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Author: Ivan Kreilkamp
Publisher: Cambridge University Press
ISBN: 113944834X
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
The nineteenth-century novel has always been regarded as a literary form pre-eminently occupied with the written word, but Ivan Kreilkamp shows it was deeply marked by and engaged with vocal performances and the preservation and representation of speech. He offers a detailed account of the many ways Victorian literature and culture represented the human voice, from political speeches, governesses' tales, shorthand manuals, and staged authorial performances in the early- and mid-century, to mechanically reproducible voice at the end of the century. Through readings of Charlotte Brontë, Browning, Carlyle, Conrad, Dickens, Disraeli and Gaskell, Kreilkamp re-evaluates critical assumptions about the cultural meanings of storytelling, and shows that the figure of the oral storyteller, rather than disappearing among readers' preference for printed texts, persisted as a character and a function within the novel. This 2005 study will change the way readers consider the Victorian novel and its many ways of telling stories.
Author: Ivan Kreilkamp
Publisher: Cambridge University Press
ISBN: 113944834X
Category : Literary Criticism
Languages : en
Pages : 266
Get Book Here
Book Description
The nineteenth-century novel has always been regarded as a literary form pre-eminently occupied with the written word, but Ivan Kreilkamp shows it was deeply marked by and engaged with vocal performances and the preservation and representation of speech. He offers a detailed account of the many ways Victorian literature and culture represented the human voice, from political speeches, governesses' tales, shorthand manuals, and staged authorial performances in the early- and mid-century, to mechanically reproducible voice at the end of the century. Through readings of Charlotte Brontë, Browning, Carlyle, Conrad, Dickens, Disraeli and Gaskell, Kreilkamp re-evaluates critical assumptions about the cultural meanings of storytelling, and shows that the figure of the oral storyteller, rather than disappearing among readers' preference for printed texts, persisted as a character and a function within the novel. This 2005 study will change the way readers consider the Victorian novel and its many ways of telling stories.
Author: Areti Dragas
Publisher: Bloomsbury Publishing
ISBN: 1623561949
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Focusing on the figure of the storyteller, this study breaks new ground in the approach to reading contemporary literature by identifying a growing interest in storytelling. For the last thirty years contemporary fiction has been influenced by theoretical discourses, textuality and writing. Only since the rise of postcolonialism have academic critics been more overtly interested in stories, where high theory frameworks are less applicable. However, as we move through various contemporary contexts engaging with postcolonial identities and hybridity, to narratives of disability and evolutionary accounts of group and individual survival, a common feature of all is the centrality of story, which posits both the idea of survival and the passing on of traditions. The Return of the Storyteller in Contemporary Fiction closely examines this preoccupation with story and storytelling through a close reading of six contemporary international novelists that are either about actual 'storytellers' or engage with the figure of the storyteller, revealing how death of the author has given birth to the storyteller.
Author: Josephine Hoegaerts
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111079376
Category : History
Languages : en
Pages : 212
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Book Description
Histories of voice are often written as accounts of greatness: great statesmen, notable rebels, grands discours, and famous exceptional speakers and singers populate our shelves. This focus on the great and exceptional has not only led to disproportionate attention to a small subset of historical actors (powerful, white, western men and the occasional token woman), but also obscures the broad range of vocal practices that have informed, co-created and given meaning to human lives and interactions in the past. For most historical actors, life did not consist of grand public speeches, but of private conversations, intimate whispers, hot gossip or interminable quarrels. This volume suggests an extended practice of eavesdropping: rather than listening out for exceptional voices, it listens in on the more mundane aspects of vocality, including speech and song, but also less formalized shouts, hisses, noises and silences. Ranging from the Scottish highlands to China, from the bedroom to the platform, and from the 18th until the 20th century, contributions to this volume seek out spaces and moments that have been documented idiosyncratically or with difficulty, and where the voice and its sounds can be of particular salience. In doing so, the volume argues for a heightened attention to who speaks, and whose voices resound in history, but refuses to take the modern equation between speech and presence/representation for granted.
Author: Jason Camlot
Publisher: Stanford University Press
ISBN: 1503609715
Category : Literary Criticism
Languages : en
Pages : 307
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Book Description
Phonopoetics tells the neglected story of early "talking records" and their significance for literature, from the 1877 invention of the phonograph to some of the first recorded performances of modernist works. The book challenges assumptions of much contemporary criticism by taking the recorded, oral performance as its primary object of analysis and by exploring the historically specific convergences between audio recording technologies, media formats, generic forms, and the institutions and practices surrounding the literary. Opening with an argument that the earliest spoken recordings were a mediated extension of Victorian reading and elocutionary culture, Jason Camlot explains the literary significance of these pre-tape era voice artifacts by analyzing early promotional fantasies about the phonograph as a new kind of speaker and detailing initiatives to deploy it as a pedagogical tool to heighten literary experience. Through historically-grounded interpretations of Dickens impersonators to recitations of Tennyson to T.S. Eliot's experimental readings of "The Waste Land" and of a great variety of voices and media in between, this first critical history of the earliest literary sound recordings offers an unusual perspective on the transition from the Victorian to modern periods and sheds new light on our own digitally mediated relationship to the past.
Author: Annette Kern-Stähler
Publisher: Oxford University Press
ISBN: 019284377X
Category : Literary Criticism
Languages : en
Pages : 540
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Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Academic and offered as a free PDF download from OUP and selected open access locations. Literature and the Senses critically probes the role of literature in capturing and scrutinizing sensory perception. Organized around the five traditional senses, followed by a section on multisensoriality, the collection facilitates a dialogue between scholars working on literature written from the Middle Ages to the present day. The contributors engage with a variety of theorists from Maurice Merleau-Ponty to Michel Serres to Jean-Luc Nancy to foreground the distinctive means by which literary texts engage with, open up, or make uncertain dominant views of the nature of perception. Considering the ways in which literary texts intersect with and diverge from scientific, epistemological, and philosophical perspectives, these essays explore a wide variety of literary moments of sensation including: the interspecies exchange of a look between a swan and a young Indigenous Australian girl; the sound of bees as captured in an early modern poem; the noxious smell of the 'Great Stink' that recurs in the Victorian novel; the taste of an eggplant registered in a poetic performance; tactile gestures in medieval romance; and the representation of a world in which the interdependence of human beings with the purple hibiscus plant is experienced through all five senses. The collection builds upon and breaks new ground in the field of sensory studies, focusing on what makes literature especially suitable to engaging with, contributing to, and challenging our perennial understandings of, the senses.
Author: Janice Carruthers
Publisher: Peter Lang
ISBN: 9783039118700
Category : Foreign Language Study
Languages : en
Pages : 332
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Book Description
A majority of the chapters in this book were originally presented as papers at a conference held at Queen's University Belfast in September 2006. The volume explores the oral-written dynamic in the conte français/francophone, focusing on key aspects of the relationship between oral and written forms of the conte. The chapters fall into four broad thematic areas (the oral-written dynamic in early modern France; literary appropriations and transformations; postcolonial contexts; storytelling in contemporary France: linguistic strategies). Within these broad areas, some chapters deal with sources and influences (such as that of written on oral and vice versa), others with the nature of the discourse resulting from an oral-written dynamic (discourse structure, linguistic features etc.), some with the oral-written interface as it affects the definition of genre, others with the role of the 'oral' within the literary or written text (use of storytelling scenarios, the problematics inherent in transcribing/adapting the spoken word etc.). This chronological and methodological range allows us to situate the emergence of the form in socio-cultural and historical terms, and to open up debate around the role of the conte in particular geographical and political contexts: regional, national, European and postcolonial. This book contains contributions in both English and French.
Author: Martin Middeke
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110394219
Category : Literary Criticism
Languages : en
Pages : 832
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Book Description
Part I of this authoritative handbook offers systematic essays, which deal with major historical, social, philosophical, political, cultural and aesthetic contexts of the English novel between 1830 and 1900. The essays offer a wide scope of aspects such as the Industrial Revolution, religion and secularisation, science, technology, medicine, evolution or the increasing mediatisation of the lifeworld. Part II, then, leads through the work of more than 25 eminent Victorian novelists. Each of these chapters provides both historical and biographical contextualisation, overview, close reading and analysis. They also encourage further research as they look upon the work of the respective authors at issue from the perspectives of cultural and literary theory.
Author: Amy M. King
Publisher: Cambridge University Press
ISBN: 1108492959
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
Explores how natural theology features in both early Victorian natural histories and English provincial realist novels of the same period.
Author: Martin Dubois
Publisher: Cambridge University Press
ISBN: 1107180457
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Machine generated contents note: Introduction; Part I. Forms of Devotion: 1. Bibles; 2. Prayer; Part II. Models of Faith: 3. The soldier; 4. The martyr; Part III. Last Things: 5. Death and judgement; 6. Heaven and hell
Author: Aaron Rosenberg
Publisher:
ISBN: 1009271822
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
