Vladimir Tatlin and the Russian Avant-garde. [Illustr.] PDF Download
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![Vladimir Tatlin and the Russian Avant-garde. [Illustr.] PDF](https://books.google.com/books/content/images/frontcover/RIN4AAAACAAJ?fife=w150-h200)
Author: John Milner
Publisher:
ISBN: 9780783762197
Category :
Languages : en
Pages : 262
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Book Description
![Vladimir Tatlin and the Russian Avant-garde. [Illustr.] PDF](https://books.google.com/books/content/images/frontcover/RIN4AAAACAAJ?fife=w80-h100)
Author: John Milner
Publisher:
ISBN: 9780783762197
Category :
Languages : en
Pages : 262
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Book Description
Author: Gosudarstvennyĭ russkiĭ muzeĭ (Saint Petersburg, Russia)
Publisher: Walters Art Gallery
ISBN:
Category : Art
Languages : en
Pages : 244
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Book Description
Features paintings as well as arts and crafts, toys, prints, textiles and toys.
Author: Robert Chadwell Williams
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Author: Evgueny Kovtun
Publisher: Parkstone International
ISBN: 1783103817
Category : Art
Languages : en
Pages : 275
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Book Description
The Russian Avant-garde was born at the turn of the 20th century in pre-revolutionary Russia. The intellectual and cultural turmoil had then reached a peak and provided fertile soil for the formation of the movement. For many artists influenced by European art, the movement represented a way of liberating themselves from the social and aesthetic constraints of the past. It was these Avant-garde artists who, through their immense creativity, gave birth to abstract art, thereby elevating Russian culture to a modern level. Such painters as Kandinsky, Malevich, Goncharova, Larionov, and Tatlin, to name but a few, had a definitive impact on 20th-century art.
Author: Simon Baier
Publisher:
ISBN: 9783775733632
Category : Architecture
Languages : en
Pages : 0
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Book Description
Painter, architect, engineer, set designer, father to the Russian Constructivist movement, inventor of the "counter-relief" and author of one of modernism's greatest icons, the "Monument to the Third International," Vladimir Tatlin blazed an incredible trail of innovation through the glory years of the Soviet avant-garde. Nevertheless, "Not the old, not the new, but the necessary" was his motto; having spent his early years as an icon painter, Tatlin eschewed the modernist disavowal of heritage in favor of a research-based attitude to materials and genres. His "counter-relief" sculptures, made of wood, cardboard, metal and wire, were foundational works for Rodchenko and the Constructivists, and their influence can be seen today in the works of creators as various as Zaha Hadid and Richard Tuttle. But it is his "Monument to the Third International," often called simply "Tatlin's Tower," that has grasped the imaginations of artists, architects and writers down the generations. Though it was never built, "Tatlin's Tower" endures as a promethean image of utopian heroism and Soviet optimism, as does the artist himself, who applied his energies so broadly, without loss of integrity or focus. With 120 color illustrations and a wealth of archival photos, this volume offers the first English-language overview of Tatlin's diverse achievements in more than 25 years. Published for a landmark exhibition at the Museum Tinguely in Basel, it examines every facet of his output, from his early Cubist-influenced paintings to the counter-reliefs, the "Tower," prints, set and costume designs and aeronautic researches, and constitutes an essential portrait of the ambitions of Soviet modernism. Vladimir Tatlin(1885-1953) was born in the Ukraine, and studied icon painting in Moscow. In 1913 he traveled to Paris, where he encountered Picasso's three-dimensional sculptures, which directly inspired his own "counter-reliefs." Following the October Revolution, Tatlin directed his skills towards the Soviet cause, devising in 1920 his "Monument to the Third International."
Author: Catherine Cooke
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 148
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Book Description
Author: Steven S. Lee
Publisher: Columbia University Press
ISBN: 0231540116
Category : Literary Criticism
Languages : en
Pages : 300
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Book Description
During the 1920s and 1930s, American minority artists and writers collaborated extensively with the Soviet avant-garde, seeking to build a revolutionary society that would end racial discrimination and advance progressive art. Making what Claude McKay called "the magic pilgrimage" to the Soviet Union, these intellectuals placed themselves at the forefront of modernism, using radical cultural and political experiments to reimagine identity and decenter the West. Shining rare light on these efforts, The Ethnic Avant-Garde makes a unique contribution to interwar literary, political, and art history, drawing extensively on Russian archives, travel narratives, and artistic exchanges to establish the parameters of an undervalued "ethnic avant-garde." These writers and artists cohered around distinct forms that mirrored Soviet techniques of montage, fragment, and interruption. They orbited interwar Moscow, where the international avant-garde converged with the Communist International. The book explores Vladimir Mayakovsky's 1925 visit to New York City via Cuba and Mexico, during which he wrote Russian-language poetry in an "Afro-Cuban" voice; Langston Hughes's translations of these poems while in Moscow, which he visited to assist on a Soviet film about African American life; a futurist play condemning Western imperialism in China, which became Broadway's first major production to feature a predominantly Asian American cast; and efforts to imagine the Bolshevik Revolution as Jewish messianic arrest, followed by the slow political disenchantment of the New York Intellectuals. Through an absorbing collage of cross-ethnic encounters that also include Herbert Biberman, Sergei Eisenstein, Paul Robeson, and Vladimir Tatlin, this work remaps global modernism along minority and Soviet-centered lines, further advancing the avant-garde project of seeing the world anew.
Author: Andréi Nakov
Publisher: 5Continents
ISBN: 9788874397471
Category : Art
Languages : en
Pages : 0
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Book Description
Russian avant-garde art--the exciting art movement that flourished in Russia in the years surrounding the 1917 revolution--resulted in remarkable works of art, architecture, literature, film, theater, dance, and graphic design. The first non-figurative art movement, it was enormously important in the development of modern art. This lavishly illustrated exhibition catalog looks at six major works by six renowned Russian artists: Kazimir Malevich, Vladimir Tatlin, Ivan Kliun, Ilja Chashnik, El Lissitzky, and Lyubov Popova. Stunning reproductions are accompanied by original documents, objects, manuscripts, and photographs from the collection of art historian Andréi Nakov. Nakov also writes on how, in the late 1950s, Canadian diplomats posted to Moscow were instrumental in helping form the collection of George Costakis, who worked at the Canadian Embassy and whose collection of Constructivist and other Russian avant-garde works grew to become the largest and most representative collection anywhere.
Author: John E. Bowlt
Publisher: New York : Viking Press
ISBN:
Category : Art
Languages : en
Pages : 408
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Book Description
Author: Pamela Kachurin
Publisher: Northwestern University Press
ISBN: 0810167263
Category : History
Languages : en
Pages : 171
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Book Description
Making Modernism Soviet provides a new understanding of the ideological engagement of Russian modern artists such as Kazimir Malevich, Alexander Rodchenko, and Vera Ermolaeva with the political and social agenda of the Bolsheviks in the chaotic years immediately following the Russian Revolution. Focusing on the relationship between power brokers and cultural institutions under conditions of state patronage, Pamela Kachurin lays to rest the myth of the imposition of control from above upon a victimized artistic community. Drawing on extensive archival research, she shows that Russian modernists used their positions within the expanding Soviet arts bureaucracy to build up networks of like-minded colleagues. Their commitment to one another and to the task of creating a socially transformative visual language for the new Soviet context allowed them to produce some of their most famous works of art. But it also contributed to the "Sovietization" of the art world that eventually sealed their fate.
