Author: M. Paul Holsinger
Publisher: Popular Press
ISBN: 9780879725563
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
For Americans World War II was "a good war," a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of the raging battles. These essays examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
Visions of War
Author: M. Paul Holsinger
Publisher: Popular Press
ISBN: 9780879725563
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
For Americans World War II was "a good war," a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of the raging battles. These essays examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
Publisher: Popular Press
ISBN: 9780879725563
Category : Literary Criticism
Languages : en
Pages : 220
Book Description
For Americans World War II was "a good war," a war that was worth fighting. Even as the conflict was underway, a myriad of both fictional and nonfictional books began to appear examining one or another of the raging battles. These essays examine some of the best literature and popular culture of World War II. Many of the studies focus on women, several are about children, and all concern themselves with the ways that the war changed lives. While many of the contributors concern themselves with the United States, there are essays about Great Britain, Canada, France, Germany, Poland, Russia, and Japan.
Visions of War
Author: David D. Perlmutter
Publisher: St. Martin's Press
ISBN: 1466872500
Category : History
Languages : en
Pages : 442
Book Description
Visions of War provides a historical survey, an anatomy, an interpretation, and a polemic about the ways human beings have created pictures of battle and conflict from the Stone Age to the Gulf War. From the dawn of time to the present, from the days of mammoth hunting to the era of Scud-busting, pictures of war constitute the most persistent genre of images human beings have created. In fact, human beings are the only creatures who engage in these two activities--organized violence and the making of pictorial images--and the author shows how both art and war emerge from the same source: the hunter's eye. David D. Perlmutter's Visions of War explores and analyzes the thirteen thousand-year legacy of pictures of war from various cultures over the centuries, from the Stone Age cave paintings and monumental sculpture of the ancient Near East to the art of the classical period and the Middle Ages, from pre-contact Mesoamerican imagery to Napoleonic propaganda and totalitarian art and on to the instantaneous images of the Gulf War.
Publisher: St. Martin's Press
ISBN: 1466872500
Category : History
Languages : en
Pages : 442
Book Description
Visions of War provides a historical survey, an anatomy, an interpretation, and a polemic about the ways human beings have created pictures of battle and conflict from the Stone Age to the Gulf War. From the dawn of time to the present, from the days of mammoth hunting to the era of Scud-busting, pictures of war constitute the most persistent genre of images human beings have created. In fact, human beings are the only creatures who engage in these two activities--organized violence and the making of pictorial images--and the author shows how both art and war emerge from the same source: the hunter's eye. David D. Perlmutter's Visions of War explores and analyzes the thirteen thousand-year legacy of pictures of war from various cultures over the centuries, from the Stone Age cave paintings and monumental sculpture of the ancient Near East to the art of the classical period and the Middle Ages, from pre-contact Mesoamerican imagery to Napoleonic propaganda and totalitarian art and on to the instantaneous images of the Gulf War.
Visions of War
Author: Wayne Reynolds
Publisher:
ISBN: 9781601254252
Category : Fantasy in art
Languages : en
Pages : 0
Book Description
Take a journey through the amazing worlds of master artist Wayne Reynolds with Visions of WAR, a retrospective of more than 10 years of work from today's leading fantasy illustrator! Packed with full-color covers, interior art, and card art from award-winning work on brands like the Pathfinder Roleplaying Game, Dungeons & Dragons, World of Warcraft, Magic: The Gathering, and more, this exciting overview includes behind-the-scenes stories about some of fantasy's most exciting images, as well as gorgeous paintings you've never seen before! With an introduction from Paizo Publisher Erik Mona and notes from the artist himself, Visions of WAR provides an unparalleled look at the work of fantasy gaming's champion illustrator. Wayne Reynolds is a leading fantasy gaming artist, with fans from virtually every major hobby gaming brand.
Publisher:
ISBN: 9781601254252
Category : Fantasy in art
Languages : en
Pages : 0
Book Description
Take a journey through the amazing worlds of master artist Wayne Reynolds with Visions of WAR, a retrospective of more than 10 years of work from today's leading fantasy illustrator! Packed with full-color covers, interior art, and card art from award-winning work on brands like the Pathfinder Roleplaying Game, Dungeons & Dragons, World of Warcraft, Magic: The Gathering, and more, this exciting overview includes behind-the-scenes stories about some of fantasy's most exciting images, as well as gorgeous paintings you've never seen before! With an introduction from Paizo Publisher Erik Mona and notes from the artist himself, Visions of WAR provides an unparalleled look at the work of fantasy gaming's champion illustrator. Wayne Reynolds is a leading fantasy gaming artist, with fans from virtually every major hobby gaming brand.
Visions of Victory
Author: Gerhard L. Weinberg
Publisher: Cambridge University Press
ISBN: 9780521852548
Category : History
Languages : en
Pages : 328
Book Description
Visions of Victory, first published in 2005, explores the views of eight leaders of the major powers of World War II - Hitler, Mussolini, Tojo, Chiang Kai-shek, Stalin, Churchill, de Gaulle, and Roosevelt. He compares their visions of the future in the event of victory. While the leaders primarily focused on fighting and winning the war, their decisions were often shaped by their aspirations for the future. What emerges is a startling picture of postwar worlds. After exterminating the Jews, Hitler intended for all Slavs to die so Germans could inhabit Eastern Europe. Mussolini and Hitler wanted extensive colonies in Africa. Churchill hoped for the re-emergence of British and French empires. De Gaulle wanted to annex the northwest corner of Italy. Stalin wanted to control Eastern Europe. Roosevelt's vision included establishing the United Nations. Weinberg's comparison of the individual portraits of the war-time leaders is a highly original and compelling study of history that might have been.
Publisher: Cambridge University Press
ISBN: 9780521852548
Category : History
Languages : en
Pages : 328
Book Description
Visions of Victory, first published in 2005, explores the views of eight leaders of the major powers of World War II - Hitler, Mussolini, Tojo, Chiang Kai-shek, Stalin, Churchill, de Gaulle, and Roosevelt. He compares their visions of the future in the event of victory. While the leaders primarily focused on fighting and winning the war, their decisions were often shaped by their aspirations for the future. What emerges is a startling picture of postwar worlds. After exterminating the Jews, Hitler intended for all Slavs to die so Germans could inhabit Eastern Europe. Mussolini and Hitler wanted extensive colonies in Africa. Churchill hoped for the re-emergence of British and French empires. De Gaulle wanted to annex the northwest corner of Italy. Stalin wanted to control Eastern Europe. Roosevelt's vision included establishing the United Nations. Weinberg's comparison of the individual portraits of the war-time leaders is a highly original and compelling study of history that might have been.
War of Visions
Author: Francis M. Deng
Publisher: Rowman & Littlefield
ISBN: 9780815723691
Category : Political Science
Languages : en
Pages : 604
Book Description
The civil war that has intermittently raged in the Sudan since independence in 1956 is, according to Francis Deng, a conflict of contrasting and seemingly incompatible identities in the Northern and Southern parts of the country. Identity is seen as a function of how people identify themselves and are identified in racial, ethnic, cultural, linguistic, and religious terms. The identity question related to how such concepts determine or influence participation and distribution in the political, economic, social, and cultural life of the country. War of Visions aims at shedding light on the anomalies of the identity conflict. The competing models in the Sudan are the Arab-Islamic mold of the North, representing two-thirds of the country in territory and population, and the remaining Southern third, which is indigenously African in race, ethnicity, culture, and religion, with an educated Christianized elite. But although the North is popularly defined as racially Arab, the people are a hybrid of Arab and African elements, with the African physical characteristics predominating in most tribal groups. This configuration is the result of a historical process that stratified races, cultures, and religions, and fostered a "passing" into the Arab-Islamic mold that discriminated against the African race and cultures. The outcome of this process is a polarization that is based more on myth than on the realities of the situation. The identity crisis has been further complicated by the fact that Northerners want to fashion the country on the basis of their Arab- Islamic identity, while the South is decidedly resistant. Francis Deng presents three alternative approaches to the identity crisis. First, he argues that by bringing to the surface the realities of the African elements of identity in the North-- thereby revealing characteristics shared by all Sudanese--a new basis for the creation of a common identity could be established that fosters equitable
Publisher: Rowman & Littlefield
ISBN: 9780815723691
Category : Political Science
Languages : en
Pages : 604
Book Description
The civil war that has intermittently raged in the Sudan since independence in 1956 is, according to Francis Deng, a conflict of contrasting and seemingly incompatible identities in the Northern and Southern parts of the country. Identity is seen as a function of how people identify themselves and are identified in racial, ethnic, cultural, linguistic, and religious terms. The identity question related to how such concepts determine or influence participation and distribution in the political, economic, social, and cultural life of the country. War of Visions aims at shedding light on the anomalies of the identity conflict. The competing models in the Sudan are the Arab-Islamic mold of the North, representing two-thirds of the country in territory and population, and the remaining Southern third, which is indigenously African in race, ethnicity, culture, and religion, with an educated Christianized elite. But although the North is popularly defined as racially Arab, the people are a hybrid of Arab and African elements, with the African physical characteristics predominating in most tribal groups. This configuration is the result of a historical process that stratified races, cultures, and religions, and fostered a "passing" into the Arab-Islamic mold that discriminated against the African race and cultures. The outcome of this process is a polarization that is based more on myth than on the realities of the situation. The identity crisis has been further complicated by the fact that Northerners want to fashion the country on the basis of their Arab- Islamic identity, while the South is decidedly resistant. Francis Deng presents three alternative approaches to the identity crisis. First, he argues that by bringing to the surface the realities of the African elements of identity in the North-- thereby revealing characteristics shared by all Sudanese--a new basis for the creation of a common identity could be established that fosters equitable
Visions of War, Dreams of Peace
Author: Lynda Van Devanter
Publisher: Grand Central Publishing
ISBN: 9780446392518
Category : Social Science
Languages : en
Pages : 214
Book Description
Lynda Van Devanter--author of the backlist classic Home Before Morning, which inspired the TV show "China Beach"--edited this powerful collection of poems reminiscent of Dear America: Letters Home from Vietnam. All author proceeds from the book will go to the Vietnam Women's Memorial Project. 6 photographs.
Publisher: Grand Central Publishing
ISBN: 9780446392518
Category : Social Science
Languages : en
Pages : 214
Book Description
Lynda Van Devanter--author of the backlist classic Home Before Morning, which inspired the TV show "China Beach"--edited this powerful collection of poems reminiscent of Dear America: Letters Home from Vietnam. All author proceeds from the book will go to the Vietnam Women's Memorial Project. 6 photographs.
Visions of Freedom
Author: Piero Gleijeses
Publisher: UNC Press Books
ISBN: 1469609681
Category : History
Languages : en
Pages : 673
Book Description
Visions of Freedom: Havana, Washington, Pretoria, and the Struggle for Southern Africa, 1976-1991
Publisher: UNC Press Books
ISBN: 1469609681
Category : History
Languages : en
Pages : 673
Book Description
Visions of Freedom: Havana, Washington, Pretoria, and the Struggle for Southern Africa, 1976-1991
Horus Heresy: Visions of Heresy
Author: Alan Merrett
Publisher: Games Workshop
ISBN: 9781849702164
Category : Fiction
Languages : en
Pages : 0
Book Description
A stunning artefact book for fans of the Horus Heresy From the ashes of the Great Crusade, treachery was born. Always first among the superhuman primarchs, the newly dubbed Warmaster Horus turned his back upon the Emperor and embraced the dark powers of Chaos. With fully half the military might of the fledgling Imperium at his command, he set his sights upon the throne of Holy Terra and waged a war which would divide the galaxy forever... Visions of war, visions of darkness, of treachery and death – all of this and more is contained within this heretical volume. Iconic depictions of the Space Marine Legions and the heroes that commanded them are presented alongside artwork from renowned artists Neil Robert, as well as brand new historical notes on the Warhammer 40,000 universe by Alan Merrett. Witness the end of an era and the beginning of something far darker, as the Heresy continues to unfold.
Publisher: Games Workshop
ISBN: 9781849702164
Category : Fiction
Languages : en
Pages : 0
Book Description
A stunning artefact book for fans of the Horus Heresy From the ashes of the Great Crusade, treachery was born. Always first among the superhuman primarchs, the newly dubbed Warmaster Horus turned his back upon the Emperor and embraced the dark powers of Chaos. With fully half the military might of the fledgling Imperium at his command, he set his sights upon the throne of Holy Terra and waged a war which would divide the galaxy forever... Visions of war, visions of darkness, of treachery and death – all of this and more is contained within this heretical volume. Iconic depictions of the Space Marine Legions and the heroes that commanded them are presented alongside artwork from renowned artists Neil Robert, as well as brand new historical notes on the Warhammer 40,000 universe by Alan Merrett. Witness the end of an era and the beginning of something far darker, as the Heresy continues to unfold.
Victorian Visions of War and Peace
Author: Sean Willcock
Publisher: Paul Mellon Centre
ISBN: 9781913107246
Category :
Languages : en
Pages : 256
Book Description
A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war--campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.
Publisher: Paul Mellon Centre
ISBN: 9781913107246
Category :
Languages : en
Pages : 256
Book Description
A study of how artists and photographers shaped imperial visions of war and peace in the Victorian period In an era that saw the birth of photography (c. 1839) and the rise of the illustrated press (c. 1842), the British experience of their empire became increasingly defined by the processes and products of image-making. Examining moments of military and diplomatic crisis, this book considers how artists and photographers operating "in the field" helped to define British visions of war and peace. The Victorians increasingly turned to visual spectacle to help them compose imperial sovereignty. The British Empire was thus rendered into a spectacle of "peace," from world's fairs to staged diplomatic rituals. Yet this occurred against a backdrop of incessant colonial war--campaigns which, far from being ignored, were in fact unprecedentedly visible within the cultural forms of Victorian society. Visual media thus shaped the contours of imperial statecraft and established many of the aesthetic and ethical frames within which the colonial violence was confronted.
Confederate Visions
Author: Ian Binnington
Publisher: University of Virginia Press
ISBN: 0813935016
Category : History
Languages : en
Pages : 221
Book Description
Nationalism in nineteenth-century America operated through a collection of symbols, signifiers citizens could invest with meaning and understanding. In Confederate Visions, Ian Binnington examines the roots of Confederate nationalism by analyzing some of its most important symbols: Confederate constitutions, treasury notes, wartime literature, and the role of the military in symbolizing the Confederate nation. Nationalisms tend to construct glorified pasts, idyllic pictures of national strength, honor, and unity, based on visions of what should have been rather than what actually was. Binnington considers the ways in which the Confederacy was imagined by antebellum Southerners employing intertwined mythic concepts—the "Worthy Southron," the "Demon Yankee," the "Silent Slave"—and a sense of shared history that constituted a distinctive Confederate Americanism. The Worthy Southron, the constructed Confederate self, was imagined as a champion of liberty, counterposed to the Demon Yankee other, a fanatical abolitionist and enemy of Liberty. The Silent Slave was a companion to the vocal Confederate self, loyal and trusting, reliable and honest. The creation of American national identity was fraught with struggle, political conflict, and bloody Civil War. Confederate Visions examines literature, newspapers and periodicals, visual imagery, and formal state documents to explore the origins and development of wartime Confederate nationalism.
Publisher: University of Virginia Press
ISBN: 0813935016
Category : History
Languages : en
Pages : 221
Book Description
Nationalism in nineteenth-century America operated through a collection of symbols, signifiers citizens could invest with meaning and understanding. In Confederate Visions, Ian Binnington examines the roots of Confederate nationalism by analyzing some of its most important symbols: Confederate constitutions, treasury notes, wartime literature, and the role of the military in symbolizing the Confederate nation. Nationalisms tend to construct glorified pasts, idyllic pictures of national strength, honor, and unity, based on visions of what should have been rather than what actually was. Binnington considers the ways in which the Confederacy was imagined by antebellum Southerners employing intertwined mythic concepts—the "Worthy Southron," the "Demon Yankee," the "Silent Slave"—and a sense of shared history that constituted a distinctive Confederate Americanism. The Worthy Southron, the constructed Confederate self, was imagined as a champion of liberty, counterposed to the Demon Yankee other, a fanatical abolitionist and enemy of Liberty. The Silent Slave was a companion to the vocal Confederate self, loyal and trusting, reliable and honest. The creation of American national identity was fraught with struggle, political conflict, and bloody Civil War. Confederate Visions examines literature, newspapers and periodicals, visual imagery, and formal state documents to explore the origins and development of wartime Confederate nationalism.