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Author: Robert S. Nelson
Publisher:
ISBN: 9780521652223
Category : Art
Languages : en
Pages : 269
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Book Description
How do people understand vision and the act of seeing? What is the eye and how is it understood to be connected to the brain? How do people look at gods and how do the gods look at people? And what can images tell us about these processes? Visuality Before and Beyond the Renaissance examines the phenomenon of 'seeing' through a study of art works from ancient Mesopotamia, China, Africa and European works ranging from antiquity to the early modern period. It demonstrates that in ancient and distant societies, the act of seeing has been and is understood in diverse ways with consequences for the production of art, the practice of religion, and the individual's perception of her world and herself. Treating diverse cultures and using a variety of methods from the humanities, social sciences, and sciences, this book exposes the cultural contexts in which visual perception develops.
Author: Robert S. Nelson
Publisher:
ISBN: 9780521652223
Category : Art
Languages : en
Pages : 269
Get Book Here
Book Description
How do people understand vision and the act of seeing? What is the eye and how is it understood to be connected to the brain? How do people look at gods and how do the gods look at people? And what can images tell us about these processes? Visuality Before and Beyond the Renaissance examines the phenomenon of 'seeing' through a study of art works from ancient Mesopotamia, China, Africa and European works ranging from antiquity to the early modern period. It demonstrates that in ancient and distant societies, the act of seeing has been and is understood in diverse ways with consequences for the production of art, the practice of religion, and the individual's perception of her world and herself. Treating diverse cultures and using a variety of methods from the humanities, social sciences, and sciences, this book exposes the cultural contexts in which visual perception develops.
Author: Mitchell Merback
Publisher: BRILL
ISBN: 9004151656
Category : History
Languages : en
Pages : 601
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Book Description
Bringing together thirteen leading art historians, Beyond the Yellow Badge seeks to reframe the relationship between European visual culture and the many changing aspects of the Christian majority’s negative conceptions of Jews and Judaism during the Middle Ages and early modern periods.
Author: S. Biernoff
Publisher: Springer
ISBN: 0230508359
Category : History
Languages : en
Pages : 251
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Book Description
This book breaks new ground by bringing postmodern writings on vision and embodiment into dialogue with medieval texts and images: an interdisciplinary strategy that illuminates and complicates both cultures. This is an invaluable reference work for anyone interested in the history and theory of visuality, and it is essential reading for scholars of art, science or spirituality in the medieval period.
Author: Kristen Collins
Publisher: Getty Publications
ISBN: 1606069284
Category : Art
Languages : en
Pages : 274
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Book Description
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world. Through essays written by contributors from the fields of art history, the history of science, and neuroscience, and with more than two hundred illustrations, including glimmering golden reliquaries, illuminated manuscripts, rock crystal vessels, astronomical instruments, and more, Lumen cuts across religious, political, and geographic boundaries to reveal the ways medieval Christian, Jewish, and Islamic artists, theologians, and thinkers studied light. To convey the sense of wonder created by moving light on precious materials, a number of contemporary artworks are placed in dialogue with historic objects.
Author: Claire J. Farago
Publisher: U of Minnesota Press
ISBN: 9781452906157
Category : Art and history
Languages : en
Pages : 260
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Book Description
Author: Caroline van Eck
Publisher: Routledge
ISBN: 1351160222
Category : Art
Languages : en
Pages : 297
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Book Description
One of the issues underlying current debates between practitioners of art history, visual culture and aesthetics is whether the visual is a unique, irreducible category, or whether it can be assimilated with the textual or verbal without any significant loss. Can paintings, buildings or installations be 'read' in the way texts are read or deciphered, or do works of visual art ask for their own kind of appreciation? This is not only a question of choosing the right method in dealing with visual works of art, but also an issue that touches on the roots of the disciplines involved: can a case be made for the visual as an irreducible category of art, and if so, how is it best studied and appreciated? In this anthology, this question is approached from the angles of three disciplines: aesthetics, visual culture and art history. Unlike many existing overviews of visual culture studies, it includes both painting and architecture, and investigates historical ways of defining and appreciating the visual in their own, contemporary terms. Dealing with the Visual will be of great use to advanced students because it offers an overview of current debates, and to graduate students and professionals in the field because the essays offer in-depth investigations of the methodological issues involved and various historical ways of defining visuality. The topics included range from early modern ways of viewing pictures and sixteenth-century views of Palladio's villas in their landscape settings to contemporary debate about whether there is life yet in painting.
Author: Rachel Neis
Publisher: Cambridge University Press
ISBN: 1107292530
Category : History
Languages : en
Pages : 333
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Book Description
This book studies the significance of sight in rabbinic cultures across Palestine and Mesopotamia (approximately from the first to seventh centuries). It tracks the extent and effect to which the rabbis living in the Greco-Roman and Persian worlds sought to appropriate, recast and discipline contemporaneous understandings of sight. Sight had a crucial role to play in the realms of divinity, sexuality and gender, idolatry and, ultimately, rabbinic subjectivity. The rabbis lived in a world in which the eyes were at once potent and vulnerable: eyes were thought to touch objects of vision, while also acting as an entryway into the viewer. Rabbis, Romans, Zoroastrians, Christians and others were all concerned with the protection and exploitation of vision. Employing many different sources, Professor Neis considers how the rabbis engaged varieties of late antique visualities, along with rabbinic narrative, exegetical and legal strategies, as part of an effort to cultivate and mark a 'rabbinic eye'.
Author: Elina Gertsman
Publisher: Boydell Press
ISBN: 1843836971
Category : Architecture
Languages : en
Pages : 410
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Book Description
Interdisciplinary approaches to the material culture of the middle ages, from illuminated manuscripts to church architecture.
Author: Dana Leibsohn
Publisher: Ashgate Publishing, Ltd.
ISBN: 9781409411895
Category : Art
Languages : en
Pages : 306
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Book Description
What were the possibilities and limits of vision in the early modern world? Drawing upon experiences forged in Europe, Asia, Africa and the Americas, Seeing Across Cultures shows how distinctive ways of habituating the eyes in the early modern period had profound implications-in the realm of politics, daily practice and the imaginary. Beyond their interest in visual culture, the essays here expand our understanding of transcultural encounters and the history of vision.
Author: Jonathan Harris
Publisher: Routledge
ISBN: 1134363273
Category : Art
Languages : en
Pages : 361
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Book Description
A comprehensive critical guide, Art History: The Key Concepts considers the full range of issues facing the field today, drawing on related areas such as cultural theory and media studies.
