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Author: M. Bleeker
Publisher: Springer
ISBN: 0230583369
Category : Art
Languages : en
Pages : 241
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Book Description
This book presents an exploration of the under-explored terrain of visuality, demonstrating the use of new theoretical insights into vision for the analysis of theatre and performance and simultaneously shows theatre and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.
Author: M. Bleeker
Publisher: Springer
ISBN: 0230583369
Category : Art
Languages : en
Pages : 241
Get Book Here
Book Description
This book presents an exploration of the under-explored terrain of visuality, demonstrating the use of new theoretical insights into vision for the analysis of theatre and performance and simultaneously shows theatre and performance to be an excellent 'theoretical object' for exploring the cultural, historical and embodied character of visuality.
Author: Nicole R. Fleetwood
Publisher: University of Chicago Press
ISBN: 0226253031
Category : Art
Languages : en
Pages : 297
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Book Description
Nicole R. Fleetwood explores how blackness is seen as a troubling presence in the field of vision and the black body is persistently seen as a problem. She examines a wide range of materials from visual and media art, documentary photography theatre, performance and more.
Author: Dominic Johnson
Publisher: Bloomsbury Publishing
ISBN: 1137015594
Category : Performing Arts
Languages : en
Pages : 96
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Book Description
Theatre & the Visual argues that theatre studies' preoccupation with problems arising from textual analysis has compromised a fuller, political consideration of the visual. Johnson examines the spectator's role in the theatre, exploring pleasure, difficulty and spectacle, to consider the implications for visual experience in the theatre.
Author: Diane Piccitto
Publisher: University of Michigan Press
ISBN: 0472129767
Category : Performing Arts
Languages : en
Pages : 397
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Book Description
The Visual Life of Romantic Theater examines the dynamism and vibrancy of stage spectacle and its impact in an era of momentous social upheaval and aesthetic change. Situating theatrical production as key to understanding visuality ca. 1780-1830, this book places the stage front and center in Romantic scholarship by re-envisioning traditional approaches to artistic and social creation in the period. How, it asks, did dramaturgy and stagecraft influence aesthetic and sociopolitical concerns? How does a focus on visuality expand our understanding of the historical experience of theatergoing? In what ways did stage performance converge with visual culture beyond the theater? How did extratheatrical genres engage with theatrical sight and spectacle? Finally, how does a focus on dramatic vision change the way we conceive of Romanticism itself? The volume’s essays by emerging and established scholars provide exciting and suggestive answers to these questions, along with a more capacious conception of Romantic theater as a locus of visual culture that reached well beyond playhouse walls.
Author: Andrew Cope
Publisher: BRILL
ISBN: 184888138X
Category : Social Science
Languages : en
Pages : 194
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Book Description
Preliminary Material -- Looking at Postmodern Performances of Canonical Plays /Bilha Blum -- Dancing Clowns and Desert Dunes: Challenging Traditional Flamenco Imagery through 'Fusion' /Idit Suslik -- Old Arts in New Media: Reconfiguring Meaning and Performance in Opera 'Live in HD' /Adele Anderson -- Visionary Voice / Silent Clown -- Little Cinderella, Big Cinderella: Scenography as Performance /Filipa Malva -- Spatial Relations Speak the Language of Social Hierarchy /David Franklin and Milan Kohout -- The Full and the Void in the Theatre of Robert Wilson /Marcelo de Andrade Pereira -- The Explanatory Frame /Myer Taub -- Performance Art as Intervention in Everyday Life: Participation, the Public Sphere and the Production of Meaning /Alexandra Antoniadou.
Author: Lisa Saltzman
Publisher: UPNE
ISBN: 9781584655169
Category : Art
Languages : en
Pages : 310
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Book Description
Essays exploring the role of trauma in modern art.
Author: Alessandra Buccheri
Publisher: Routledge
ISBN: 1351540432
Category : Art
Languages : en
Pages : 216
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Book Description
The studies in which history of art and theatre are considered together are few, and none to date investigate the evolution of the representation of clouds from the early Renaissance to the Baroque period. This book reconsiders the origin of Italian Renaissance and Baroque cloud compositions while including the theatrical tradition as one of their most important sources. By examining visual sources such as paintings, frescos and stage designs, together with letters, guild-ledgers, descriptions of performances and relevant treatises, a new methodology to approach the development of this early modern visuality is offered. The result is an historical reconstruction where multiple factors are seen as facets of a single process which led to the development of Italy?s visual culture. The book also offers new insights into Leonardo da Vinci?s theatrical works, Raphael?s Disputa, Vasari?s Lives, and Pietro da Cortona?s fresco paintings. The Spectacle of Clouds, 1439-1650 examines the different ways Heaven has been conceived, imagined and represented from the fifteenth to the seventeenth century, crossing over into the fields of history, religion and philosophy.
Author: Richard Meek
Publisher: Routledge
ISBN: 1351915940
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
This book examines Shakespeare's fascination with the art of narrative and the visuality of language. Richard Meek complicates our conception of Shakespeare as either a 'man of the theatre' or a 'literary dramatist', suggesting ways in which his works themselves debate the question of text versus performance. Beginning with an exploration of the pictorialism of Shakespeare's narrative poems, the book goes on to examine several moments in Shakespeare's dramatic works when characters break off the action to describe an absent, 'offstage' event, place or work of art. Meek argues that Shakespeare does not simply prioritise drama over other forms of representation, but rather that he repeatedly exploits the interplay between different types of mimesis - narrative, dramatic and pictorial - in order to beguile his audiences and readers. Setting Shakespeare's works in their literary and rhetorical contexts, and engaging with contemporary literary theory, the book offers new readings of Venus and Adonis, The Rape of Lucrece, Hamlet, King Lear and The Winter's Tale. The book will be of particular relevance to readers interested in the relationship between verbal and visual art, theories of representation and mimesis, Renaissance literary and rhetorical culture, and debates regarding Shakespeare's status as a literary dramatist.
Author: Marchella Ward
Publisher: Cambridge University Press
ISBN: 1009372777
Category : History
Languages : en
Pages : 313
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Book Description
Examines the role that spectators play in the reception and perpetuation of ableist stereotypes about blindness in the theatre.
Author: Maaike Bleeker
Publisher: Bloomsbury Publishing
ISBN: 1472579623
Category : Performing Arts
Languages : en
Pages : 337
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Book Description
Thinking Through Theatre and Performance presents a bold and innovative approach to the study of theatre and performance. Instead of topics, genres, histories or theories, the book starts with the questions that theatre and performance are uniquely capable of asking: How does theatre function as a place for seeing and hearing? How do not only bodies and voices but also objects and media perform? How do memories, emotions and ideas continue to do their work when the performance is over? And how can theatre and performance intervene in social, political and environmental structures and frameworks? Written by leading international scholars, each chapter of this volume is built around a key performance example, and detailed discussions introduce the methodologies and theories that help us understand how these performances are practices of enquiry into the world. Thinking through Theatre and Performance is essential for those involved in making, enjoying, critiquing and studying theatre, and will appeal to anyone who is interested in the questions that theatre and performance ask of themselves and of us.
