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Author: Hilary Newman
Publisher: Lexington Books
ISBN: 1666940232
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
In her feminist polemic, ‘A Room of One’s Own’, Virginia Woolf famously wrote of the (comparatively recent) literary tradition of female writers: ‘we think back through our mothers if we are women.’ Woolf’s major literary mothers were those women novelists writing during the Victorian period and earlier. Virginia Woolf and the Lives, Works, and Afterlives of the Brontës examines all of Woolf’s writings on the Brontës, across a wide range of genres: juvenilia, novels, literary essays, feminist polemics, diaries and letters. This proves particularly fruitful as Woolf herself was both a creative artist and a literary critic. As a woman, she was ambivalent towards the Victorian world in which she spent her youth: emotionally she remained in thrall to it; but intellectually she developed the modernist novel. After Woolf ceased to write publicly about the Brontës, she continued to engage with them through the Hogarth Press, which she had founded in 1917 with her husband Leonard. She then chose to publish books on the Brontës whose approaches to them she supported. Newman approaches her subject in a Woolfian way: that is, she avoids dogmatism and aims to open up discussion of the lives, works and afterlives of the Brontës as mediated by Woolf, rather than closing it down to one particular interpretation.
Author: Hilary Newman
Publisher: Lexington Books
ISBN: 1666940232
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
In her feminist polemic, ‘A Room of One’s Own’, Virginia Woolf famously wrote of the (comparatively recent) literary tradition of female writers: ‘we think back through our mothers if we are women.’ Woolf’s major literary mothers were those women novelists writing during the Victorian period and earlier. Virginia Woolf and the Lives, Works, and Afterlives of the Brontës examines all of Woolf’s writings on the Brontës, across a wide range of genres: juvenilia, novels, literary essays, feminist polemics, diaries and letters. This proves particularly fruitful as Woolf herself was both a creative artist and a literary critic. As a woman, she was ambivalent towards the Victorian world in which she spent her youth: emotionally she remained in thrall to it; but intellectually she developed the modernist novel. After Woolf ceased to write publicly about the Brontës, she continued to engage with them through the Hogarth Press, which she had founded in 1917 with her husband Leonard. She then chose to publish books on the Brontës whose approaches to them she supported. Newman approaches her subject in a Woolfian way: that is, she avoids dogmatism and aims to open up discussion of the lives, works and afterlives of the Brontës as mediated by Woolf, rather than closing it down to one particular interpretation.
Author: Amber K Regis
Publisher: Manchester University Press
ISBN: 1526119854
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
Charlotte Brontë: legacies and afterlives is a timely reflection on the persistent fascination and creative engagement with Charlotte Brontë’s life and work. The new essays in this volume, which cover the period from Brontë’s first publication to the twenty-first century, explain why her work has endured in so many different forms and contexts. This book brings the story of Charlotte Brontë’s legacy up to date, analysing the intriguing afterlives of characters such as Jane Eyre and Rochester in neo-Victorian fiction, cinema, television, the stage and, more recently, on the web. Taking a fresh look at 150 years of engagement with one of the best-loved novelists of the Victorian period, from obituaries to vlogs, from stage to screen, from novels to erotic makeovers, this book reveals the author’s diverse and intriguing legacy. Engagingly written and illustrated, the book will appeal to both scholars and general readers.
Author: Charlotte Brontë
Publisher: Wordsworth Editions
ISBN: 9781840220605
Category : Fiction
Languages : en
Pages : 1384
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Book Description
Includes the novels Jane Eyre, Villette, Wuthering Heights, Agnes Grey, and The Tenant of Wildfell Hall.
Author: Anne Brontë
Publisher:
ISBN: 9780752513751
Category : Fiction
Languages : en
Pages : 724
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Book Description
Author: Peter Childs
Publisher: Lexington Books
ISBN: 149850096X
Category : Literary Criticism
Languages : en
Pages : 235
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Book Description
9/11 is not simple a date on the calendar but marks a distinct historical threshold, ushering in the war on terror, various states of emergency, a supposed “clash of civilizations,” and the putative legitimation of counter-democratic procedures ranging from extraordinary renditions to enhanced interrogation. Perhaps no date, since Virginia Woolf declared that “on or about December 1910 human character changed,” has marked such a singular point in the perception of time, identity and nature. Women’s writing has always been something of a counter-canon, offering modes of voice and point of view beyond that of the “man” of reason. This collection of essays explores the two problems of what it means to write as a woman and what it means to write in the twenty-first century.
Author: Marion Walker Alcaro
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838633816
Category : Biography & Autobiography
Languages : en
Pages : 300
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Book Description
This book is the biography of Anne Burrows Gilchrist, an Englishwoman of letters and widow of Blake's biographer, who fell in love with Wait Whitman when she read Leaves of Grass. In 1876 she came to America hoping to marry Whitman, but instead became his beloved friend. Illustrated.
Author: Jennifer Golightly
Publisher: Lexington Books
ISBN: 1611483611
Category : Literary Criticism
Languages : en
Pages : 175
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Book Description
This book explores the ways in which five female radical novelists of the 1790s—Elizabeth Inchbald, Eliza Fenwick, Mary Hays, Charlotte Smith, and Mary Wollstonecraft—attempt to use the components of private life to work toward widespread social reform. These writers depict the conjugal family as the site for a potential reformation of the prejudices and flaws of the biological family. The biological family in the radical novels of female writers is fraught with problems: greed and selfishness pervert the relationships between siblings, and neglect and ignorance characterize the parenting received by the heroines. Additionally, the radical novelists, responding to representations of biological families as inherently restrictive for unmarried women, develop the notion of marriage to a certain type of man as a social duty. Marriage between two properly sensible people who have both cultivated their reason and understanding and who can live together as equals, sharing domestic responsibilities, is shown to be an ideal with the power to create social change. Positioning their depictions of marriage in opposition to earlier feminist depictions of female utopian societies, the female radical novelists of the 1790s strive to depict relationships between men and women that are characterized by cooperation, individual autonomy, and equality. What is most important about these depictions is their ultimate failure. Most of the female radical novelists find such marriages nearly impossible to conceptualize. Marriage, for many of the female radical novelists, was an institution they perceived as inextricably related to (male) concerns about property and inescapably patriarchal under the marriage laws of late eighteenth-century British society. Unions between two worthy individuals outside the boundaries of marriage are shown in the female radical novels to be equally problematic: sex inevitably is the basis for such unions, yet sex leaves women vulnerable to exploitation by men. Rather than the triumph, therefore, of what comes to be in these novels the male-associated values of property and power through marriage, the female radical novels end by suggesting an alternative community, one that will shelter those members of society who are most frequently exploited in male attempts to accumulate this property and power: women, servants, and children.
Author: Laura E. Thomason
Publisher: Bucknell University Press
ISBN: 1611485274
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Mary Delany’s phrase “the matrimonial trap” illuminates the apprehension with which genteel women of the eighteenth century viewed marriage. These women were generally required to marry in order to secure their futures, yet hindered from freely choosing a husband. They faced marriage anxiously because they lacked the power either to avoid it or to define it for themselves. For some women, the written word became a means by which to exercise the power that they otherwise lacked. Through their writing, they made the inevitable acceptable while registering their dissatisfaction with their circumstances. Rhetoric, exercised both in public and in private, allowed these women to define their identities as individuals and as wives, to lay out and test the boundaries of more egalitarian spousal relationships, and to criticize the traditional marriage system as their culture had defined it.
Author: Justine Pizzo
Publisher: Springer Nature
ISBN: 3030348555
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Comprising nine original essays by specialists in material culture, book history, literary criticism and curatorial and archival studies, this co-edited volume addresses a wide range of Brontë’s writing—from vignettes composed during her teenage years (“The Tea Party” and “The Secret”) to completed novels (The Professor, Jane Eyre, Shirley and Villette) and unfinished works (“Ashworth” and “Emma”). In bringing to life the surprising array of embodied experiences that shaped Brontë’s creative practice (from writing to book-making, painting, and drawing), Charlotte Brontë, Embodiment and the Material World forges new connections between historical, material, and textual approaches to the author’s work.
Author: Kathrynn Seidler Engberg
Publisher: University Press of America
ISBN: 0761846093
Category : Literary Criticism
Languages : en
Pages : 119
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Book Description
The Right to Write examines how the early American poets Anne Bradstreet and Phillis Wheatley gained agency within a traditionally patriarchal field of literary production. Tracing the careers of Bradstreet and Wheatley through the seventeenth and eighteenth centuries, Engberg shows that these women used their positions within society to network themselves into publication. Each woman represents a unique way in which a majority of early American women negotiated their roles as both women and writers while influencing the political and social fabric of the new republic. Examining the context in which these women worked, Engberg provides a window into the social conditions and aesthetic, decisions they negotiated in order to write. This is not simply a historical and literary examination of the field of literary production; this study provides new conceptions of early American women's writing that are valuable to feminist inquiry. Engberg's research is innovative and recaptures a part of early American literary history. Book jacket.
