Author: Lady Lever Art Gallery
Publisher: Stationery Office Books (TSO)
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
These masterpieces from this superb collection will look familiar to many readers: several paintings were used as advertisements in the USA for Lever Brothers soap, as Lord William Hesketh Lever, one of the brothers, was the collector of these works.
Victorian & Edwardian Paintings in the Lady Lever Art Gallery
Author: Lady Lever Art Gallery
Publisher: Stationery Office Books (TSO)
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
These masterpieces from this superb collection will look familiar to many readers: several paintings were used as advertisements in the USA for Lever Brothers soap, as Lord William Hesketh Lever, one of the brothers, was the collector of these works.
Publisher: Stationery Office Books (TSO)
ISBN:
Category : Architecture
Languages : en
Pages : 184
Book Description
These masterpieces from this superb collection will look familiar to many readers: several paintings were used as advertisements in the USA for Lever Brothers soap, as Lord William Hesketh Lever, one of the brothers, was the collector of these works.
Earlier British Paintings in the Lady Lever Art Gallery
Author: Alex Kidson
Publisher: Liverpool University Press
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
A detailed catalogue of the paintings in the gallery by British artists born before 1810. This group of 151 paintings, collected by Lord Leverhulme between 1896 and 1925, represents one of the key areas of his taste, and includes masterpieces by Gainsborough, Reynolds, Wilson, Stubbs, Constable and Turner.
Publisher: Liverpool University Press
ISBN:
Category : Art
Languages : en
Pages : 216
Book Description
A detailed catalogue of the paintings in the gallery by British artists born before 1810. This group of 151 paintings, collected by Lord Leverhulme between 1896 and 1925, represents one of the key areas of his taste, and includes masterpieces by Gainsborough, Reynolds, Wilson, Stubbs, Constable and Turner.
Printing and Painting the News in Victorian London
Author: Andrea Korda
Publisher: Routledge
ISBN: 1351553232
Category : Art
Languages : en
Pages : 369
Book Description
Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.
Publisher: Routledge
ISBN: 1351553232
Category : Art
Languages : en
Pages : 369
Book Description
Printing and Painting the News in Victorian London offers a fresh perspective on Social Realism by contextualizing it within the burgeoning new media environment of Victorian London. Paintings labelled as Social Realist by Luke Fildes, Frank Holl and Hubert Herkomer are frequently considered to typify the sentimental Victorian genre painting that quickly became outdated with the development of modernism. Yet this book argues that the paintings must be considered as the result of the new experiences of modernity-the urban poverty that the paintings represent and, most importantly, the advent of the mass-produced illustrated news. Fildes, Holl and Herkomer worked for The Graphic, a publication launched in 1869 as a rival to the dominant Illustrated London News. The artists? illustrations, which featured the growing problem of urban poverty, became the basis for large-scale paintings that provoked controversy among their contemporaries and later became known as Social Realism. This first in-depth study of The Graphic and Social Realism uses the approach of media archaeology to unearth the modernity of these works, showing that they engaged with the changing notions of objectivity and immediacy that nineteenth-century new media cultivated. In doing so, this book proposes an alternative trajectory for the development of modernism that allows for a richer understanding of nineteenth-century visual culture.
Victorian & Edwardian Paintings in the Walker Art Gallery and at Sudley House
Author: Edward Morris
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 608
Book Description
Edward Burne-Jones, Victorian Artist-dreamer
Author: Stephen Wildman
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
The Lady Lever Art Gallery
Author:
Publisher: Cornerhouse Distribution Clients
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Publisher: Cornerhouse Distribution Clients
ISBN:
Category : Art
Languages : en
Pages : 124
Book Description
Narrative painting in nineteenth-century Europe
Author: Nina Lübbren
Publisher: Manchester University Press
ISBN: 1526168561
Category : Art
Languages : en
Pages : 324
Book Description
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.
Publisher: Manchester University Press
ISBN: 1526168561
Category : Art
Languages : en
Pages : 324
Book Description
This ground-breaking book presents a critical study of pictorial narrative in nineteenth-century European painting. Covering works from France, Germany, Britain, Italy and elsewhere, it traces the ways in which immensely popular artists like Jean-Léon Gérôme, Karl von Piloty and William Quiller Orchardson used unique visual strategies to tell thrilling and engaging stories. Regardless of genre, content or national context, these paintings share a fundamental modern narrative mode. Unlike traditional art, they do not rely on textual sources; nor do they tell stories through the human body alone. Instead, they experiment with objects, spaces, cause-and-effect relations and open-ended ambiguity, prompting viewers and reviewers to read for clues in order to weave their own elaborate tales.
Victorian Figurative Painting
Author: Mary Cowling
Publisher: Papadakis Dist A/C
ISBN:
Category : England
Languages : en
Pages : 212
Book Description
Provides a unique insight into the nature and true value of Victorian genre with reference to contmeporary sources throughout. Uncovers the real significance of the paintings discussed and what they meant to a contemporary public.
Publisher: Papadakis Dist A/C
ISBN:
Category : England
Languages : en
Pages : 212
Book Description
Provides a unique insight into the nature and true value of Victorian genre with reference to contmeporary sources throughout. Uncovers the real significance of the paintings discussed and what they meant to a contemporary public.
British and Irish Paintings in Public Collections
Author: Christopher Wright
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
Publisher: Yale University Press
ISBN: 9780300117301
Category : Art
Languages : en
Pages : 950
Book Description
This book sets a new standard as a work of reference. It covers British and Irish art in public collections from the beginning of the sixteenth century to the end of the nineteenth, and it encompasses nearly 9,000 painters and 90,000 paintings in more than 1,700 separate collections. The book includes as well pictures that are now lost, some as a consequence of the Second World War and others because of de-accessioning, mostly from 1950 to about 1975 when Victorian art was out of fashion. By listing many tens of thousands of previously unpublished works, including around 13,000 which do not yet have any form of attribution, this book becomes a unique and indispensable work of reference, one that will transform the study of British and Irish painting.
The Victorians
Author: Malcolm Warner
Publisher: Abrams
ISBN:
Category : Painting, British
Languages : en
Pages : 264
Book Description
Britain was the world's most powerful & technologically advanced country during the reign of Queen Victoria, & painters responded to their nation's rapid industrialization & increasing materialism with a mixture of realism & romanticism
Publisher: Abrams
ISBN:
Category : Painting, British
Languages : en
Pages : 264
Book Description
Britain was the world's most powerful & technologically advanced country during the reign of Queen Victoria, & painters responded to their nation's rapid industrialization & increasing materialism with a mixture of realism & romanticism