: 0191091340
Category : Literary Collections
Languages : en
Pages : 397
Book Description
Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.
Publisher: Oxford University Press
ISBN: 0191091340
Category : Literary Collections
Languages : en
Pages : 397
Book Description
Pater the Classicist is the first book to address in detail Walter Pater's important contribution to the study of classical antiquity. Widely considered our greatest aesthetic critic and now best known as a precursor to modernist writers and post-modernist thinkers of the twentieth century, Pater was also a classicist by profession who taught at the University of Oxford. He wrote extensively about Greek art and philosophy, but also authored an influential historical novel set in ancient Rome, Marius the Epicurean, and a variety of short stories depicting the survival of classical culture in later ages. These superficially diverging interests actually went closely hand-in-hand: it can plausibly be asserted that it is the classical tradition in its broadest sense, including the question of how to understand its workings and temporalities, which forms Pater's principal subject as a writer. Although he initially approached antiquity obliquely, through the Italian Renaissance, for example, or the poetry of William Morris, later in his career he wrote more, and more directly, about the ancient world, and particularly about Greece, his first love. The essays in this collection cover all his major works and reveal a many-sided and inspirational figure, whose achievements helped to reinvigorate the classical studies that were the basis of the English educational system of the nineteenth century, and whose conception of Classics as cross-disciplinary and outward-looking can be a model to scholars and students today. They discuss his classicism generally, his fiction set in classical antiquity, his writings on Greek art and culture, and those on ancient philosophy, and in doing so they also illuminate Pater's position within his Victorian context, among figures such as J. A. Symonds, Henry Nettleship, Vernon Lee, and Jane Harrison, as well as his place in the study and reception of Classics today.
The Poetry of Clare, Hopkins, Thomas, and Gurney
Author: Andrew Hodgson
Publisher: Springer Nature
ISBN: 3030309711
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This book attends to four poets – John Clare, Gerard Manley Hopkins, Edward Thomas, and Ivor Gurney – whose poems are remarkable for their personal directness and distinctiveness. It shows how their writing conveys a potently individual quality of feeling, perception, and experience: each poet responds with unusual commitment to the Romantic idea of art as personal expression. The book looks closely at the vitality and intricacy of the poets’ language, the personal candour of their subject matter, and their sense, obdurate but persuasive, of their own strangeness. As it traces the tact and imagination with which each of the four writers realises the possibilities of individualism in lyric, it affirms the vibrancy of their contributions to nineteenth and twentieth-century poetry.
Publisher: Springer Nature
ISBN: 3030309711
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This book attends to four poets – John Clare, Gerard Manley Hopkins, Edward Thomas, and Ivor Gurney – whose poems are remarkable for their personal directness and distinctiveness. It shows how their writing conveys a potently individual quality of feeling, perception, and experience: each poet responds with unusual commitment to the Romantic idea of art as personal expression. The book looks closely at the vitality and intricacy of the poets’ language, the personal candour of their subject matter, and their sense, obdurate but persuasive, of their own strangeness. As it traces the tact and imagination with which each of the four writers realises the possibilities of individualism in lyric, it affirms the vibrancy of their contributions to nineteenth and twentieth-century poetry.
Passion and Precision
Author: A. V. C. Schmidt
Publisher: Cambridge Scholars Publishing
ISBN: 1443874078
Category : Literary Criticism
Languages : en
Pages : 475
Book Description
Passion and Precision contains twenty essays on a range of major medieval and modern English and Irish poets. The first part consists of three chapters on Chaucer, including a substantial new study of Troilus and Criseyde, four on Chaucer’s great contemporary the Pearl-poet, and one comparing the two poets. The core of the second part is six chapters on T. S. Eliot, three of them pioneering explorations of his poetic language. They are preceded by three on Hopkins, Shelley and Yeats (including a new study of Yeats’s verse-technique), and followed by one on David Jones and Auden, and two on Geoffrey Hill and Seamus Heaney. The previously published essays have been extensively revised, supplemented with appendixes and cross-referenced, and a full Bibliography and Index are provided. The author brings to his reading of ten representative poets from two widely separated periods of English literature, the fourteenth and the twentieth centuries, the same passionate and precise attention as they brought to their writing.
Publisher: Cambridge Scholars Publishing
ISBN: 1443874078
Category : Literary Criticism
Languages : en
Pages : 475
Book Description
Passion and Precision contains twenty essays on a range of major medieval and modern English and Irish poets. The first part consists of three chapters on Chaucer, including a substantial new study of Troilus and Criseyde, four on Chaucer’s great contemporary the Pearl-poet, and one comparing the two poets. The core of the second part is six chapters on T. S. Eliot, three of them pioneering explorations of his poetic language. They are preceded by three on Hopkins, Shelley and Yeats (including a new study of Yeats’s verse-technique), and followed by one on David Jones and Auden, and two on Geoffrey Hill and Seamus Heaney. The previously published essays have been extensively revised, supplemented with appendixes and cross-referenced, and a full Bibliography and Index are provided. The author brings to his reading of ten representative poets from two widely separated periods of English literature, the fourteenth and the twentieth centuries, the same passionate and precise attention as they brought to their writing.
A Companion to Greek and Roman Sexualities
Author: Thomas K. Hubbard
Publisher: John Wiley & Sons
ISBN: 1118610687
Category : Literary Criticism
Languages : en
Pages : 637
Book Description
A Companion to Greek and Roman Sexualities presents a comprehensive collection of original essays relating to aspects of gender and sexuality in the classical world. Views the various practices and discursive contexts of sexuality systematically and holistically Discusses Greece and Rome in each chapter, with sensitivity to the continuities and differences between the two classical civilizations Addresses the classical influence on the understanding of later ages and religion Covers artistic and literary genres, various social environments of sexual conduct, and the technical disciplines of medicine, magic, physiognomy, and dream interpretation Features contributions from more than 40 top international scholars
Publisher: John Wiley & Sons
ISBN: 1118610687
Category : Literary Criticism
Languages : en
Pages : 637
Book Description
A Companion to Greek and Roman Sexualities presents a comprehensive collection of original essays relating to aspects of gender and sexuality in the classical world. Views the various practices and discursive contexts of sexuality systematically and holistically Discusses Greece and Rome in each chapter, with sensitivity to the continuities and differences between the two classical civilizations Addresses the classical influence on the understanding of later ages and religion Covers artistic and literary genres, various social environments of sexual conduct, and the technical disciplines of medicine, magic, physiognomy, and dream interpretation Features contributions from more than 40 top international scholars
The Art of New Creation
Author: Jeremy Begbie
Publisher: InterVarsity Press
ISBN: 1514003279
Category : Religion
Languages : en
Pages : 218
Book Description
Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts.
Publisher: InterVarsity Press
ISBN: 1514003279
Category : Religion
Languages : en
Pages : 218
Book Description
Creation and the new creation are inextricably bound, for the God who created the world is the same God who promises a new heaven and a new earth. Bringing together theologians, biblical scholars, and artists, this volume based on the DITA10 conference at Duke Divinity School explores how the relation between creation and the new creation is informed by and reflected in the arts.
The Frugal Chariot
Author: Francis L. Fennell
Publisher: Wipf and Stock Publishers
ISBN: 1666785407
Category : Poetry
Languages : en
Pages : 118
Book Description
If you love poetry, this book is about you and for you. It doesn't matter whether you are a scholar or a lover of beautiful poetry, this book brings everyone together by responding to a current crisis: the falling interest in and support for the humanities, especially poetry. This book argues that the most fruitful place to begin to reinvigorate literary reading, and thus the humanities, is with the close and careful attention to the experience of non-academic readers. This book explores their experiences, listening carefully to what they have to say, how they--you!--respond to poetry, why you love it. The book shows, in other words, at least a partial cure for that falling interest in the humanities which gets so much attention in newspapers and on TV. The book employs the poetry of Gerard Manley Hopkins and lets him supply the illustrative material. Hopkins is one of the seven most-read poets in the English language, but you do not have to know Hopkins well to understand the revolutionary approach to poetry and literary study that this book offers.
Publisher: Wipf and Stock Publishers
ISBN: 1666785407
Category : Poetry
Languages : en
Pages : 118
Book Description
If you love poetry, this book is about you and for you. It doesn't matter whether you are a scholar or a lover of beautiful poetry, this book brings everyone together by responding to a current crisis: the falling interest in and support for the humanities, especially poetry. This book argues that the most fruitful place to begin to reinvigorate literary reading, and thus the humanities, is with the close and careful attention to the experience of non-academic readers. This book explores their experiences, listening carefully to what they have to say, how they--you!--respond to poetry, why you love it. The book shows, in other words, at least a partial cure for that falling interest in the humanities which gets so much attention in newspapers and on TV. The book employs the poetry of Gerard Manley Hopkins and lets him supply the illustrative material. Hopkins is one of the seven most-read poets in the English language, but you do not have to know Hopkins well to understand the revolutionary approach to poetry and literary study that this book offers.
The Christian Literary Imagination
Author: Michael Scott
Publisher: Vernon Press
ISBN:
Category : Religion
Languages : en
Pages : 357
Book Description
What is the Christian literary imagination? That question was put to the writers who have contributed to this collection of essays. They were asked, in answering it, to choose and write about a work of literature that seemed to them to illustrate one of the varied ways in which the Christian imagination sees the world, to define by example the meaning of the term. A variety of beliefs (or indeed unbeliefs) are expressed by the contributors and authors they selected to discuss. But what the essays have in common is an inquiry into the nature of belief and the means by which the reader’s imagination can itself be stirred through the work of the author under discussion. The book is structured chronologically, with essays on literature ranging from Anglo-Saxon England to 21st-Century America, but the contributors show a freedom of movement and reference across the centuries in their essays, sometimes deliberately juxtaposing the historical with the contemporary. What emerges from the collection is a shared inquiry into the enduring Christian vision of God’s engagement with the world.
Publisher: Vernon Press
ISBN:
Category : Religion
Languages : en
Pages : 357
Book Description
What is the Christian literary imagination? That question was put to the writers who have contributed to this collection of essays. They were asked, in answering it, to choose and write about a work of literature that seemed to them to illustrate one of the varied ways in which the Christian imagination sees the world, to define by example the meaning of the term. A variety of beliefs (or indeed unbeliefs) are expressed by the contributors and authors they selected to discuss. But what the essays have in common is an inquiry into the nature of belief and the means by which the reader’s imagination can itself be stirred through the work of the author under discussion. The book is structured chronologically, with essays on literature ranging from Anglo-Saxon England to 21st-Century America, but the contributors show a freedom of movement and reference across the centuries in their essays, sometimes deliberately juxtaposing the historical with the contemporary. What emerges from the collection is a shared inquiry into the enduring Christian vision of God’s engagement with the world.
Hopkins's “Terrible” Sonnets: a Commentary
Author: Luisa Camaiora
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867801678
Category : Literary Criticism
Languages : en
Pages : 108
Book Description
Publisher: EDUCatt - Ente per il diritto allo studio universitario dell'Università Cattolica
ISBN: 8867801678
Category : Literary Criticism
Languages : en
Pages : 108
Book Description
The English Catalogue of Books [annual].: 1863-1871
Author: Sampson Low
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 470
Book Description
Volumes for 1898-1968 include a directory of publishers.
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 470
Book Description
Volumes for 1898-1968 include a directory of publishers.