Author: April Mandrona
Publisher: Rutgers University Press
ISBN: 0813588170
Category : Social Science
Languages : en
Pages : 374
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Book Description
Visual Encounters in the Study of Rural Childhoods brings together visual studies and childhood studies to explore images of childhood in the study of rurality and rural life. The volume highlights how the voices of children themselves remain central to investigations of rural childhoods. Contributions look at representations and experiences of rural childhoods from both the Global North and Global South (including U.S., Canada, Haiti, India, Sweden, Slovenia, South Africa, Russia, Timor-Leste, and Colombia) and consider visuals ranging from picture books to cell phone video to television.
Author: April Mandrona
Publisher: Rutgers University Press
ISBN: 0813588189
Category : Education
Languages : en
Pages : 271
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Book Description
Visual Encounters in the Study of Rural Childhoods brings together visual studies and childhood studies to explore images of childhood in the study of rurality and rural life. The volume highlights how the voices of children themselves remain central to investigations of rural childhoods. Contributions look at representations and experiences of rural childhoods from both the Global North and Global South (including U.S., Canada, Haiti, India, Sweden, Slovenia, South Africa, Russia, Timor-Leste, and Colombia) and consider visuals ranging from picture books to cell phone video to television.
Author: Claudia Mitchell
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773558233
Category : Social Science
Languages : en
Pages : 297
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Book Description
Life in the countryside, often perceived as either idyllic or depleted, has long been misrepresented. Challenging the stereotypes and myths that surround the idea of rurality, Our Rural Selves interrogates and represents individual and collective memories of childhood in rural landscapes and small towns. Drawing on visual artifacts whose origins range from the early twentieth century to today, such as photographs, films, objects, picture books, and digital games, contributors offer readings of childhood that are geographically, ethnically, and culturally diverse. They examine the memories of Indigenous children, the experiences of back-to-the-land youth, and boom-or-bust childhoods within the petroleum, farming, and fishing industries. Illustrating often neglected and overlooked aspects of adolescence, this collection suggests new ways of studying social connectedness and collective futures. Innovative and revealing in its use of visual studies, autoethnography, and memory-work, Our Rural Selves explores representation, imagination, and what it means to grow up rural in Canada.
Author: Robin James Smith
Publisher: Emerald Group Publishing
ISBN: 1787439313
Category : Social Science
Languages : en
Pages : 233
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Book Description
This volume explores ethnographic projects that were planned but never happened, and reports on the methodological lessons researchers can learn, as well as how they can gain fresh energy and social science insight from apparent rejection.
Author: Robin James Smith
Publisher: Manchester University Press
ISBN: 1526157640
Category : Social Science
Languages : en
Pages : 185
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Book Description
Leaving the field gathers various accounts of ethnographers leaving their field sites. In doing so, the book offers original insights into an often-overlooked aspect of the research process; the ethnographic exit. The chapters variously consider situations in which the researcher must extricate themselves from field relations, deal with unexpected or imperfect ends to projects, or manage situations in which ‘the field’ becomes hard to leave. Whilst the chapters are firmly focussed on ethnographic exits, they also provide more general methodological insights into the conduct of fieldwork and the writing of ethnography, as well as questioning established notions of ‘the field’ as a bounded setting the researcher straightforwardly visits and then leaves. The book highlights the importance of recognising ethnographic exits as an essential part of the research process.
Author: Claudia Mitchell
Publisher: University of Toronto Press
ISBN: 148753356X
Category : Social Science
Languages : en
Pages : 230
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Book Description
Positionality and researcher reflexivity – how to account for one’s subject position – remain as challenges for new researchers. But they also remain as challenges for experienced researchers, who are often involved in multiple research projects simultaneously. Where Am I in the Picture? sheds light on the idea of researcher positionality through visual methodologies, particularly in the context of studying rurality in Canada, Sweden, and South Africa. The book is intended for new and experienced researchers seeking to decolonize their own perspectives in research in the social sciences and humanities. It incorporates photographs, drawings, and memory work to highlight the social constructedness of what counts as rural. Drawing together compelling narratives from researchers about their positionality in studying rurality, the book highlights a need for greater attention to “where we are in the picture” more broadly. It suggests that when it comes to the rural, researchers need to rethink the interplay of dominant images, insider and outsider perspectives, and what this interplay means in relation to interpretation. Where Am I in the Picture? presents a new vision of how to take into consideration positionality in research.
Author: Elizabeth L. Shively
Publisher: Springer Nature
ISBN: 3030496228
Category : Social Science
Languages : en
Pages : 187
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Book Description
Drawing from a study of courtship media and ethnographic work at purity retreats and home-school conventions across the Midwest, this is the first inquiry into modern Christian courtship, an alternative to dating that asks young people to avoid both romance and sex until they are ready to be married. Bridging sociological and historical studies of American Christianity with youth and girlhood studies literatures, Elizabeth Shively finds that the courtship system is designed to shore up the patriarchal nuclear family structure at the center of conservative Christianity and ensure predictability in the face of emerging adulthood: single young women work to embody ideals of “luminous femininity” and model themselves after archetypes such as the “Proverbs 31 woman,” the “stay-at-home-daughter,” and the “mission-minded girl,” and courting couples strive to “guard their hearts” against premature emotional intimacy. Nonetheless, participants report that courtship, like other relationships, inevitably carries an element of risk, and it ultimately fails to offer a substantial challenge to the to the sexist realities of youth dating culture.
Author: Relebohile Moletsane
Publisher: Berghahn Books
ISBN: 1800730349
Category : Social Science
Languages : en
Pages : 240
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Book Description
Girls and young women, particularly those from rural and indigenous communities around the world, face some of the most adverse social issues in the world despite the existence of protective laws and international treaties. Ethical Practice in Participatory Visual Research with Girls explores the potential of participatory visual method (PVM) for girls and young women in these communities, presenting and critiquing the everyday ethical dilemmas visual researchers face and the strategies they implement to address them, reflecting on principles of autonomy, social justice, and beneficence in transnational, indigenous and rural contexts.
Author: Luc Pauwels
Publisher: SAGE
ISBN: 1526416980
Category : Education
Languages : en
Pages : 1377
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Book Description
The second, thoroughly revised and expanded, edition of The SAGE Handbook of Visual Research Methods presents a wide-ranging exploration and overview of the field today. As in its first edition, the Handbook does not aim to present a consistent view or voice, but rather to exemplify diversity and contradictions in perspectives and techniques. The selection of chapters from the first edition have been fully updated to reflect current developments. New chapters to the second edition cover key topics including picture-sorting techniques, creative methods using artefacts, visual framing analysis, therapeutic uses of images, and various emerging digital technologies and online practices. At the core of all contributions are theoretical and methodological debates about the meanings and study of the visual, presented in vibrant accounts of research design, analytical techniques, fieldwork encounters and data presentation. This handbook presents a unique survey of the discipline that will be essential reading for scholars and students across the social and behavioural sciences, arts and humanities, and far beyond these disciplinary boundaries. The Handbook is organized into seven main sections: PART 1: FRAMING THE FIELD OF VISUAL RESEARCH PART 2: VISUAL AND SPATIAL DATA PRODUCTION METHODS AND TECHNOLOGIES PART 3: PARTICIPATORY AND SUBJECT-CENTERED APPROACHES PART 4: ANALYTICAL FRAMEWORKS AND PERSPECTIVES PART 5: MULTIMODAL AND MULTISENSORIAL RESEARCH PART 6: RESEARCHING ONLINE PRACTICES PART 7: COMMUNICATING THE VISUAL: FORMATS AND CONCERNS
Author: Jennifer VanderBurgh
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228019869
Category : Performing Arts
Languages : en
Pages : 153
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Book Description
Television in Canada has been undervalued as a cultural form. Despite being publicly funded, Canadian television programs are also notoriously difficult to access once they go off the air, which has compounded the problem. In What Television Remembers Jennifer VanderBurgh intervenes in the story of the medium in Canada by exploring the long relationship between TV and the city of Toronto. From the first demonstration of television at the Canadian National Exhibition in 1939 and the mass viewing of Queen Elizabeth II’s coronation broadcast in 1953 to the late-century installation of TV screens in public spaces around the city, television has shaped Toronto’s collective imagination and affirmed viewers in their multiple identities as local residents, national citizens, and transnational consumers. In a close reading of Toronto-based CBC dramas from the 1960s to 2010, VanderBurgh explains how the city has functioned as a strategic location in CBC programming, reflecting dramatically changing ideas about Canadian identity, community, and citizenship. At a time when many are suggesting that the era of television is over, What Television Remembers sounds the alarm that we are in danger of forgetting TV in Canada without appreciating the complexities of its contributions and legacy.
