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Author: Amy Woodson-Boulton
Publisher: Routledge
ISBN: 135153758X
Category : Art
Languages : en
Pages : 398
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Book Description
Providing a comprehensive interdisciplinary assessment, and with a particular focus on expressions of tension and anxiety about modernity, this collection examines visual culture in nineteenth-century Europe as it attempted to redefine itself in the face of social change and new technologies. Contributing scholars from the fields of history, art, literature and the history of science investigate the role of visual representation and the dominance of the image by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels. They investigate how, during the period, new emphasis was placed on the visual with emerging forms of mass communication?photography, lithography, newspapers, advertising, and cinema?while older forms as varied as poetry, the novel, painting, interior decoration, and architecture became transformed. The volume includes investigations into new innovations and scientific development such as the steam engine, transportation and engineering, the microscope, "spirit photography," and the orrery, as well as how this new technology is reproduced in illustrated periodicals. The essays also look at more traditional forms of creative expression to show that the same concerns and anxieties about science, technology and the changing perceptions of the natural world can be seen in the art of Armand Guillaumin, Auguste Rodin, Gustave Caillebotte, and Camille Pissarro, in colonial nineteenth-century novels, in design manuals, in museums, and in the decorations of domestic interior spaces. Visions of the Industrial Age, 1830-1914 offers a thorough exploration of both the nature of modernity, and the nature of the visual.
Author: Amy Woodson-Boulton
Publisher: Routledge
ISBN: 135153758X
Category : Art
Languages : en
Pages : 398
Get Book Here
Book Description
Providing a comprehensive interdisciplinary assessment, and with a particular focus on expressions of tension and anxiety about modernity, this collection examines visual culture in nineteenth-century Europe as it attempted to redefine itself in the face of social change and new technologies. Contributing scholars from the fields of history, art, literature and the history of science investigate the role of visual representation and the dominance of the image by looking at changing ideas expressed in representations of science, technology, politics, and culture in advertising, art, periodicals, and novels. They investigate how, during the period, new emphasis was placed on the visual with emerging forms of mass communication?photography, lithography, newspapers, advertising, and cinema?while older forms as varied as poetry, the novel, painting, interior decoration, and architecture became transformed. The volume includes investigations into new innovations and scientific development such as the steam engine, transportation and engineering, the microscope, "spirit photography," and the orrery, as well as how this new technology is reproduced in illustrated periodicals. The essays also look at more traditional forms of creative expression to show that the same concerns and anxieties about science, technology and the changing perceptions of the natural world can be seen in the art of Armand Guillaumin, Auguste Rodin, Gustave Caillebotte, and Camille Pissarro, in colonial nineteenth-century novels, in design manuals, in museums, and in the decorations of domestic interior spaces. Visions of the Industrial Age, 1830-1914 offers a thorough exploration of both the nature of modernity, and the nature of the visual.
Author: Minsoo Kang
Publisher:
ISBN: 9781315084268
Category : Arts and society
Languages : en
Pages : 371
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Book Description
Author: Suzy Anger
Publisher:
ISBN: 1009118560
Category : Literary Criticism
Languages : en
Pages : 362
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Book Description
The relationship between lifelike machines and mechanistic human behaviour provoked both fascination and anxiety in Victorian culture. This collection is the first to examine the widespread cultural interest in automata - both human and mechanical - in the nineteenth century. It was in the Victorian period that industrialization first met information technology, and that theories of physical and mental human automatism became essential to both scientific and popular understandings of thought and action. Bringing together essays by a multidisciplinary group of leading scholars, this volume explores what it means to be human in a scientific and industrial age. It also considers how Victorian inquiry and practices continue to shape current thought on race, creativity, mind, and agency. This title is part of the Flip it Open programme and may also be available Open Access. Check our website Cambridge Core for details.
Author: Kyun Hŏ
Publisher: Penguin Classics
ISBN: 0143107690
Category : Fiction
Languages : en
Pages : 130
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Book Description
Hong Gildong, a brilliant but illegitimate son of a noble government minister, cannot advance in society and embarks on a series of adventures, joining a band of outlaws, vanquishing assassins and monsters, and founding his own kingdom.
Author: Michael Marrinan
Publisher: Getty Publications
ISBN: 1606065076
Category : Art
Languages : en
Pages : 406
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Book Description
Gustave Caillebotte (1848–1894), the son of a wealthy businessman, is perhaps best known as the painter who organized and funded several of the groundbreaking exhibitions of the Impressionist painters, collected their works, and ensured the Impressionists’ presence in the French national museums by bequeathing his own personal collection. Trained at the École des Beaux-Arts and sharing artistic sympathies with his renegade friends, Caillebotte painted a series of extraordinary pictures inspired by the look and feel of modern Paris that also grappled with his own place in the Parisian art scene. Gustave Caillebotte: Painting the Paris of Naturalism, 1872–1887 is the first book to study the life and artistic development of this painter in depth and in the context of the urban life and upper-class Paris that shaped the man and his work. Michael Marrinan’s ambitious study draws upon new documents and establishes compelling connections between Caillebotte’s painting and literature, commerce, and technology. It offers new ways of thinking about Paris and its changing development in the nineteenth century, exploring the cultural context of Parisian bachelor life and revealing layers of meaning in upscale privilege ranging from haute cuisine to sport and relaxation. Marrinan has written what is sure to be a central text for the study of nineteenth-century art and culture.
Author: Asa Briggs
Publisher: Routledge
ISBN: 131787854X
Category : History
Languages : en
Pages : 497
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Book Description
The Age of Improvement has long established itself as a classic of modern historical writing. Widely read and quoted it has had a unique influence on teaching and research. This second edition draws on the great volume of new research - produced by Lord Briggs amongst others, since its original publication. The book stresses both the underlying unity and the rich variety of the age, and raises fundamental issues about a period of crucial change in British history - industrialisation, war, constitutional change and the attitudes of politicians towards it, political development, and, not least, society and culture. In the background are the new economic powers based on the development of a coal and iron technology; in the foreground, new social and political problems and new ways of tackling them. The author also discusses perceptions of, and reactions to, changing circumstances, the influence of religion and science on national life, and changing styles in art and literature. The story ends, not with a full stop but with a question mark. Could improvement be maintained? Could balance and progress continue to be reconciled?
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373921
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Morgan G. Ames
Publisher: Oxford University Press
ISBN: 0197502423
Category : Algorithms
Languages : en
Pages : 313
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Book Description
"The rhetoric of algorithmic neutrality is more alive than ever-why? This volume explores key moments in the historical emergence of algorithmic practices and in the constitution of their credibility and authority since 1500. If algorithms are historical objects and their associated meanings and values are situated and contingent-and if we are to push back against rhetorical claims of otherwise-then the genealogical investigation this book offers is essential to understand the power of the algorithm. The fact that algorithms create the conditions for many of our encounters with social reality contrasts starkly with their relative invisibility. More than other artifacts, algorithms are easily black-boxed. Rather than contingent and modifiable, they are widely seen as obvious and unproblematic-without context and without history. As an antidote, this volume keeps a clear focus on the emergence and continuous reconstitution of algorithmic practices alongside the ascendance of modernity. Its essays highlight the trajectory of an algorithmic modernity, one characterized by attitudes and practices that are best emblematized by the modernist aesthetic and inhuman efficacy of the algorithm. The volume moves from early modern algorithmic practices, centered on heuristics for arithmetic operations, emphasizing ruptures, shifts, and variations across times and cultures. By the age of Enlightenment, the term algorithm had come to signify any process of systematic calculation that could be carried out mechanically, but its meaning and implications are still distant from those familiar to us . It's in the nineteenth and twentieth century that the meaning of algorithm is sharpened through a new discipline and by adding sets of specific conditions-such as the condition of finiteness-which acquire new and crucial significance in the age of digital computing. Throughout, the connection between algorithms and modernity is one of our central concerns. Through detailed historical reconstructions of specific moments, thinkers, and cultural phenomena over the last five hundred years, these essays lead us to the definitions of algorithm most legible today and to the pervasiveness of both algorithmic procedures and rhetoric. This volume contributes a multi-faceted exploration of the genealogies of algorithms, of algorithmic thinking, and of the distinctly modernist faith in algorithms as neutral tools that merely illuminate the natural and social world"--
Author: William Knox
Publisher: Edinburgh University Press
ISBN: 1474469906
Category : History
Languages : en
Pages : 401
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Book Description
This is a social and cultural history of Scotland's industrial rise and relative decline, concerned above all with the leaders and workers (industrial, political, manufacturing, mining and engineering, as well as religious, union, educational and moral) who produced the first and suffered in the second. Political, social and economic events, movements and trends are welded together in a well-ordered and vivid narrative. It assumes almost no prior knowledge, and introduces the reader gently to the central debates about the nature and course of modern Scottish History. The style is clear and spare - with frequent dry, witty asides; it will be ideal for the student, but will equally appeal to the general reader interested in modern Scottish history. It is illustrated with maps, photographs and drawings, with guides to further reading and a full index.Key Features* The first systematic and economic history of modern Scotland* A vivid chronological narrative account* Generously illustrated with contemporary illustrations
Author: Allison Deutsch
Publisher: Penn State Press
ISBN: 0271089954
Category : Art
Languages : en
Pages : 217
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Book Description
In Consuming Painting, Allison Deutsch challenges the pervasive view that Impressionism was above all about visual experience. Focusing on the language of food and consumption as they were used by such prominent critics as Baudelaire and Zola, she writes new histories for familiar works by Manet, Monet, Caillebotte, and Pissarro and creates fresh possibilities for experiencing and interpreting them. Examining the culinary metaphors that the most influential critics used to express their attraction or disgust toward painting, Deutsch rethinks French modern-life painting in relation to the visceral reactions that these works evoked in their earliest publics. Writers posed viewing as analogous to ingestion and used comparisons to food to describe the appearance of paint and the painter’s process. The food metaphors they chose were aligned with specific female types, such as red meat for sexualized female flesh, confections for fashionably made-up women, and hearty vegetables for agricultural laborers. These culinary figures of speech, Deutsch argues, provide important insights into both the fabrication of the feminine and the construction of masculinity in nineteenth-century France. Consuming Painting exposes the social politics at stake in the deeply gendered metaphors of sense and sensation. Original and convincing, Consuming Painting upends traditional narratives of the sensory reception of modern painting. This trailblazing book is essential reading for specialists in nineteenth-century art and criticism, gender studies, and modernism.
