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Author: Athina Karatzogianni
Publisher: Routledge
ISBN: 1136500200
Category : History
Languages : en
Pages : 303
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Book Description
This edited volume examines theoretical and empirical issues relating to violence and war and its implications for media, culture and society. Over the last two decades there has been a proliferation of books, films and art on the subject of violence and war. However, this is the first volume that offers a varied analysis which has wider implications for several disciplines, thus providing the reader with a text that is both multi-faceted and accessible. This book introduces the current debates surrounding this topic through five particular lenses: the historical involves an examination of historical patterns of the communication of violence and war through a variety sources the cultural utilises the cultural studies perspective to engage with issues of violence, visibility and spectatorship the sociological focuses on how terrorism, violence and war are remembered and negotiated in the public sphere the political offers an exploration into the politics of assigning blame for war, the influence of psychology on media actors, and new media political communication issues in relation to the state and the media the gender-studies perspective provides an analysis of violence and war from a gender studies viewpoint. Violence and War in Culture and the Media will be of much interest to students of war and conflict studies, media and communications studies, sociology, security studies and political science.
Author: Athina Karatzogianni
Publisher: Routledge
ISBN: 1136500200
Category : History
Languages : en
Pages : 303
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Book Description
This edited volume examines theoretical and empirical issues relating to violence and war and its implications for media, culture and society. Over the last two decades there has been a proliferation of books, films and art on the subject of violence and war. However, this is the first volume that offers a varied analysis which has wider implications for several disciplines, thus providing the reader with a text that is both multi-faceted and accessible. This book introduces the current debates surrounding this topic through five particular lenses: the historical involves an examination of historical patterns of the communication of violence and war through a variety sources the cultural utilises the cultural studies perspective to engage with issues of violence, visibility and spectatorship the sociological focuses on how terrorism, violence and war are remembered and negotiated in the public sphere the political offers an exploration into the politics of assigning blame for war, the influence of psychology on media actors, and new media political communication issues in relation to the state and the media the gender-studies perspective provides an analysis of violence and war from a gender studies viewpoint. Violence and War in Culture and the Media will be of much interest to students of war and conflict studies, media and communications studies, sociology, security studies and political science.
Author: Jeff Lewis
Publisher: Rowman & Littlefield
ISBN: 1783485167
Category : Social Science
Languages : en
Pages : 299
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Book Description
Humans of the advanced world are the most violent beings of all times. This violence is evident in the conditions of perpetual warfare and the accumulation of the most powerful and destructive arsenal ever known to humankind. It is also evident in the devastating impact of advanced world economy and cultural practices which have led to ecological devastation and the current era of mass species extinction. —one of only six mass extinction events in planetary history and the only one caused by the actions of a single species, humans. This violence is manifest in our interpersonal relationships, and the ways in which we organize ourselves through hierarchical systems that ensure the wealth and privilege of some, against the penury and misery of others. In this new and highly original book, Jeff Lewisargues that violence is deeply inscribed in human culture, thinking and expressive systems (media). Lewis contends that violence is not an inescapable feature of an aggressive human nature. Rather, violence is laced through our desires and dispositions to communalism and expressive interaction. From the near extinction of all Homo sapiens, around 74,000 years ago, the invention of culture and media enabled humans to imagine and articulate particular choices and pleasures. Organized intergroup violence or warfare emerged through the exercise of these choices and their expression through larger and increasingly complex human societies. This agitation of amplified desire, hierarchical social organization and mediated knowledge systems has created a cultural volition of violent complexity which continues into the present. Media, Culture and Human Violence examines the current conditions of conflict and harm as an expression of our violent complexity.
Author: Joop de Jong
Publisher: Springer Science & Business Media
ISBN: 0306476754
Category : Psychology
Languages : en
Pages : 462
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Book Description
This volume describes a variety of public mental health and psychosocial programs in conflict and post-conflict situations in Africa and Asia. Each chapter details the psychosocial and mental health aspects of specific conflicts and examines them within their sociopolitical and historical contexts. This volume will be of great interest to psychologists, social workers, anthropologists, historians, human rights experts, and psychiatrists working or interested in the field of psychotrauma.
Author: Althea Lynn Georgelas
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
My work is inspired by the mass Media and how it affects the world around me. I am interested in how violence, war and women are represented in popular culture and how this has trickled down into social behavior. I also wonder how much entertainment media reflects deep social ideals. I define mass media as the viral proliferation of ideas using television, cinema, video gaming and the Internet. I am concerned about the social and psychological affects of violent media and how it impacts the lives of women and girls. This is of particular interest to me because I am a woman who has grown up in a media-saturated culture. Many aspects of my life and my identity have been shaped through media influence. I frequently use source material collected from the Internet. My method is to choose a specific word or phrase, and then use search engines to retrieve the associated media. By doing this I am assured that, on any given day, the images and videos returned to me are those most disseminated in mass media for that particular subject. Once I have collected this media I regularly use it to create digital collages, multi channel sound compositions and animated video. There are two threads within this process that intersect as I am working through an idea. At times I manipulate media and synthesize new material to represent my own personal vantage point. This allows me to directly comment on popular media and how it affects my life. The other thread in my practice is the subversion of media to challenge its meaning. These two approaches enable me to comment on media using a format of art-making that is similar to mass media itself. By using appropriated images and sound from popular media I am adopting a language that is understood by media makers and consumers alike. Working in this vein allows me to insert my own voice into the ongoing media-driven dialogue and thus help shape its collective consciousness. At the root of this exploration is a deeply unsettling concern for how mass media shapes social behavior in a way that reduces the individual voice and strips its power to resist. Mass media influences culture but it can also represent collective thought and action. There is a relationship that exists between media and how people act in the real world. Media and consumer are caught in a kind of feedback loop and I question how the individual identity fares. How do women survive in a culture where the blending of entertainment and violence so often targets makes them a target? How has violent popular media affected my life and those around me? How can people secure a truly representative voice against the media that oppresses them? I want my art to push these boundaries so that marginalized voices can be heard.
Author:
Publisher:
ISBN: 9780415665230
Category :
Languages : en
Pages : 240
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Book Description
Author: Wazhmah Osman
Publisher: University of Illinois Press
ISBN: 0252052439
Category : Social Science
Languages : en
Pages : 388
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Book Description
Portrayed in Western discourse as tribal and traditional, Afghans have in fact intensely debated women's rights, democracy, modernity, and Islam as part of their nation building in the post-9/11 era. Wazhmah Osman places television at the heart of these public and politically charged clashes while revealing how the medium also provides war-weary Afghans with a semblance of open discussion and healing. After four decades of gender and sectarian violence, she argues, the internationally funded media sector has the potential to bring about justice, national integration, and peace. Fieldwork from across Afghanistan allowed Osman to record the voices of many Afghan media producers and people. Afghans offer their own seldom-heard views on the country's cultural progress and belief systems, their understandings of themselves, and the role of international interventions. Osman analyzes the impact of transnational media and foreign funding while keeping the focus on local cultural contestations, productions, and social movements. As a result, she redirects the global dialogue about Afghanistan to Afghans and challenges top-down narratives of humanitarian development.
Author: Colleen Roach
Publisher: SAGE Publications
ISBN: 1452253471
Category : Language Arts & Disciplines
Languages : en
Pages : 305
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Book Description
Roach provides an excellent account of the contributions of feminist peace researchers to the analysis of cultural militarism and its twin, cultural violence against women. Altogether, this book is a worthy enterprise that will help both activists and scholars gain a more in-depth understanding of the barriers to change errected by the media′s use of information technology, and will be useful in developing scenarios and strategies for the creative use of that technology for peaceful social transformation. --Elise Boulding in Media Development Does the media have a perverse fascination with war and violence? Do television, newspapers, and magazines neglect the forces of peace in favor of the more dramatic war machines, thereby amplifying the guns rather than muting them? If so, how does media coverage reflect the culture for which it works? By exploring the role of both culture and mass media, this volume fills a crucial void in the study of war and peace. Outstanding scholars provide a history and overview of critical mass media research and investigate emerging issues dealing with the ongoing debate over communication in war and peace. Several chapters deal specifically with the role of communication culture in the Gulf War, while others discuss more general themes, including the military/industrial/communication complex, cultural imperialism, and transnational control of communication. Many of the essays offer a uniquely feminist reading of war and peace, a perspective typically unacknowledged in mainstream communication work. This timely book also weaves peripheral concerns like multiculturalism, international communication law, women and peace, and communication technology into the primary themes of media and war. The research and practical information given here will be useful for courses in peace and conflict studies, international mass communication, and intercultural communication. Professionals in international relations, negotiations, and the media will find this book to be both fascinating and illuminating. "Original research on the coverage of disarmament stories and peace issues in Canadian dailies and Vincent Mosco′s excellent blueprint for converting the military machine to a peace system give Roach′s work practical and positive dimensions. Abstracts at the beginning of the chapters, full bibliographies, and a preface by the ′father′ of peace studies, Johan Galtung, add to the importance of this book. Recommended for anyone interested in the use/minuses of mass media to cover up/explain/promote governmental efforts to keep situations tense and warlike." --Choice "Communication and Culture in War and Peace provides a strategic road map for scholarly and citizen action. This is tightly edited, passionately--and convincingly--argued, and a broadly conceived book. It fills a large gap and is likely to be a widely used seminal resource and text for some time to come." --George Gerbner, Professor of Communication and Dean Emeritus, University of Pennsylvania
Author: Jeff Lewis
Publisher: Pluto Press (UK)
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 302
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Book Description
The prison writings of Kurdish freedom fighter and PKK leader Abdullah Ocalan
Author: Rebecca A. Adelman
Publisher: U of Minnesota Press
ISBN: 1452960984
Category : Social Science
Languages : en
Pages : 322
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Book Description
Considers how people have confronted, challenged, and resisted remote warfare Drone warfare is now a routine, if not predominant, aspect of military engagement. Although this method of delivering violence at a distance has been a part of military arsenals for two decades, scholarly debate on remote warfare writ large has remained stuck in tired debates about practicality, efficacy, and ethics. Remote Warfare broadens the conversation, interrogating the cultural and political dimensions of distant warfare and examining how various stakeholders have responded to the reality of state-sponsored remote violence. The essays here represent a panoply of viewpoints, revealing overlooked histories of remoteness, novel methodologies, and new intellectual challenges. From the story arc of Homeland to redefining the idea of a “warrior,” these thirteen pieces consider the new nature of surveillance, similarities between killing with drones and gaming, literature written by veterans, and much more. Timely and provocative, Remote Warfare makes significant and lasting contributions to our understanding of drones and the cultural forces that shape and sustain them. Contributors: Syed Irfan Ashraf, U of Peshawar, Pakistan; Jens Borrebye Bjering, U of Southern Denmark; Annika Brunck, U of Tübingen; David A. Buchanan, U.S. Air Force Academy; Owen Coggins, Open U; Andreas Immanuel Graae, U of Southern Denmark; Brittany Hirth, Dickinson State U; Tim Jelfs, U of Groningen; Ann-Katrine S. Nielsen, Aarhus U; Nike Nivar Ortiz, U of Southern California; Michael Richardson, U of New South Wales; Kristin Shamas, U of Oklahoma; Sajdeep Soomal; Michael Zeitlin, U of British Columbia.
Author: Philipp Budka
Publisher: Berghahn Books
ISBN: 1789206839
Category : Social Science
Languages : en
Pages : 350
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Book Description
Theorising Media and Conflict brings together anthropologists as well as media and communication scholars to collectively address the elusive and complex relationship between media and conflict. Through epistemological and methodological reflections and the analyses of various case studies from around the globe, this volume provides evidence for the co-constitutiveness of media and conflict and contributes to their consolidation as a distinct area of scholarship. Practitioners, policymakers, students and scholars who wish to understand the lived realities and dynamics of contemporary conflicts will find this book invaluable.
