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Author:
Publisher: BRILL
ISBN: 9004487670
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.
Author:
Publisher: BRILL
ISBN: 9004487670
Category : Literary Criticism
Languages : en
Pages : 320
Get Book Here
Book Description
Configuring Romanticism focuses on the ways in which “Romanticism” continues to change shape in light of new discoveries, new readings, new approaches. To this end, some essays here gathered offer novel interpretations of Romantic “classics” such as Wordsworth, Blake, and Southey, or discuss the Celtic roots of Romanticism. Others address the relationship of Romantic literature, particularly the work of Scott, Shelley, and De Quincey, to issues of colonialism and imperialism. Yet others trace the “afterlife” of Romanticism and the Romantics, specifically Byron, Shelley, and Keats, in the writings of Leigh Hunt, Elizabeth Gaskell, James Thomson, Algernon Swinburne, William Michael Rosetti, James Clarence Mangan, Francis Parkman, Gilbert and Sullivan, and T.S. Eliot, as well as in Dutch nineteenth-century criticism. The volume closes with discussions of the Romantic aspects of World War II propaganda, twentieth-century translations of the Aeneid in view of Romantic principles, the Romantic face of recent Québecois fiction, and present-day film versions of Jane Austen’s Emma.
Author: Andrew Radford
Publisher: Routledge
ISBN: 1351902474
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
In tracing those deliberate and accidental Romantic echoes that reverberate through the Victorian age into the beginning of the twentieth century, this collection acknowledges that the Victorians decided for themselves how to define what is 'Romantic'. The essays explore the extent to which Victorianism can be distinguished from its Romantic precursors, or whether it is possible to conceive of Romanticism without the influence of these Victorian definitions. Romantic Echoes in the Victorian Era reassesses Romantic literature's immediate cultural and literary legacy in the late nineteenth century, showing how the Victorian writings of Matthew Arnold, Wilkie Collins, the Brontës, the Brownings, Elizabeth Gaskell, Charles Dickens, Gerard Manley Hopkins, Thomas Hardy, and the Rossettis were instrumental in shaping Romanticism as a cultural phenomenon. Many of these Victorian writers found in the biographical, literary, and historical models of Chatterton, Coleridge, Byron, Shelley, Keats, and Wordsworth touchstones for reappraising their own creative potential and artistic identity. Whether the Victorians affirmed or revolted against the Romanticism of their early years, their attitudes towards Romantic values enriched and intensified the personal, creative, and social dilemmas described in their art. Taken together, the essays in this collection reflect on current critical dialogues about literary periodisation and contribute to our understanding of how these contemporary debates stem from Romanticism's inception in the Victorian age.
Author: Allan C. Christensen
Publisher: Rodopi
ISBN: 9789042004993
Category : Literary Criticism
Languages : en
Pages : 340
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Book Description
Two centuries after his birth in October 1795, John Keats occupies a secure place in the canon of great literature of the western world. But for much of the nineteenth century and even during periods of the twentieth century, his right to such a position was not so firmly established. On the bicentenary of Keats's birth, various Italian scholars, along with specialists from English-speaking countries, decided to take advantage of the occasion not only to render homage to a poet whose greatness now seems unchallenged but also to accept his continuing challenge to his readers. The contributors to this volume re-examine some of the harshest criticisms of Keats, from Byron onwards, and some of the unconditional exaltations of the poet in order to discover possible sites between the two for new critical impulses and fertile re-evaluations of his achievement. Under five headings - Romantic Truth, Textual Readings, History and Myth, Keats and Other Poets and Painting and Music - the essays in this book appraise the historical-cultural contexts that nurtured Keats's creativity; discuss the influences and interrelationships among Keats and other poets; and consider Keats's artistry as revealed in the analyses of particular texts.
Author: Carmen Casaliggi
Publisher: Routledge
ISBN: 1136273492
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
This book visits the Romantic legacy that was central to the development of literature and culture from the 1830s onward. Although critical accounts have examined aspects of this long history of indebtedness, this is the first study to survey both Nineteenth and Twentieth century culture. The authors consider the changing notion of Romanticism, looking at the diversity of its writers, the applicability of the term, and the ways in which Romanticism has been reconstituted. The chapters cover relevant historical periods and literary trends, including the Romantic Gothic, the Victorian era, and Modernism as part of a dialectical response to the Romantic legacy. Contributors also examine how Romanticism has been reconstituted within postmodern and postcolonial literature as both a reassessment of the Modernist critique and of the imperial contexts that have throughout this time-frame underpinned the Romantic legacy, bringing into focus the contemporaneity of Romanticism and its political legacy. This collection reveals the diversity and continuing relevance of the genre in new and exciting ways, offering insights into writers such as Browning, Ruskin, Pater, Wilde, Lewis, MacNeice, and Auster.
Author: Francis O'Gorman
Publisher: Taylor & Francis
ISBN: 1351880616
Category : History
Languages : en
Pages : 285
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Book Description
Disrupting the common assumption that the Victorians regarded their eighteenth-century predecessors with little interest or with disdain, this volume re-examines these relationships, exposing some of the significant and complex ways in which key aspects and texts of the eighteenth century were situated, read, and transacted with during the post-Romantic nineteenth century. The contributors challenge long-held assumptions about Victorian uses of the past, and offer new insights into how the literature and culture of the eighteenth century helped shape the culture and identity of the nineteenth. This collection of essays by an impressive array of scholars, with a Preface by David Fairer, offers a sharply new assessment of the energizing place of eighteenth-century literature and culture in the nineteenth century. While obviously of great interest to students of eighteenth-century and Victorian literature, the collection will also appeal to readers broadly concerned questions of literary influence, periodization, and historiography.
Author: William Christie
Publisher: Routledge
ISBN: 1315476282
Category : History
Languages : en
Pages : 265
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Book Description
From its first issue, published on the 10th October 1802, Francis Jeffrey's "Edinburgh Review" established a strong reputation and exerted a powerful influence. This is a literary study of the "Edinburgh Review" for over fifty years. It contextualizes the periodical within the culture wars of the Romantic era.
Author: Ralf Haekel
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110393409
Category : Literary Criticism
Languages : en
Pages : 770
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Book Description
The Handbook of British Romanticism is a state of the art investigation of Romantic literature and theory, a field that probably changed more quickly and more fundamentally than any other traditional era in literary studies. Since the early 1980s, Romantic studies has widened its scope significantly: The canon has been expanded, hitherto ignored genres have been investigated and new topics of research explored. After these profound changes, intensified by the general crisis of literary theory since the turn of the millennium, traditional concepts such as subjectivity, imagination and the creative genius have lost their status as paradigms defining Romanticism. The handbook will feature discussions of key concepts such as history, class, gender, science and the use of media as well as a thorough account of the most central literary genres around the turn of the 19th century. The focus of the book, however, will lie on a discussion of key literary texts in the light of the most recent theoretical developments. Thus, the Handbook of British Romanticism will provide students with an introduction to Romantic literature in general and literary scholars with a discussion of innovative and groundbreaking theoretical developments.
Author: Michael O'Neill
Publisher: Cambridge University Press
ISBN: 1316184412
Category : Literary Criticism
Languages : en
Pages : 1117
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Book Description
Poetry written in English is uniquely powerful and suggestive in its capacity to surprise, unsettle, shock, console, and move. The Cambridge History of English Poetry offers sparklingly fresh and dynamic readings of an extraordinary range of poets and poems from Beowulf to Alice Oswald. An international team of experts explores how poets in England, Scotland, Wales and Ireland use language and to what effect, examining questions of form, tone, and voice; they comment, too, on how formal choices are inflected by the poet's time and place. The Cambridge History of English Poetry is the most comprehensive and authoritative history of the field from early medieval times to the present. It traces patterns of continuity, transformation, transition, and development. Covering a remarkable array of poets and poems, and featuring an extensive bibliography, the scope and depth of this major work of reference make it required reading for anyone interested in poetry.
Author: Holly Blackford
Publisher: Routledge
ISBN: 113664427X
Category : Literary Criticism
Languages : en
Pages : 295
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Book Description
In this book, Blackford historicizes the appeal of the Persephone myth in the nineteenth century and traces figurations of Persephone, Demeter, and Hades throughout girls’ literature of the nineteenth and twentieth centuries. She illuminates developmental patterns and anxieties in E. T. A. Hoffmann’s Nutcracker and Mouse King, Louisa May Alcott’s Little Women, Emily Brontë’s Wuthering Heights, J. M. Barrie’s Peter and Wendy, Frances Hodgson Burnett’s The Secret Garden, E. B. White’s Charlotte’s Web, J. K. Rowling’s Harry Potter and the Chamber of Secrets, Stephenie Meyer’s Twilight, and Neil Gaiman’s Coraline. The story of the young goddess’s separation from her mother and abduction into the underworld is, at root, an expression of ambivalence about female development, expressed in the various Neverlands through which female protagonists cycle and negotiate a partial return to earth. The myth conveys the role of female development in the perpetuation and renewal of humankind, coordinating natural and cultural orders through a hieros gamos (fertility coupling) rite. Meanwhile, popular novels such as Twilight and Coraline are paradoxically fresh because they recycle goddesses from myths as old as the seasons. With this book, Blackford offers a consideration of how literature for the young squares with broader canons, how classics flexibly and uniquely speak through novels that enjoy broad appeal, and how female traditions are embedded in novels by both men and women.
Author: Catherine Maxwell
Publisher: Manchester University Press
ISBN: 1526130483
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Algernon Charles Swinburne (1837–1909), dramatist, novelist and critic, was late Victorian England’s unofficial Poet Laureate. Swinburne was admired by his contemporaries for his technical brilliance, his facility with classical and medieval forms, and his courage in expressing his sensual, erotic imagination. He was one of the most important Victorian poets, the founding figure for British aestheticism, and the dominant influence for fin-de-siècle and many modernist poets. This collection of eleven new essays by leading international scholars offers a thorough revaluation of this fascinating and complex figure. It situates him in the light of current critical work on cosmopolitanism, politics, form, Victorian Hellenism, gender and sexuality, the arts, and aestheticism and its contested relation to literary modernism. The essays in this collection reassess Swinburne’s work and reconstruct his vital and often provocative contribution to the Victorian cultural debate.
