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Author:
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ISBN:
Category : Painting, English
Languages : en
Pages : 616
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Author:
Publisher:
ISBN:
Category : Painting, English
Languages : en
Pages : 616
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Book Description
Author:
Publisher:
ISBN:
Category : Painting, British
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category : Painting, British
Languages : en
Pages : 0
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Author: John Charles Olmsted
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: John Charles Olmsted
Publisher: Taylor & Francis
ISBN: 9780824027445
Category : Painting, British
Languages : en
Pages : 670
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Author: John Charles Olmsted
Publisher:
ISBN: 9781138366626
Category :
Languages : en
Pages : 808
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First published in 1983. This anthology of sixty-nine essays drawn from fourteen different journals was assembled in order to reproduce in convenient form some of the more important articles on British painting published from 1849 to 1860 in Great Britain. Reviews of major exhibitions form a large part of the collection, but essays treating individual artists, discussions of the effect of state patronage of the arts and attempts to assess the uniqueness of the English tradition of painting are also included. This title will be of great interest to students of Art History.
Author: Tim Barringer
Publisher: Routledge
ISBN: 1351536257
Category : Art
Languages : en
Pages : 412
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This vibrant collection of essays claims that a complex network of texts by critics, biographers and diarists established the credibility and influence of the Pre-Raphaelite movement. Throughout the twentieth century, Modernist taste failed to acknowledge the achievement of oppositional groupings such as the Pre-Raphaelites. The essays collected here, however, reveal that the British group anticipated later avant-gardes by using the written word to configure for itself a radical artistic identity. Public and critics alike were scandalized by the radicalism of Pre-Raphaelite painting, its unflinching portrayal of historical figures and of contemporary life, and its irreverent attitude to artistic convention. Pre-Raphaelitism's innovations were not confined to style: new forms of artistic identity and behaviour were explored. As the contributors interrogate the texts through which Pre-Raphaelitism was constructed, they demonstrate that the movement's wide influence as a cultural phenomenon derived from the interplay between exhibited works and critical discourse. Applying a range of sophisticated methodologies from the fields of literary studies, art history, and cultural studies, these interdisciplinary essays uncover the neglected role of texts in the success of the Pre-Raphaelite rebellion and argue in favor of a new centrality for this movement in the history of nineteenth-century European culture.
Author: John Charles Olmsted
Publisher: Routledge
ISBN: 9781138366497
Category :
Languages : en
Pages : 686
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First published in 1980. This anthology of fifty-three essays drawn from eleven weekly, monthly, and quarterly periodicals was assembled in order to reproduce in convenient form some of the more important articles on British painting published from 1832 to 1848 in Great Britain. Reviews of major exhibitions form a large part of the collection, but essays treating individual artists, discussions of the effect of state patronage of the arts and attempts to assess the uniqueness of the English tradition of painting are also included. This title will be of great interest to students of Art History
Author: Kathleen Pyne
Publisher: University of Texas Press
ISBN: 0292786042
Category : Art
Languages : en
Pages : 582
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Book Description
Late in the nineteenth century, many Americans were troubled by the theories of Charles Darwin, which contradicted both traditional Christian teachings and the idea of human supremacy over nature, and by an influx of foreign immigrants, who challenged the supremacy of the old Anglo-Saxon elite. In response, many people drew comfort from the theories of philosopher Herbert Spencer, who held that human society inevitably develops towards higher and more spiritual forms. In this illuminating study, Kathleen Pyne explores how Spencer’s theories influenced a generation of American artists. She shows how the painters of the 1880s and 1890s, particularly John La Farge, James McNeill Whistler, Thomas Dewing and the Boston school, and the impressionist painters of the Ten, developed an art dedicated to social refinement and spiritual ideals and to defending the Anglo-Saxon elite of which they were members. This linking of visual culture to the problematic conditions of American life radically reinterprets the most important trends in late nineteenth-century American painting.
Author:
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ISBN: 9780824027421
Category : Painting, British
Languages : en
Pages :
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