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Author: Emily Dalgarno
Publisher: Cambridge University Press
ISBN: 9780521033602
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Dalgarno examines Woolf's engagement with notions of the visible.
Author: Emily Dalgarno
Publisher: Cambridge University Press
ISBN: 9780521033602
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Dalgarno examines Woolf's engagement with notions of the visible.
Author: Alex Zwerdling
Publisher: Univ of California Press
ISBN: 9780520061842
Category : Literary Criticism
Languages : en
Pages : 388
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Book Description
"The finest critical book on Virgina Woolf to date. Alex Zwerdling's large and subtle study places Virginia Woolf's world of class, politics, feminism, pacifism, and the family into firm historical perspective. The book leaves us with renewed appreciation for Woolf's work and for her mind." -Elaine Showalter, Princeton University "Buried beneath piles of criticism Virginia Woolf has at last been dug out by Alex Zwerdling. Virginia Woolf and the Real World is the most enlightened account of the real woman to appear for years." -Noel Annan, The Observer "A relief from the Bloomsbury fan dub: penetrating, learned, wide-ranging appreciation of Virginia Woolf in her social and political context, documenting what muscle and thought there was in her allegedly gossamer work." -Richard Mayne, Encounter "A well written book that deals with a field of Woolf studies that badly needs dear thinking and dear expression .... I think it a most useful work and in every way first rate." -Quentin Bell
Author: Lorraine Sim
Publisher: Routledge
ISBN: 1317001605
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
In her timely contribution to revisionist approaches in modernist studies, Lorraine Sim offers a reading of Virginia Woolf's conception of ordinary experience as revealed in her fiction and nonfiction. Contending that Woolf's representations of everyday life both acknowledge and provide a challenge to characterizations of daily life as mundane, Sim shows how Woolf explores the potential of everyday experience as a site of personal meaning, social understanding, and ethical value. Sim's argument develops through readings of Woolf's literary representations of a subject's engagement with ordinary things like a mark on the wall, a table, or colour; Woolf's accounts of experiences that are both common and extraordinary such as physical pain or epiphanic 'moments of being'; and Woolf's analysis of the effect of new technologies, for example, motor-cars and the cinema, on contemporary understandings of the external world. Throughout, Sim places Woolf's views in the context of the philosophical and lay accounts of ordinary experience that dominated the cultural thought of her time. These include British Empiricism, Romanticism, Platonic thought and Post-Impressionism. In addition to drawing on the major novels, particularly The Voyage Out, Mrs. Dalloway, and To the Lighthouse, Sim focuses close attention on short stories such as 'The Mark on the Wall', 'Solid Objects', and 'Blue & Green'; nonfiction works, including 'On Being Ill', 'Evening over Sussex: Reflections in a Motor-car', and 'A Sketch of the Past'; and Woolf's diaries. Sim concludes with an account of Woolf's ontology of the ordinary, which illuminates the role of the everyday in Woolf's ethics.
Author: Bryony Randall
Publisher: Cambridge University Press
ISBN: 1139536265
Category : Literary Criticism
Languages : en
Pages : 521
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Book Description
As a paradigmatic modernist author, Virginia Woolf is celebrated for the ways her fiction illuminates modern and contemporary life. Woolf scholars have long debated how context - whether historical, cultural, or theoretical - is to be understood in relation to her work and how her work produces new insights into context. Drawing on an international field of leading and emergent specialists, this collection provides an authoritative resource for contemporary Woolf scholarship that explores the distinct and overlapping dimensions of her writings. Rather than survey existing scholarship, these essays extend Woolf studies in new directions by examining how the author is contextualised today. The collection also highlights connections between Woolf and key cultural, political and historical issues of the twentieth century such as avant-gardism in music and art, developments in journalism and the publishing industry, political struggles over race, gender and class and the bearings of colonialism, empire and war.
Author: Gillian Gill
Publisher: Mariner Books
ISBN: 1328683958
Category : Biography & Autobiography
Languages : en
Pages : 437
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Book Description
An insightful, witty look at Virginia Woolf through the lens of the extraordinary women closest to her. How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies--of strength, style, and creativity--shaped Woolf's path to the radical writing that inspires so many today. Gill casts back to Woolf's French-Anglo-Indian maternal great-grandmother Th r se de L'Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf's aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer. Yet it was the women in her own family circle who had the most complex and lasting effect on Woolf. Her mother, Julia, and sisters Stella, Laura, and Vanessa were all, like Woolf herself, but in markedly different ways, warped by the male-dominated household they lived in. Finally, Gill shifts the lens onto the famous Bloomsbury group. This, Gill convinces, is where Woolf called upon the legacy of the women who shaped her to transform a group of men--united in their love for one another and their disregard for women--into a society in which Woolf ultimately found her freedom and her voice.
Author: Frances Spalding
Publisher: National Portrait Gallery
ISBN: 9781855144811
Category : Art
Languages : en
Pages : 0
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Book Description
Published to accompany the exhibition of the same name at the National Portrait Gallery, London, 10 July to 26 October 2014.
Author: Claudia Olk
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110340232
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
The category of vision is significant for Modernist texts as well as for the unfolding discourse of Modernism itself. Within the general Modernist fascination with the artistic and experimental possibilities of vision and perception this study looks at Virginia Woolf’s novels and her critical writings and examines the relation between visuality and aesthetics. An aesthetics of vision, as this study argues, becomes a productive principle of narrative. The visual is not only pertinent to Woolf’s processes of composition, but her works create a kind of vision that is proper to the text itself – a vision that reflects on the experience of seeing and renegotiates the relation between the reader and the text. The study investigates key dimensions of aesthetic vision. It addresses vision in the context of theories of aesthetic experience and identifies a semantics of seeing. It analyses functions of symbolic materiality in the presentation of boundaries of perception, modes of temporality and poetic potentialities. In exploring the connections between vision and language, it seeks to provide new perspectives for a reassessment of what occurs in Modernism's relation to vision.
Author: Angeliki Spiropoulou
Publisher: Springer
ISBN: 0230250440
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
This book analyses the representation of the past and the practice of historiography in the fiction and critical writings of Virginia Woolf, and draws parallels between Woolf's historiographical imagination and the thought of Walter Benjamin, the German philosopher of history and key theorist of modernity.
Author: Katerina Koutsantoni
Publisher: Routledge
ISBN: 1317001575
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
In the first comprehensive study of Virginia Woolf's Common Reader, Katerina Koutsantoni draws on theorists from the fields of sociology, sociolinguistics, philosophy, and literary criticism to investigate the thematic pattern underpinning these books with respect to the persona of the 'common reader'. Though these two volumes are the only ones that Woolf compiled herself, they have seldom been considered as a whole. As a result, what they reveal about Woolf's position with regard to the processes of writing, reading, and critical analysis has not been fully examined. Koutsantoni challenges the critical commonplace that equates Woolf's strategy of self-effacement and personal removal from her works as a necessary compromise that allowed her to achieve authorial recognition in a male-dominated context. Rather, Koutsantoni argues that an investigation of impersonality in Woolf's essays reveals the potential of the genre to function both as a vehicle for the subjective and dialogic expression of the author and reader and as a venue for exploring topics with which the ordinary reader can relate. As she explores and challenges the meaning of impersonality in Woolf's Common Reader, Koutsantoni shows how the related issues of subjectivity, authority, reader-response, intersubjectivity, and dialogism offer useful perspectives from which to examine Woolf's work.
Author: L. Shahriari
Publisher: Springer
ISBN: 0230282954
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
This volume features new essays by eminent and emerging Woolf scholars from around the world, focusing on Virginia Woolf's and Bloomsbury's politics. Themes include war, freedom of the press, economics and cultural production, the Hogarth Press, the global circulation of ideas, and transformations to the public sphere.
