Vocabolario Romagnolo-Italiano

Vocabolario Romagnolo-Italiano PDF Author: Antonio Morri
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 950

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Vocabolario Romagnolo-Italiano

Vocabolario Romagnolo-Italiano PDF Author: Antonio Morri
Publisher:
ISBN:
Category : Italian language
Languages : it
Pages : 950

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Book Description


Vocabolario Romagnolo-italiano

Vocabolario Romagnolo-italiano PDF Author: Antonio Morri
Publisher:
ISBN:
Category : Italian language
Languages : en
Pages : 0

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Vocabolario Romagnolo-Italiano - Primary Source Edition

Vocabolario Romagnolo-Italiano - Primary Source Edition PDF Author: Libero Ercolani
Publisher: Nabu Press
ISBN: 9781295063260
Category :
Languages : en
Pages : 536

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Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Vocabolario Romagnolo-Italiano (Classic Reprint)

Vocabolario Romagnolo-Italiano (Classic Reprint) PDF Author: Libero Ercolani
Publisher: Forgotten Books
ISBN: 9780666867506
Category : Foreign Language Study
Languages : it
Pages : 528

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Book Description
Excerpt from Vocabolario Romagnolo-Italiano E l'occasione si è di fatto presentata: il Maestro Libero Erco lani, insegnante a Bastia di Ravenna. Ha compilato con lunga.paziente e valida fatica un vocabolario romagnolo-italiano, che serve agli scopi linguistici e a quelli della conoscenza letteraria, e che rappresenta in un certo modo un felice ritorno alle origini della nostra terra. E' un vocabolario ricco di proverbi di espressioni del nostro idioma, di modi di dire anche non piu in uso, nel quale l'autore ha diligentemente ricercato l'etimologia dei vocaboli che non hanno radice comune con l'italiano, e che non furono assorbiti dalla lingua volgare durante il lungo processo, che condusse i domi natori romani a far si che il loro latino assorbisse le parlate dei popoli soggiogati. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Vocabolario romagnolo-italiano, italiano-romagnolo

Vocabolario romagnolo-italiano, italiano-romagnolo PDF Author:
Publisher:
ISBN:
Category : Italian language
Languages : en
Pages :

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Vocabolario Romagnolo-Italiano

Vocabolario Romagnolo-Italiano PDF Author: Antonio Mattioli
Publisher: Forgotten Books
ISBN: 9780366250738
Category : Foreign Language Study
Languages : it
Pages : 786

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Book Description
Excerpt from Vocabolario Romagnolo-Italiano: Con Appendice Suono aperto Ciàp, Gàt. Nastro, Gatto. Stretto nasale, come font in enfant francese. Rim, Cin. Rame, Cane. Aperto Cdflé, Cioè. Stretto, come congiunzione. Stamparéja, Libraréja. Stamperia, Libraria. Usai stretto, come e' in liberta' franc. Gode, Godere. Semiaporto. Andè, Sté. Andora, Stare. Aperto. Udi, Sentì. Udin, Sentire. Aperto. Dòt, Nòt. Dotto, Notte. Stretto, come 0 particella disgiuntiva. Bròt, Tòt. Brutto, Tutto. Assai stretto. Amor, Dot6r. Amore, Dottore. Mmiaperto. Cdr, Sfògh. Cuore, Sfogo. Stretto nasale come ou in bon franc. Bòma, Canìòn. Roma, Canzone. Acuto. Cadù, Godù. Caduto, Goduta. Aspro. Zéi, Zeme. Zio, Cima. Dolce. Zéi, Zéma. Giglio, Gemma. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Guide to Reprints

Guide to Reprints PDF Author:
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 1160

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Guide to Reprints

Guide to Reprints PDF Author: K G Saur Publishing
Publisher: Walter de Gruyter
ISBN: 9783598238994
Category : Language Arts & Disciplines
Languages : en
Pages : 968

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Book Description
The established reference work Guide to Reprints has been radically reworked for this edition. Bibliographical data was substantially increased where information was obtainable. In addition, the user-friendliness of Guide to Reprints was raised to the high level of other K.G. Saur directories through author-title cross-references, a subject volume, a person index and a publisher index. In this edition, the directory lists more than 60,000 titles from more than 350 publishers.

Composing for the Cinema

Composing for the Cinema PDF Author: Ennio Morricone
Publisher: Scarecrow Press
ISBN: 0810892421
Category : Performing Arts
Languages : en
Pages : 311

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Book Description
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. He has collaborated with many significant directors, and his scores for such films as The Good, the Bad, and the Ugly; Once Upon a Time in America; Days of Heaven; The Mission; The Untouchables; Malèna; and Cinema Paradiso leave moviegoers with the conviction that something special was achieved—a conviction shared by composers, scholars, and fans alike. In Composing for the Cinema: The Theory and Praxis of Music in Film, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Though aimed at composers, Morricone’s expositions are easy to understand and fascinating even to those without any musical training. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Translated and edited by Gillian B. Anderson, an orchestral conductor and musicologist, these lessons reveal Morricone’s passion about musical expression. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition. Aimed at a wide audience of composers, musicians, film historians, and fans, Composing for the Cinema contains a treasure trove of practical information and observations from a distinguished musicologist and one of the most accomplished composers on the international film scene.

Vocabolario Romagnolo-italiano

Vocabolario Romagnolo-italiano PDF Author: Antonio Morri
Publisher: Alpha Edition
ISBN: 9789354037504
Category : History
Languages : en
Pages : 900

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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.