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Author: Renate Brosch
Publisher: Universitatsverlag Winter
ISBN: 9783825355142
Category : Art and society
Languages : en
Pages : 0
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Book Description
This volume provides an introduction to the diverse field of visual culture in the 19th century. It surveys major changes in the field taking into account photography, theatrical practice, changing land- and cityscapes as well as new technologies for entertainment and information. The inventions and discoveries of the period revolutionized methods of cultural production, provoked new intentions in representation and radically altered the experience of the visual in art as well as everyday life. Hence people had to adapt to new perceptions and their habitual ways of seeing were challenged. At the same time they carved out new positions for themselves vis a vis the visual, defining new identities as spectators and observers. In addition to the introductory overview, the volume offers a collection of articles which concentrate on less well-known aspects of Victorian visual culture, seeking to contribute an explanation in the context of the larger political, thus seeking to disclose new vantage points for explanations in the of the larger political, ideological and psychological context of the era.
Author: Renate Brosch
Publisher: Universitatsverlag Winter
ISBN: 9783825355142
Category : Art and society
Languages : en
Pages : 0
Get Book Here
Book Description
This volume provides an introduction to the diverse field of visual culture in the 19th century. It surveys major changes in the field taking into account photography, theatrical practice, changing land- and cityscapes as well as new technologies for entertainment and information. The inventions and discoveries of the period revolutionized methods of cultural production, provoked new intentions in representation and radically altered the experience of the visual in art as well as everyday life. Hence people had to adapt to new perceptions and their habitual ways of seeing were challenged. At the same time they carved out new positions for themselves vis a vis the visual, defining new identities as spectators and observers. In addition to the introductory overview, the volume offers a collection of articles which concentrate on less well-known aspects of Victorian visual culture, seeking to contribute an explanation in the context of the larger political, thus seeking to disclose new vantage points for explanations in the of the larger political, ideological and psychological context of the era.
Author: Jonathan Smith
Publisher: Cambridge University Press
ISBN: 0521856906
Category : Biography & Autobiography
Languages : en
Pages : 23
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Book Description
A highly illustrated account of Darwin's visual representations of his theories, and their influence on Victorian literature, art and culture, first published in 2006.
Author: Nancy Rose Marshall
Publisher: Sci & Culture in the Nineteent
ISBN: 9780822946533
Category : Science
Languages : en
Pages : 432
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Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories--such as Darwin's theory of evolution and sexual selection--deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Author: A. Heinrich
Publisher: Springer
ISBN: 0230236790
Category : Performing Arts
Languages : en
Pages : 252
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Book Description
This collection of essays sets out to challenge the dominant narrative about Victorian theatre by placing the practices and products of the Victorian theatre in relation to Victorian visual culture, through the lens of the concept of 'Ruskinian theatre', an approach to theatre which values its educative purpose as well as its aesthetic expression.
Author: Lawrence Manley
Publisher: Cambridge University Press
ISBN: 1107495555
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
London has provided the setting and inspiration for a host of literary works in English, from canonical masterpieces to the popular and ephemeral. Drawing upon a variety of methods and materials, the essays in this volume explore the London of Langland and the Peasants' Rebellion, of Shakespeare and the Elizabethan stage, of Pepys and the Restoration coffee house, of Dickens and Victorian wealth and poverty, of Conrad and the Empire, of Woolf and the wartime Blitz, of Naipaul and postcolonial immigration, and of contemporary globalism. Contributions from historians, art historians, theorists and media specialists as well as leading literary scholars exemplify current approaches to genre, gender studies, book history, performance studies and urban studies. In showing how the tradition of English literature is shaped by representations of London, this volume also illuminates the relationship between the literary imagination and the society of one of the world's greatest cities.
Author: Kimberly Rhodes
Publisher: Routledge
ISBN: 1351555677
Category : Art
Languages : en
Pages : 225
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Book Description
Kimberly Rhodes's interdisciplinary book is the first to explore fully the complicated representational history of Shakespeare's Ophelia during the Victorian period. In nineteenth-century Britain, the shape, function and representation of women's bodies were typically regulated and interpreted by public and private institutions, while emblematic fictional female figures like Ophelia functioned as idealized templates of Victorian womanhood. Rhodes examines the widely disseminated representations of Ophelia, from works by visual artists and writers, to interpretations of her character in contemporary productions of Hamlet, revealing her as a nexus of the struggle for the female body's subjugation. By considering a broad range of materials, including works by Anna Lea Merritt, Elizabeth Siddal, Dante Gabriel Rossetti, and John Everett Millais, and paying special attention to images women produced, Rhodes illuminates Ophelia as a figure whose importance crossed class and national boundaries. Her analysis yields fascinating insights into 'high' and mass culture and enables transnational comparisons that reveal the compelling associations among Ophelia, gender roles, body image and national identity.
Author: Nancy Rose Marshall
Publisher: University of Pittsburgh Press
ISBN: 0822987996
Category : Science
Languages : en
Pages : 341
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Book Description
The nineteenth century was a period of science and imagery: when scientific theories and discoveries challenged longstanding boundaries between animal, plant, and human, and when art and visual culture produced new notions about the place of the human in the natural world. Just as scientists relied on graphic representation to conceptualize their ideas, artists moved seamlessly between scientific debate and creative expression to support or contradict popular scientific theories—such as Darwin’s theory of evolution and sexual selection—deliberately drawing on concepts in ways that allowed them to refute popular claims or disrupt conventional knowledges. Focusing on the close kinship between the arts and sciences during the Victorian period, the art historians contributing to this volume reveal the unique ways in which nineteenth-century British and American visual culture participated in making science, and in which science informed art at a crucial moment in the history of the development of the modern world. Together, they explore topics in geology, meteorology, medicine, anatomy, evolution, and zoology, as well as a range of media from photography to oil painting. They remind us that science and art are not tightly compartmentalized, separate influences. Rather, these are fields that share forms, manifest as waves, layers, lines, or geometries; that invest in the idea of the evolution of form; and that generate surprisingly kindred responses, such as pain, pleasure, empathy, and sympathy.
Author: Kate Flint
Publisher: Cambridge University Press
ISBN: 9780521770262
Category : Art
Languages : en
Pages : 450
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Book Description
Richly illustrated study drawing on art, literature and science to explore Victorian attitudes towards sight.
Author: Susan David Bernstein
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754664055
Category : History
Languages : en
Pages : 278
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Book Description
In Victorian England, vulgarity, first used to define language use and class position, became implicated in behavior, material possessions, sexuality, and race. Victorian Vulgarity explores vulgarity's troubled history through dictionaries and grammars; essays, journalism and visual art; and fiction by Dickens, Eliot, Gissing, and Trollope. Neither dismissing nor reveling in vulgarity's myriad temptations, the contributors invite readers to consider the concept's implications for today's writers and artists.
Author: Jonathan Smith
Publisher: Cambridge University Press
ISBN: 9780521135795
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Although The Origin of Species contained just a single visual illustration, Charles Darwin's other books, from his monograph on barnacles in the early 1850s to his volume on earthworms in 1881, were copiously illustrated by well-known artists and engravers. In this 2006 book, Jonathan Smith explains how Darwin managed to illustrate the unillustratable - his theories of natural selection - by manipulating and modifying the visual conventions of natural history, using images to support the claims made in his texts. Moreover, Smith looks outward to analyse the relationships between Darwin's illustrations and Victorian visual culture, especially the late-Victorian debates about aesthetics, and shows how Darwin's evolutionary explanation of beauty, based on his observations of colour and the visual in nature, were a direct challenge to the aesthetics of John Ruskin. The many illustrations reproduced here enhance this fascinating study of a little known aspect of Darwin's lasting influence on literature, art and culture.
