Visual Anthropology in India and Its Development PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Visual Anthropology in India and Its Development PDF full book. Access full book title Visual Anthropology in India and Its Development by Keshari N. Sahay. Download full books in PDF and EPUB format.
Author: Keshari N. Sahay
Publisher: Gyan Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
In world anthropology different dimensions are fast emerging, and one of them is Visual Anthropology in which systematic and concerted efforts were made specially in sixties. However, sporadic efforts of people from anthropological as well as non-anthropological allied disciplines were precursors in this field. The new-wave films or parallel cinema were developed in Italy in post-war years, and later France and America followed suit. India did not remain immune to this movement. Satyajit Ray created a genere of films beginning from the Pather Panchali and others, and such Indian films show their relevance to Visual Anthropology. This book consists of nine important chapters which are mostly the trend-setters. It also includes the proceedings of the First International Symposium of Visual Anthropology. In all, it makes a formal beginning of Visual Anthropology in India. The five Appendices are fascinating and have references for supplementary readings. This book would be useful to the visual anthropologies, sociologists, historians, applied social scientists, Media people, those connected with social communication, development, and the enlightened laymen.
Author: Keshari N. Sahay
Publisher: Gyan Books
ISBN:
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
In world anthropology different dimensions are fast emerging, and one of them is Visual Anthropology in which systematic and concerted efforts were made specially in sixties. However, sporadic efforts of people from anthropological as well as non-anthropological allied disciplines were precursors in this field. The new-wave films or parallel cinema were developed in Italy in post-war years, and later France and America followed suit. India did not remain immune to this movement. Satyajit Ray created a genere of films beginning from the Pather Panchali and others, and such Indian films show their relevance to Visual Anthropology. This book consists of nine important chapters which are mostly the trend-setters. It also includes the proceedings of the First International Symposium of Visual Anthropology. In all, it makes a formal beginning of Visual Anthropology in India. The five Appendices are fascinating and have references for supplementary readings. This book would be useful to the visual anthropologies, sociologists, historians, applied social scientists, Media people, those connected with social communication, development, and the enlightened laymen.
Author: Sarah Pink
Publisher: Berghahn Books
ISBN: 085745580X
Category : Social Science
Languages : en
Pages : 336
Get Book Here
Book Description
Visual anthropology has proved to offer fruitful methods of research and representation to applied projects of social intervention. Through a series of case studies based on applied visual anthropological work in a range of contexts (health and medicine, tourism and heritage, social development, conflict and disaster relief, community filmmaking and empowerment, and industry) this volume examines both the range contexts in which applied visual anthropology is engaged, and the methodological and theoretical issues it raises.
Author: Peter Berger
Publisher: Routledge
ISBN: 1134061188
Category : Social Science
Languages : en
Pages : 546
Get Book Here
Book Description
The Modern Anthropology of India is an accessible textbook providing a critical overview of the ethnographic work done in India since 1947. It assesses the history of research in each region and serves as a practical and comprehensive guide to the main themes dealt with by ethnographers. It highlights key analytical concepts and paradigms that came to be of relevance in particular regions in the recent history of research in India, and which possibly gained a pan-Indian or even trans-Indian significance. Structured according to the states of the Indian union, contributors raise several key questions, including: What themes were ethnographers interested in? What are the significant ethnographic contributions? How are peoples, communities and cultural areas represented? How has the ethnographic research in the area developed? Filling a significant gap in the literature, the book is an invaluable resource to students and researchers in the field of Indian anthropology/ethnography, regional anthropology and postcolonial studies. It is also of interest to students of South Asian studies in general as it provides an extensive and critical overview of regionally based ethnographic activity undertaken in India.
Author: Giulia Battaglia
Publisher: Routledge
ISBN: 1351375636
Category : Social Science
Languages : en
Pages : 425
Get Book Here
Book Description
This book maps a hundred years of documentary film practices in India. It demonstrates that in order to study the development of a film practice, it is necessary to go beyond the classic analysis of films and filmmakers and focus on the discourses created around and about the practice in question. The book navigates different historical moments of the growth of documentary filmmaking in India from the colonial period to the present day. In the process, it touches upon questions concerning practices and discourses about colonial films, postcolonial institutions, independent films, filmmakers and filmmaking, the influence of feminism and the articulation of concepts of performance and performativity in various films practices. It also reflects on the centrality of technological change in different historical moments and that of film festivals and film screenings across time and space. Grounded in anthropological fieldwork and archival research and adopting Foucault’s concept of ‘effective history’, this work searches for points of origin that creates ruptures and deviations taking distance from conventional ways of writing film histories. Rather than presenting a univocal set of arguments and conclusions about changes or new developments of film techniques, the originality of the book is in offering an open structure (or an open archive) to enable the reader to engage with mechanisms of creation, engagement and participation in film and art practices at large. In adopting this form, the book conceptualises ‘Anthropology’ as also an art practice, interested, through its theoretico-methodological approach, in creating an open archive of engagement rather than a representation of a distant ‘other’. Similarly, documentary filmmaking in India is seen as primarily a process of creation based on engagement and participation rather than a practice interested in representing an objective reality. Proposing an innovative way of perceiving the growth of the documentary film genre in the subcontinent, this book will be of interest to film historians and specialists in Indian cinema(s) as well as academics in the field of anthropology of art, media and visual practices and Asian media studies.
Author: Pankaj Jain
Publisher: Taylor & Francis
ISBN: 1040150748
Category : Social Science
Languages : en
Pages : 138
Get Book Here
Book Description
This book provides a unique insider’s look at the world’s largest film industry, now globally known as ‘Bollywood’ and challenges existing notions about Indian films. Indian films have been a worldwide phenomenon for decades. Chapters in this edited volume take a fresh view of various hidden gems by maestros such as Raj Kapoor, Bimal Roy, V Shantaram, Satyajit Ray, Ritwik Ghatak, Mrinal Sen, Shakti Samant, Rishikesh Mukherjee, and others. Other chapters provide a pioneering review and analysis of the portrayal of Indian religious communities such as Hindus, Muslims, Christians, and Parsis. The themes covered include unique Indian feminism and male chauvinism, environment and climate issues, international locations and diaspora tourism, religious harmony and conflict, the India-Pakistan relationship, asceticism, and renunciation in Hinduism, Jainism, and Buddhism. Unlike many recent studies of Indian films, these chapters do not distinguish between popular and serious cinema. Many chapters focus on Hindi films, but others bring insights from films made in other parts of India and its neighbouring countries. One of the chapters in this volume was originally published in the book titled Film and Place in an Intercultural Perspective India-Europe Film Connections, edited by Krzysztof Stachowiak, Hania Janta, Jani Kozina, and Therese Sunngren-Granlund. Another chapter was originally published in Worldviews: Global Religions, Culture, and Ecology. All other chapters were originally published in Visual Anthropology.
Author: Steffen Köhn
Publisher: Columbia University Press
ISBN: 0231850948
Category : Performing Arts
Languages : en
Pages : 313
Get Book Here
Book Description
Images have become an integral part of the political regulation of migration: they help produce categories of legality versus illegality, foster stereotypes, and mobilize political convictions. Yet how are we to understand the relationship between these images and the political in the discourse surrounding migration? How can we, as anthropologists, migration scholars, or documentary filmmakers visually represent people who are excluded from political representation? And how can such visual representations gain political momentum? This volume not only considers the images that circulate with reference to migrants or draw attention to those that accompany, show, or conceal them. The book explores the phenomena of migration with the help of images. It offers an in-depth analysis of the documentary approaches of Ursula Biemann, Renzo Martens, Bouchra Khalili, Silvain George, Raphael Cuomo and Maria Iorio, Alex Rivera, and Rania Stepha, which evoke the particularities of migrant lifeworlds and examine urgent questions regarding the interrelations between politics and poetics, mobility and mediation, and the ethics of probability and possibility. The author also discusses his own cinematic practice in the making of Tell Me When (2011), A Tale of Two Islands (2012), and Intimate Distance (2015), a trilogy of films that explore the potential to communicate the bodily, spatial, and temporal dimensions of the experience of migration.
Author: Paolo Silvio Harald Favero
Publisher: Routledge
ISBN: 1000182037
Category : Social Science
Languages : en
Pages : 240
Get Book Here
Book Description
Image-Making-India explores the evolving meaning of images in a digital landscape from the vantage point of contemporary India. Building upon long-term ethnographic research among image-makers in Delhi, Mumbai and other Indian cities, the author interrogates the dialogue between visual culture, technology and changing notions of political participation. The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. These experiences reveal images’ capacity not only to narrate and represent but also to perform, do and affect. Particular attention is devoted to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India. This volume will be of particular interest to scholars of visual and digital anthropology and cultures as well as South Asian studies.
Author: K. S. Singh
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 216
Get Book Here
Book Description
Author: Sasanka Perera
Publisher: Springer
ISBN: 3030058522
Category : Social Science
Languages : en
Pages : 311
Get Book Here
Book Description
Taking South Asia as its focus, this wide-ranging collection probes the general reluctance of the cultural anthropology to engage with contemporary visual art and artists, including painting, sculpture, performance art and installation. Through case studies engaged equally in anthropology and visual studies, contributors examine art and artistic production in India, Sri Lanka, Pakistan, Bangladesh, and Nepal to bring the social and political complexities of artistic practice to the fore. Demonstrating the potential of the visual as a means to understand a society, its values, and its politics, this volume ranges across discourses of anthropology, sociology, biography, memory, art history, and contemporary practices of visual art. Ultimately, Intersections of Contemporary Art, Anthropology and Art History in South Asia simultaneously expands and challenges the disciplinary foci of two fields: it demonstrates to art criticism and art history the necessity of anthropological and sociological methodologies and theories, while at the same time challenging the “iconophobia” of social sciences.
Author: Fadwa El Guindi
Publisher: Rowman Altamira
ISBN: 0759115168
Category : Social Science
Languages : en
Pages : 309
Get Book Here
Book Description
El Guindi provides a comprehensive guide to the methods of visual anthropology and the use of film in cross-cultural research and ethnography. She shows how visual media — photographic, filmic, interactive — is now an accepted part of the anthropological process, a vital tool that reflects and produces knowledge about the range of cultures and about culture itself. It preserves the integrity of people, objects, and events in their cultural context, and expands our horizons beyond the reach of memory culture. El Guindi places visual anthropology within an empirically-based, analytic framework, built on systematic observation, identifying the research cycle that begins with data gathering and leads to visual ethnographic construction that is anthropological in method, process, and product. She explains how indigenous, professional, and amateur forms of pictorial/auditory materials are grounded in personal, social, cultural, and ideological contexts, and describes the non-Western critique of the Western traditions of visual anthropology. Her book is an excellent guide for ethnographic research, and for film and other media instruction concerned with cross-cultural representation.
