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Author: Christopher Wood
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 604
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Book Description
Contains 11,000 entries
Author: Christopher Wood
Publisher: Antique Collectors Club Dist
ISBN:
Category : Art
Languages : en
Pages : 604
Get Book Here
Book Description
Contains 11,000 entries
Author: Lionel Lambourne
Publisher: Phaidon Press
ISBN:
Category : Art
Languages : en
Pages : 522
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Book Description
A scholarly and entertaining survey of painting during the Victorian era.
Author: Christopher Wood
Publisher:
ISBN: 9780297835523
Category : Painting, British
Languages : en
Pages : 384
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Book Description
The Victorian era and its aftermath were the backdrop to one of the great flowerings of British art. Taking the story of British art from the era of Romanticism to the formal and aesthetic breakthrough of Post-Impressionism, this book offers a definitive survey of the field.
Author: Julia Thomas
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Victorian narrative paintings offer a unique insight into the 19th century. The plight of women, the affects of the class system, and the onslaught of industry are all forced upon the attention of the viewer. Within each picture there is a story to uncover, either optimistic, educational, or tragic. Hugely popular in the Victorian period, the paintings tell much about how the Victorians viewed themselves and those whose "transgressive" practices threatened their respectability. An illustrated introduction decodes the conventions used in narrative painting, from literary and artistic allusions to the use of symbolism. The stories contained in works by William Holman Hunt, William Powell Frith, Richard Redgrave, John Everett Millais, and many others are uncovered in detailed examinations of their paintings.
Author: Deborah Cherry
Publisher: Psychology Press
ISBN: 9780415060530
Category : Art
Languages : en
Pages : 275
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Book Description
Looks at the experience of women painters within the oppressive confines of the Victorian patriarchy. Using biographies, journals and letters Cherry shows how their working lives were shaped by the social order of difference.
Author: Jeremy Maas
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 166
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Book Description
Published to accompany exhibition held at The Royal Academy of Arts, London, 13/11/97 - 8/2/98.
Author: Christopher Wood
Publisher:
ISBN: 9781851491711
Category : Art
Languages : en
Pages : 595
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Book Description
Author: Jo Devereux
Publisher: McFarland
ISBN: 1476626049
Category : Art
Languages : en
Pages : 265
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Book Description
When women were admitted to the Royal Academy Schools in 1860, female art students gained a foothold in the most conservative art institution in England. The Royal Female College of Art, the South Kensington Schools and the Slade School of Fine Art also produced increasing numbers of women artists. Their entry into a male-dominated art world altered the perspective of other artists and the public. They came from disparate levels of society--Princess Louise, the fourth daughter of Queen Victoria, studied sculpture at the National Art Training School--yet they all shared ambition, talent and courage. Analyzing their education and careers, this book argues that the women who attended the art schools during the 1860s and 1870s--including Kate Greenaway, Elizabeth Butler, Helen Allingham, Evelyn De Morgan and Henrietta Rae--produced work that would accommodate yet subtly challenge the orthodoxies of the fine art establishment. Without their contributions, Victorian art would be not simply the poorer but hardly recognizable to us today.
Author: Christopher Wood
Publisher:
ISBN:
Category :
Languages : en
Pages : 594
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Book Description
Author: Sophia Andres
Publisher: Ohio State University Press
ISBN: 0814209742
Category : Aesthetics, British
Languages : en
Pages : 236
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Book Description
A provocative interdisciplinary study of the Victorian novel and Pre-Raphaelite art, this book offers a new understanding of Victorian novels through Pre-Raphaelite paintings. Concentrating on Elizabeth Gaskell, Wilkie Collins, George Eliot, and Thomas Hardy and aligning each novelist with specific painters, this work interprets narrative redrawings of Pre-Raphaelite paintings within a range of cultural contexts as well as alongside recent theoretical work on gender. Letters, reviews, and journals convincingly reinforce the contentions about the novels and their connection with paintings. Featuring color reproductions of Pre-Raphaelite paintings, this book reveals the great achievement of Pre-Raphaelite art and its impact on the Victorian novel. Arguing for the direct relationship between Pre-Raphaelite painting and the Victorian novel, this book fills a gap in the currently available literature devoted to the Victorian novel, the Pre-Raphaelites, and the connection of Pre-Raphaelite art to Victorian poetry. Visual readings of the Victorian novel channel the twenty-first-century readers' desire for the visual into the exploration of Pre-Raphaelite art in the Victorian novel, in the process offering fresh insights into the representation of gender in Victorian culture. Through a textual and a visual journey, this work reveals a new approach to the Victorian novel and Pre-Raphaelite art with profound implications for the study of both.
