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Author: David P. Appleby
Publisher: Scarecrow Press
ISBN: 9780810841499
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
Appleby is a scholar and musician specializing in the music of his native Brazil, and in particular the work of Villa-Lobos. He augments the many biographies and musical analyses of the country's best known composer with insights from his own five decades of performing his music and interviews with his family and friends. Annotation copyrighted by Book News, Inc., Portland, OR
Author: David P. Appleby
Publisher: Scarecrow Press
ISBN: 9780810841499
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
Appleby is a scholar and musician specializing in the music of his native Brazil, and in particular the work of Villa-Lobos. He augments the many biographies and musical analyses of the country's best known composer with insights from his own five decades of performing his music and interviews with his family and friends. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Adhemar Nóbrega
Publisher:
ISBN:
Category :
Languages : pt-BR
Pages : 38
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Book Description
Author: Norton Dudeque
Publisher: Routledge
ISBN: 1000452395
Category : Music
Languages : en
Pages : 186
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Book Description
Heitor Villa-Lobos’s Bachianas Brasileiras demonstrates how the composer achieved his own Brazilian neoclassical style in a group of works, nine suites in total, that is arguably one of the best examples of homage to J.S. Bach’s music in the twentieth century. In this book, the corpus of Bachianas Brasileiras is contextualized and critically examined according to its structure and intertextual aspects, as well as its relationship to Bach’s music, Brazilian popular music, and other works by contemporaries of Villa Lobos. A range of musical examples illustrate instances of the selected topics in the works, encompassing urban Brazilian popular music such as the choro, Brazilian northeast and afro rhythms, and citation of folkloric melodies. Dudeque’s comprehensive examination of the Bachianas Brasileiras will be invaluable for scholars and researchers of music theory and analysis.
Author: Ricardo Averbach
Publisher: Rowman & Littlefield
ISBN: 1666911364
Category : Music
Languages : en
Pages : 393
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Book Description
Villa-Lobos and Modernism: The Apotheosis of Cannibal Music provides a new assessment of the Brazilian composer Heitor Villa-Lobos in terms of his contributions to the Modernist Movement of the twentieth century. In this profound study, Ricardo Averbach elevates Cultural Cannibalism as a major manifestation of the Modernist aesthetics and Villa-Lobos as its top exponent in the music field. Villa-Lobos’s anthropophagic appetite for multiple opposing aesthetics enlightens through the juxtaposition of contradictory elements, leaving a legacy of unmatched originality, a glittering kaleidoscope of sounds that draw from the radical power of Josephine Baker to the outrageous extravagance of Carmen Miranda, from Dada to Einstein’s counterintuitive scientific findings, from folklorism to atonality. The constructed analyses use the works of Stravinsky as a familiar and popular touchstone for accessing Villa-Lobos as the leading exponent of an aesthetic movement that has been neglected due to a traditional Eurocentric view of Modernism. Averbach opens up new possibilities for the study of twentieth-century music, in general, while unveiling how much our present aesthetics owes to the Modernist ideas introduced by the Brazilian composer.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
The purpose of this document is to study how Heitor Villa-Lobos presented his nationalistic expression of the choro within selected chamber works for mixed instrumentation with bassoon. The use of folk and popular music was the utmost inspiration to Villa-Lobos. The choro (a specific form of urban popular music of Rio de Janeiro) was an especially prominent source for Villa-Lobos's chamber works and for his development of a nationalistic style. The selected works are infused with characteristics of the choro, such as virtuosity, improvisation, rhapsodic form, syncopation, polyrhythm, contrapuntal texture, melodic and rhythmic ostinato, and wide melodic leaps. Although these works contain the elements of the choro genre, Villa-Lobos composed each work in a unique nationalistic style. Villa-Lobos mastered the lending of European musical styles based on the recognizable and appealing qualities of the choro, which resulted in a certain hybrid character. He absorbed musical elements from Bach, Romanticism, and French Impressionism, and used them with his own creative representation of Brazilian folk and popular music. For general information, chapter 2 provides a brief historical background of Brazilian music, primarily a historical and stylistic account of the choro, and the diversity of ethnic types. Chapter 3 focuses on how Villa-Lobos presented the characteristics of Brazilian music along with other resources in creating his unique compositional style. I provide musical analyses that demonstrate the distinct elements of Villa-Lobos's music (harmony, melody, rhythm, counterpoint, form texture/instrumentation, etc.). Thereafter, I summarize with comparative analysis of the main elements of the choro and their counterparts in Villa-Lobos's works including Noneto, Choros No. 3, Quinteto em forma de choros, and Bachianas Brasileiras No. 6. Also a discography of these works is included.
Author: Stephen Guerra
Publisher: Mel Bay Publications
ISBN: 1513459376
Category : Music
Languages : en
Pages : 56
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Book Description
Choro is a popular instrumental-music tradition flourishing in Brazil and around the world. It preceded, influenced, and in turn was influenced by samba and bossa nova. Its repertory is vast, including thousands of choros composed by all manner of string, wind, keyboard, and percussion players—in addition to the guitar classics by João Pernambuco and Heitor Villa-Lobos. This landmark publication gives guitarists access to this seemingly endless repertory, empowering its readers to turn a choro written for any instrument into a convincing and idiomatic solo guitar arrangement. This process is taught through examples provided by Dr. Stephen Guerra, a versatile guitarist/composer intimately familiar with both classical and Brazilian guitar (violão brasileiro) as well as the choro idiom. This book is intended for both students of Brazilian guitar and classical guitarists seeking to add choros to their repertory and play them authentically. It includes: • Original solo arrangements plus lead sheets and online recordings of 10 choros for the intermediate to advanced classic guitarist. • Biographical and performance notes regarding the selected composers and compositions. • Insightful suggestions for further reading, listening, and study. • Extensive endnotes explaining arrangement choices, notation practice and influences. Dr. Guerra focuses on classics from the pioneering generation of choro composers culminating in the artistry of João Pernambuco, Pixinguinha, and Heitor Villa-Lobos; among others, these include compositions by choro pianists Chiquinha Gonzaga and Ernesto Nazareth, samba singer-composer Noel Rosa, choro bandleaders Joaquim Calado and Anacleto de Medeiros, and Brazil’s early flute virtuoso, Patápio Silva. Includes access to online audio.
Author: Jetro M. de Oliveira
Publisher:
ISBN:
Category :
Languages : en
Pages : 50
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Book Description
Author: Carmen Nava
Publisher: Rowman & Littlefield
ISBN: 9780742537576
Category : History
Languages : en
Pages : 254
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Book Description
This innovative volume traces Brazil's singular character, exploring both the remarkable richness and cohesion of the national culture and the contradictions and tensions that have developed over time. What shared experiences give its citizens their sense of being Brazilian? What memories bind them together? What metaphors and stereotypes of identity have emerged? Which groups are privileged over others in idealized representations of the nation? The contributors--a multidisciplinary group of U.S. and Brazilian scholars--offer a fresh look at questions that have been asked since the early nineteenth century and that continue to drive nationalist discourse today. Their chapters explore Brazilian identity through an innovative framework that brings in seldom-considered aspects of art, music, and visual images, offering a compelling analysis of how nationalism functions as a social, political, and cultural construction in Latin America. Contributions by: Cristina Antunes, Dain Borges, Val ria Costa e Silva, James Green, Efrain Kristal, Ludwig Lauerhass Jr., Cristina Magaldi, Elizabeth A. Marchant, Jos Mindlin, Carmen Nava, Jos Luis Passos, Robert Stam, and Val ria Torres
Author: Tamara Elena Livingston
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 282
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Book Description
The first book in English to explore Brazilian choro.
Author: Peter Ninaus
Publisher: BoD – Books on Demand
ISBN: 3755797615
Category : Music
Languages : en
Pages : 334
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Book Description
The term choro is a complex expression of a genre, a style and a cast. This diversity is complemented by regionality and forms a special appearance with the choro tradition in the Brazilian state of Maranhão. This work represents the first attempt to systematically explore this choro and to open it as a contribution to the basic research aboutthe music in Maranhão. This Choro Maranhense is a living tradition that is very receptive to neighboring styles of music and sets itself apart from other choro styles in Brazil in its musical practice. The practice of this music of the Northeast has a long history and was influential for the entire music of the country. Notwithstanding the dispute of domination between the centers of Rio de Janeiro and São Paulo in the southeast and the centers of the northeast, such as São Luís and Maranhão, the studies show that this choro has many variations and imitations of the folklore of Maranhão, such as Bumba-meu-Boi or Lelê, which give this choro tradition a completely different picture in comparison to the classical models of Pixinguinha. This work is intended as a basis for further research and as a contribution to the study of music in northeastern Brazil.
