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Author: James Fitzallan Ryder
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 282
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Book Description
Author: James Fitzallan Ryder
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 282
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Book Description
Author: James Fitzallan Ryder
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 272
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Book Description
Author: Mary Sayre Haverstock
Publisher: Kent State University Press
ISBN: 9780873386166
Category : Art
Languages : en
Pages : 1096
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Book Description
A three-volume guide to the early art and artists of Ohio. It includes coverage of fine art, photography, ornamental penmanship, tombstone carving, china painting, illustrating, cartooning and the execution of panoramas and theatrical scenery.
Author: New Haven Free Public Library
Publisher:
ISBN:
Category : Catalogs, Classified (Dewey decimal)
Languages : en
Pages : 264
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Book Description
Author: Cincinnati (Ohio), Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 532
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Book Description
Author: Stuart Burrows
Publisher: University of Georgia Press
ISBN: 0820337412
Category : Literary Criticism
Languages : en
Pages : 302
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Book Description
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Author: James Edward Caron
Publisher: University of Missouri Press
ISBN: 0826266274
Category : Biography & Autobiography
Languages : en
Pages : 464
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Book Description
Before Mark Twain became a national celebrity with his best-selling The Innocents Abroad, he was just another struggling writer perfecting his craft-but already "playin' hell" with the world. In the first book in more than fifty years to examine the initial phase of Samuel Clemens's writing career, James Caron draws on contemporary scholarship and his own careful readings to offer a fresh and comprehensive perspective on those early years-and to challenge many long-standing views of Mark Twain's place in the tradition of American humor. Tracing the arc of Clemens's career from self-described "unsanctified newspaper reporter" to national author between 1862 and 1867, Caron reexamines the early and largely neglected writings-especially the travel letters from Hawaii and the letters chronicling Clemens's trip from California to New York City. Caron connects those sets of letters with comic materials Clemens had already published, drawing on all known items from this first phase of his career-even the virtually forgotten pieces from the San Francisco Morning Call in 1864-to reveal how Mark Twain's humor was shaped by the sociocultural context and how it catered to his audience's sensibilities while unpredictably transgressing its standards. Caron reveals how Sam Clemens's contemporaries, notably Charles Webb, provided important comic models, and he shows how Clemens not only adjusted to but also challenged the guidelines of the newspapers and magazines for which he wrote, evolving as a comic writer who transmuted personal circumstances into literary art. Plumbing Mark Twain's cultural significance, Caron draws on anthropological insights from Victor Turner and others to compare the performative aspects of Clemens's early work to the role of ritual clowns in traditional societies Brimming with fresh insights into such benchmarks as "Our Fellow Savages of the Sandwich Islands" and "Jim Smiley and His Jumping Frog," this book is a gracefully written work that reflects both patient research and considered judgment to chart the development of an iconic American talent. Mark Twain, Unsanctified Newspaper Reporter should be required reading for all serious scholars of his work, as well as for anyone interested in the interplay between artistic creativity and the literary marketplace.
Author: Public Library of Cincinnati and Hamilton County
Publisher:
ISBN:
Category : Acquisitions (Libraries)
Languages : en
Pages : 178
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Book Description
Author: Miles Harvey
Publisher: Little, Brown
ISBN: 0316463582
Category : True Crime
Languages : en
Pages : 416
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Book Description
The "unputdownable" (Dave Eggers, National Book award finalist) story of the most infamous American con man you've never heard of: James Strang, self-proclaimed divine king of earth, heaven, and an island in Lake Michigan, "perfect for fans of The Devil in the White City" (Kirkus) A New York Times Book Review Editors’ Choice Longlisted for the 2021 Andrew Carnegie Medal for Excellence in Nonfiction Finalist for the Midland Authors Annual Literary Award A Michigan Notable Book A CrimeReads Best True Crime Book of the Year "A masterpiece." —Nathaniel Philbrick In the summer of 1843, James Strang, a charismatic young lawyer and avowed atheist, vanished from a rural town in New York. Months later he reappeared on the Midwestern frontier and converted to a burgeoning religious movement known as Mormonism. In the wake of the murder of the sect's leader, Joseph Smith, Strang unveiled a letter purportedly from the prophet naming him successor, and persuaded hundreds of fellow converts to follow him to an island in Lake Michigan, where he declared himself a divine king. From this stronghold he controlled a fourth of the state of Michigan, establishing a pirate colony where he practiced plural marriage and perpetrated thefts, corruption, and frauds of all kinds. Eventually, having run afoul of powerful enemies, including the American president, Strang was assassinated, an event that was frontpage news across the country. The King of Confidence tells this fascinating but largely forgotten story. Centering his narrative on this charlatan's turbulent twelve years in power, Miles Harvey gets to the root of a timeless American original: the Confidence Man. Full of adventure, bad behavior, and insight into a crucial period of antebellum history, The King of Confidence brings us a compulsively readable account of one of the country's boldest con men and the boisterous era that allowed him to thrive.
Author: Matthew Fox-Amato
Publisher: Oxford University Press
ISBN: 0190663944
Category : History
Languages : en
Pages : 358
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Book Description
Within a few years of the introduction of photography into the United States in 1839, slaveholders had already begun commissioning photographic portraits of their slaves. Ex-slaves-turned-abolitionists such as Frederick Douglass had come to see how sitting for a portrait could help them project humanity and dignity amidst northern racism. In the first decade of the medium, enslaved people had begun entering southern daguerreotype studios of their own volition, posing for cameras, and leaving with visual treasures they could keep in their pockets. And, as the Civil War raged, Union soldiers would orchestrate pictures with fugitive slaves that envisioned racial hierarchy as slavery fell. In these ways and others, from the earliest days of the medium to the first moments of emancipation, photography powerfully influenced how bondage and freedom were documented, imagined, and contested. By 1865, it would be difficult for many Americans to look back upon slavery and its fall without thinking of a photograph. Exposing Slavery explores how photography altered and was, in turn, shaped by conflicts over human bondage. Drawing on an original source base that includes hundreds of unpublished and little-studied photographs of slaves, ex-slaves, free African Americans, and abolitionists, as well as written archival materials, it puts visual culture at the center of understanding the experience of late slavery. It assesses how photography helped southerners to defend slavery, enslaved people to shape their social ties, abolitionists to strengthen their movement, and soldiers to pictorially enact interracial society during the Civil War. With diverse goals, these peoples transformed photography from a scientific curiosity into a political tool over only a few decades. This creative first book sheds new light on conflicts over late American slavery, while also revealing a key moment in the relationship between modern visual culture and racialized forms of power and resistance.
