Vocal Chamber Music [of] Marc-Antoine Charpentier PDF Download
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Author: Marc Antoine Charpentier
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
![Vocal Chamber Music [of] Marc-Antoine Charpentier PDF](https://books.google.com/books/content/images/frontcover/PFSAzQEACAAJ?fife=w80-h100)
Author: Marc Antoine Charpentier
Publisher:
ISBN:
Category :
Languages : en
Pages : 98
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Book Description
Author:
Publisher: Routledge
ISBN: 1135865787
Category :
Languages : en
Pages : 257
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Book Description
Author: Marc-Antoine Charpentier
Publisher: A-R Editions, Inc.
ISBN: 0895792028
Category : Cantatas, Secular
Languages : fr
Pages : 130
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Book Description
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795140
Category : Choruses, Sacred (Mixed voices) with continuo
Languages : en
Pages : 242
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Book Description
Author: William Lawes
Publisher: A-R Editions, Inc.
ISBN: 0895795183
Category : Music
Languages : en
Pages : 290
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Book Description
xxxiv + 240 pp.
Author: Marc-Antoine Charpentier
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Shirley Thompson
Publisher: Routledge
ISBN: 1351556428
Category : Music
Languages : en
Pages : 414
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Book Description
The tercentenary of Marc-Antoine Charpentier's death in 2004 stimulated a surge of activity on the part of performers and scholars, confirming the modern assessment of Charpentier (1643-1704) as one of the most important and inventive composers of the French Baroque. The present book provides a snapshot of Charpentier scholarship in the early years of the new century. Its 13 chapters illustrate not only the sheer variety of strands currently pursued, but also the way in which these strands frequently intertwine and generate the potential for future research. Between them, they examine facets of the composer's compositional language and process, aspects of his performance practice and notation, the contexts within which he worked, and the nature of his legacy. The appendix contains a transcription of the inventory of Charpentier's manuscripts prepared when their sale to the Royal Library was negotiated in 1726 - an invaluable research tool, as numerous chapters in the book demonstrate. The wide variety of topics covered here will appeal both to readers interested in Charpentier's music and to those with a broader interest in the music and culture of the French Baroque, including aspects of patronage, church and theatre. Far from treating his output in isolation, this book places it in the wider context alongside such composers as Lully, Lalande, Marais, Fran‘s Couperin and Rameau; it also views the composer in relation to his Italian training. In the process, the under-examined question of influence - who influenced Charpentier? whom did he influence? - repeatedly comes to the fore. The book's Foreword was written by H. Wiley Hitchcock shortly before he died. Hitchcock's own part in raising the profile of Charpentier and his music to the level of recognition which it now enjoys cannot be emphasized enough. Appropriately the volume is dedicated to his memory.
Author: Marc-Antoine Charpentier
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Theodore Karp
Publisher: Northwestern University Press
ISBN: 0810106590
Category : Music
Languages : en
Pages : 465
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Book Description
" ... Assist[s] ... the student of music toward a better understanding of the musical heritage of the Western world. It seeks to present in compact and understandable form information regarding the history of Western music, the constitution of its more important forms, biographies of the greatest composers, and accounts of compositional techniques, performance media, and acoustic phenomena, together with brief definitions of basic terms in performance and theory ..."--Preface
Author: David Tunley
Publisher: Oxford University Press
ISBN: 9780198164395
Category : Music
Languages : en
Pages : 304
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Book Description
This book, first published in 1974, has become the classic study of one of the most popular musical forms in early eighteenth-century France. It not only documents and examines a considerable repertoire for the first time, but it also places the genre in the wider context of both French and Italian baroque musical styles.
