Author: Eavan O'Dochartaigh
Publisher: Cambridge University Press
ISBN: 1108834337
Category : Art
Languages : en
Pages : 293
Book Description
Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.
Visual Culture and Arctic Voyages
Author: Eavan O'Dochartaigh
Publisher: Cambridge University Press
ISBN: 1108834337
Category : Art
Languages : en
Pages : 293
Book Description
Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.
Publisher: Cambridge University Press
ISBN: 1108834337
Category : Art
Languages : en
Pages : 293
Book Description
Uncovering a wealth of archival information, Eavan O'Dochartaigh gives fresh and surprising insight into the Victorian image of the Arctic.
Visual Culture and Arctic Voyages
Author: Eavan O'Dochartaigh
Publisher: Cambridge University Press
ISBN: 1108998674
Category : Literary Criticism
Languages : en
Pages : 293
Book Description
In the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. This title is also available as Open Access on Cambridge Core.
Publisher: Cambridge University Press
ISBN: 1108998674
Category : Literary Criticism
Languages : en
Pages : 293
Book Description
In the mid-nineteenth century, thirty-six expeditions set out for the Northwest Passage in search of Sir John Franklin's missing expedition. The array of visual and textual material produced on these voyages was to have a profound impact on the idea of the Arctic in the Victorian imaginary. Eavan O'Dochartaigh closely examines neglected archival sources to show how pictures created in the Arctic fed into a metropolitan view transmitted through engravings, lithographs, and panoramas. Although the metropolitan Arctic revolved around a fulcrum of heroism, terror and the sublime, the visual culture of the ship reveals a more complicated narrative that included cross-dressing, theatricals, dressmaking, and dances with local communities. O'Dochartaigh's investigation into the nature of the on-board visual culture of the nineteenth-century Arctic presents a compelling challenge to the 'man-versus-nature' trope that still reverberates in polar imaginaries today. This title is also available as Open Access on Cambridge Core.
Visual Culture and Arctic Voyages
Author: Eavan O'Dochartaigh
Publisher:
ISBN: 9781108992794
Category : LITERARY CRITICISM
Languages : en
Pages :
Book Description
"In 1845, Sir John Franklin and his crew set out from London on the ships Terror and Erebus for the Northwest Passage that was thought to link the Atlantic and Pacific oceans via the Canadian Arctic Archipelago. When the Franklin expedition failed to return, numerous search expeditions (thirty-six in all) were sent in its wake, producing hundreds of sketches, paintings, and texts that ultimately fed into a fascination with the Arctic. Very little research has been done on the visual records of Arctic exploration during this period. This is despite a burgeoning of interest in the polar regions in general, specifically in the literary Arctic and Antarctic, and the discovery of the two Franklin ships (in 2014 and 2016). The visual informed, and continues to inform, our ideas of the polar regions in crucial ways. This book follows the depiction of the Arctic from the ship to the shore, beginning in the Northwest Passage and ending in the metropole, continually returning to the Arctic through the eyes of the little-known expedition members who took part in the search for Franklin"--
Publisher:
ISBN: 9781108992794
Category : LITERARY CRITICISM
Languages : en
Pages :
Book Description
"In 1845, Sir John Franklin and his crew set out from London on the ships Terror and Erebus for the Northwest Passage that was thought to link the Atlantic and Pacific oceans via the Canadian Arctic Archipelago. When the Franklin expedition failed to return, numerous search expeditions (thirty-six in all) were sent in its wake, producing hundreds of sketches, paintings, and texts that ultimately fed into a fascination with the Arctic. Very little research has been done on the visual records of Arctic exploration during this period. This is despite a burgeoning of interest in the polar regions in general, specifically in the literary Arctic and Antarctic, and the discovery of the two Franklin ships (in 2014 and 2016). The visual informed, and continues to inform, our ideas of the polar regions in crucial ways. This book follows the depiction of the Arctic from the ship to the shore, beginning in the Northwest Passage and ending in the metropole, continually returning to the Arctic through the eyes of the little-known expedition members who took part in the search for Franklin"--
Music and the Queer Body in English Literature at the Fin de Siècle
Author: Fraser Riddell
Publisher: Cambridge University Press
ISBN: 1108996337
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Publisher: Cambridge University Press
ISBN: 1108996337
Category : Literary Criticism
Languages : en
Pages : 297
Book Description
Drawing on an ambitious range of interdisciplinary material, including literature, musical treatises and theoretical texts, Music and the Queer Body explores the central place music held for emergent queer identities in the late-nineteenth and early-twentieth centuries. Canonical writers such as Walter Pater, E. M. Forster and Virginia Woolf are discussed alongside lesser-known figures such as John Addington Symonds, Vernon Lee and Arthur Symons. Engaging with a number of historical case studies, Fraser Riddell pays particular attention to the significance of embodiment in queer musical subcultures and draws on contemporary queer theory and phenomenology to show how writers associate music with shameful, masochistic and anti-humanist subject positions. Ultimately, this study reveals how literary texts at the fin de siècle invest music with queer agency: to challenge or refuse essentialist identities, to facilitate re-conceptions of embodied subjectivity, and to present alternative sensory experiences of space and time. This title is also available as Open Access on Cambridge Core.
Walter Pater and the Beginnings of English Studies
Author: Charles Martindale
Publisher: Cambridge University Press
ISBN: 1108835899
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
The first collected study of Pater's significance to criticism, revealing his pivotal role in establishing principles of the literary essay.
Publisher: Cambridge University Press
ISBN: 1108835899
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
The first collected study of Pater's significance to criticism, revealing his pivotal role in establishing principles of the literary essay.
Scale, Crisis, and the Modern Novel
Author: Aaron Rosenberg
Publisher:
ISBN: 1009271822
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Publisher:
ISBN: 1009271822
Category : Literary Criticism
Languages : en
Pages : 208
Book Description
At the turn of the twentieth century, novelists faced an unprecedented crisis of scale. While exponential increases in industrial production, resource extraction, and technological complexity accelerated daily life, growing concerns about deep time, evolution, globalization, and extinction destabilised scale's value as a measure of reality. Here, Aaron Rosenberg examines how four novelists moved radically beyond novelistic realism, repurposing the genres-romance, melodrama, gothic, and epic-it had ostensibly superseded. He demonstrates how H. G. Wells, Thomas Hardy, Joseph Conrad, and Virginia Woolf engaged with climatic and ecological crises that persist today, requiring us to navigate multiple temporal and spatial scales simultaneously. The volume shows that problems of scale constrain our responses to crisis by shaping the linguistic, aesthetic, and narrative structures through which we imagine it. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.
Birdsong, Speech and Poetry
Author: Francesca Mackenney
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Publisher: Cambridge University Press
ISBN: 1009084089
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
In the long nineteenth century, scientists discovered striking similarities between how birds learn to sing and how children learn to speak. Tracing the 'science of birdsong' as it developed from the 'ingenious' experiments of Daines Barrington to the evolutionary arguments of Charles Darwin, Francesca Mackenney reveals a legacy of thought which informs, and consequently affords fresh insights into, a canonical group of poems about birdsong in the Romantic and Victorian periods. With a particular focus on the writings of Samuel Taylor Coleridge, the Wordsworth siblings, John Clare and Thomas Hardy, her book explores how poets responded to an analogy which challenged definitions of language and therefore of what it means to be human. Drawing together responses to birdsong in science, music and poetry, her distinctive interdisciplinary approach challenges many of the long-standing cultural assumptions which have shaped (and continue to shape) how we respond to other creatures in the Anthropocene.
Victorian Women Writers and the Other Germany
Author: Linda Hughes
Publisher: Cambridge University Press
ISBN: 1316512843
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.
Publisher: Cambridge University Press
ISBN: 1316512843
Category : Literary Criticism
Languages : en
Pages : 305
Book Description
A vivid account of the alternative, emancipatory Germany that progressive British women writers discovered and wrote about, 1833-1910.
The Art of the Reprint
Author: Rosalind Parry
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Publisher: Cambridge University Press
ISBN: 1009272012
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
The Art of the Reprint is a vivid and engaging history of the nineteenth-century novel as it was re-imagined for everyday readers by four extraordinary twentieth-century illustrators. It focuses especially on four reprints: a 1929 edition of Thomas Hardy's The Return of the Native (1878) with engravings by Clare Leighton, a 1930 edition of Herman Melville's Moby Dick (1851) with images by Rockwell Kent, a 1943 edition of Charlotte Brontë's Jane Eyre (1847) with woodblocks by Fritz Eichenberg, and a complete set of Jane Austen's novels (1786-1817) illustrated from 1957 to 1974 by Joan Hassall. Taken together, these reprints are indicative of a legacy crafted from historical distance, through personal, political, and artistic circumstance, and for a new century. With biographical, archival, and art- and literary-historical sources as well as close readings of images and texts, this is a richly illustrated account of how artists reinvent canons for the general reader.
Conversing in Verse
Author: Elizabeth Helsinger
Publisher: Cambridge University Press
ISBN: 1009200208
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Conversing in Verse considers when and why poets turn to conversation to explore and expand the potential of poetry.
Publisher: Cambridge University Press
ISBN: 1009200208
Category : Literary Criticism
Languages : en
Pages : 217
Book Description
Conversing in Verse considers when and why poets turn to conversation to explore and expand the potential of poetry.