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Author: Malavika Karlekar
Publisher: Oxford University Press, USA
ISBN:
Category : Feminism
Languages : en
Pages : 160
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Book Description
"Photography as a medium has captured the diverse realities of women's lives over the last century and a half, providing a more holistic understanding of what is learned through the written word, memory, and recall. Visualizing Indian Women is a collection of 300 such rare photographs depicting women's lives during the period 1875-1947, gleaned from archives as well as private collections." "Based on a travelling exhibition curated by the Centre for Women's Development Studies, New Delhi, the book consists of images and explanatory captions that are divided into five sections, following a more or less chronological development of Indian women during this period."--BOOK JACKET.
Author: Malavika Karlekar
Publisher: Oxford University Press, USA
ISBN:
Category : Feminism
Languages : en
Pages : 160
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Book Description
"Photography as a medium has captured the diverse realities of women's lives over the last century and a half, providing a more holistic understanding of what is learned through the written word, memory, and recall. Visualizing Indian Women is a collection of 300 such rare photographs depicting women's lives during the period 1875-1947, gleaned from archives as well as private collections." "Based on a travelling exhibition curated by the Centre for Women's Development Studies, New Delhi, the book consists of images and explanatory captions that are divided into five sections, following a more or less chronological development of Indian women during this period."--BOOK JACKET.
Author: Malavika Karlekar
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 160
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Book Description
"Photography as a medium has captured the diverse realities of women's lives over the last century and a half, providing a more holistic understanding of what is learned through the written word, memory, and recall. Visualizing Indian Women is a collection of 300 such rare photographs depicting women's lives during the period 1875-1947, gleaned from archives as well as private collections." "Based on a travelling exhibition curated by the Centre for Women's Development Studies, New Delhi, the book consists of images and explanatory captions that are divided into five sections, following a more or less chronological development of Indian women during this period."--BOOK JACKET.
Author: Anshu Malhotra
Publisher: Duke University Press
ISBN: 0822374978
Category : Literary Criticism
Languages : en
Pages : 314
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Book Description
Many consider the autobiography to be a Western genre that represents the self as fully autonomous. The contributors to Speaking of the Self challenge this presumption by examining a wide range of women&'s autobiographical writing from South Asia. Expanding the definition of what kinds of writing can be considered autobiographical, the contributors analyze everything from poetry, songs, mystical experiences, and diaries to prose, fiction, architecture, and religious treatises. The authors they study are just as diverse: a Mughal princess, an eighteenth-century courtesan from Hyderabad, a nineteenth-century Muslim prostitute in Punjab, a housewife in colonial Bengal, a Muslim Gandhian devotee of Krishna, several female Indian and Pakistani novelists, and two male actors who worked as female impersonators. The contributors find that in these autobiographies the authors construct their gendered selves in relational terms. Throughout, they show how autobiographical writing—in whatever form it takes—provides the means toward more fully understanding the historical, social, and cultural milieu in which the author performs herself and creates her subjectivity. Contributors: Asiya Alam, Afshan Bokhari, Uma Chakravarti, Kathryn Hansen, Siobhan Lambert-Hurley, Anshu Malhotra, Ritu Menon, Shubhra Ray, Shweta Sachdeva Jha, Sylvia Vatuk
Author: Aparna Basu
Publisher: Taylor & Francis
ISBN: 1000084450
Category : Social Science
Languages : en
Pages : 219
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Book Description
This volume will mark a new trend in dealing with women’s varied experiences of life: individual introductions situate the narrator in a context – and then her voice takes over, with no intervention from the editors (except to provide footnotes wherever necessary). The personal narrative — be it an autobiography, a letter or a diary — has come to be recognised as an acceptable data source in history and social science. Literary critics and students of literature too find considerable use in reading the personal writings of poets, fiction and crime writers. In this book, readings of personal narratives help in painting various images of lives that we can only know at second hand. The mélange includes memoirs, published articles, ‘portraits from memory’, a collection of essays , and an oral interview. In all, the self was the focus. The writings of Sailabala, Li Gotami, and Shakuntala go beyond a recounting of their lives and deal with spiritual and travel experiences. Three of the essays are excerpts from published autobiographies — Sarala Devi Chaudhurani’s Jeevaner Jharapata (Life’s Fallen Leaves), Kalpana Dutt’s Reminiscences and Sailabala Das’s A Look Before and After. Vidyagauri Nilkanth’s writings are essays and a selection of amazingly candid letters exchanged with her husband. Anasuya Sarabahi’s is an interview in Gujarati with niece Gira and Monica’s a selection from an unpublished memoir. Li Gotami, whose original name was Rutty Petit, travelled to Manasarovar, and a few of the magazine articles on this amazing journey have been reproduced here. Whichever form a woman chooses, writing about her self, is emancipatory; she may be a person who has so far received little attention from the family or the world. Or she may be one who is a well-known public figure – yet little is known about her childhood. So she writes about many selves – life is not about one coherent self but rather one of many lives and experiences. In other words,
Author: Debalina Banerjee
Publisher: Cambridge Scholars Publishing
ISBN: 1443860786
Category : Social Science
Languages : en
Pages : 224
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Book Description
This book addresses the intersections between gender and identity by critically examining female spaces. It has famously been argued that men and women are made in culture. As such, this volume explores how spaces—social, political, cultural, historical, and even cyber—affect the creative, personal, urban and global identities of women. The scholarly approaches of the contributors here probe into these spaces and analyze the problematic of gender identities as they are constructed, reconstructed or deconstructed through processes of appropriation, subversion and signification. The functional politics of patriarchy influences a range of networks that include social, cultural, political, and religious archetypes. This book will open new vistas in women’s studies through dialogues and discussions on the various facets of “Space”, and how in turn they generate the rhetoric of agency and power or again how they annihilate attempts at emancipation and empowerment. Furthermore, the book explores the diversity of women’s experiences and their contributions across cultures, and examines knowledge and practices in the light of gender differences, suggesting new ways to “conceptualize the relations between the self and the ever changing global communities”. Its interdisciplinary nature, drawing on the humanities, arts, social sciences will give it a wide readership among students, teachers and researchers. In addition, since women’s studies is one of the most sought-after academic disciplines of the contemporary academic world, this book will generate interest and contribute to the dynamic nature of women’s studies research.
Author: Sumathi Ramaswamy
Publisher: University of Chicago Press
ISBN: 022647657X
Category : Education
Languages : en
Pages : 450
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Book Description
Prologue: Global itineraries, Earth inscriptions -- In pursuit of a global thing -- "As you live in the world, you ought to know something of the world"--The global pandit -- Down to Earth? Of girls and globes -- "It's called a globe. It is the Earth. Our Earth!" -- Epilogue: The conquest of the world as globe
Author: Shobna Nijhawan
Publisher: Oxford University Press
ISBN: 0199095825
Category : Language Arts & Disciplines
Languages : en
Pages : 260
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Book Description
Investigating the emergence of Hindi publishing in colonial Lucknow, long a stronghold of Urdu and Persian literary culture, Shobna Nijhawan offers a detailed study of literary activities emerging out of the publishing house Gaṅgā Pustak Mālā in the first half of the twentieth century. Closely associated with it was the Hindi monthly Sudhā, a literary, socio-political, and illustrated periodical, in which Hindi writings were promoted and developed for the education and entertainment of the reader. In charting the literary networks established by Dularelal Bhargava, the proprietor of Gaṅgā Pustak Mālā and chief Edited by of Sudhā, this volume sheds light on his role in the development of Hindi language and literature, creation of canonical literature, and commercialization and nationalization of books and periodicals in the north Indian Hindi public sphere. Using vernacular primary sources and drawing on scholarship on periodicals and publishing houses as well as Edited by-publishers that has emerged over the past two decades, Nijhawan shows how one publishing house singlehandedly impacted the role of Hindi in the public sphere.
Author: Niharika Dinkar
Publisher: Manchester University Press
ISBN: 1526139650
Category : Art
Languages : en
Pages : 440
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Book Description
Light was central to the visual politics and imaginative geographies of empire, even beyond its role as a symbol of knowledge and progress in post-Enlightenment narratives. This book describes how imperial mappings of geographical space in terms of ‘cities of light’ and ‘hearts of darkness’ coincided with the industrialisation of light (in homes, streets, theatres) and its instrumentalisation through new representative forms (photography, film, magic lanterns, theatrical lighting). Cataloguing the imperial vision in its engagement with colonial India, the book evaluates responses by the celebrated Indian painter Ravi Varma (1848–1906) to reveal the centrality of light in technologies of vision, not merely as an ideological effect but as a material presence that produces spaces and inscribes bodies.
Author: Stephen P. Huyler
Publisher: Abbeville Press
ISBN:
Category : Photography
Languages : en
Pages : 272
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Book Description
"Daughters of India is a collection of the stories of twenty Indian women, who range from traditional to modern, repressed to highly innovative, and outcast to entrepreneur. Each story highlights how these women use creative expression as a means of empowerment. With 250 full-color illustrations, author Stephen Huyler introduces the reader to these individual Indian women and their art - and draws us into their colorful lives and inspiring achievements."--BOOK JACKET.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 624
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Book Description
