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Author: Marlisa Santos
Publisher: Scarecrow Press
ISBN: 0810892103
Category : Performing Arts
Languages : en
Pages : 216
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Book Description
Although it is a somewhat underrepresented form of literature in popular sensibility, poetry finds relevance in the modern world through its appearance in cinema. Film adaptations of poems and depictions of poets on the screen date back to the silent era and continue to the present day. However, there have been few serious studies of how cinema has represented the world of poetic expression. In Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos has compiled essays that explore the relationship between one of the world’s oldest art forms—poetry—and one of the world’s newest art forms—film. The book is divided into three sections: poets on film, poetry as film, and film as poetry. Topics include analyses of poet biopics (such as Mrs. Parker and the Vicious Circle), filmic representations of poets or poetic studies (including Pyaasa), films inspired by particular poems (such as Splendor in the Grass), and the avant-garde phenomenon of the “poem-film” (such as The Tree of Life). Poetic influences considered in this volume range from William Shakespeare to e.e. cummings, and the films discussed hail from several different countries, including the U.S., the U.K., India, China, Italy, and Argentina. Featuring a great diversity in the age, genres, and countries of origin of the films, these essays provide an in-depth look at how poetry has been interpreted on film over the years. By addressing a heretofore unexamined aspect of film studies, Verse, Voice, and Vision will appeal to fans and scholars of both literature and cinema.
Author: Marlisa Santos
Publisher: Scarecrow Press
ISBN: 0810892103
Category : Performing Arts
Languages : en
Pages : 216
Get Book Here
Book Description
Although it is a somewhat underrepresented form of literature in popular sensibility, poetry finds relevance in the modern world through its appearance in cinema. Film adaptations of poems and depictions of poets on the screen date back to the silent era and continue to the present day. However, there have been few serious studies of how cinema has represented the world of poetic expression. In Verse, Voice, and Vision: Poetry and the Cinema, Marlisa Santos has compiled essays that explore the relationship between one of the world’s oldest art forms—poetry—and one of the world’s newest art forms—film. The book is divided into three sections: poets on film, poetry as film, and film as poetry. Topics include analyses of poet biopics (such as Mrs. Parker and the Vicious Circle), filmic representations of poets or poetic studies (including Pyaasa), films inspired by particular poems (such as Splendor in the Grass), and the avant-garde phenomenon of the “poem-film” (such as The Tree of Life). Poetic influences considered in this volume range from William Shakespeare to e.e. cummings, and the films discussed hail from several different countries, including the U.S., the U.K., India, China, Italy, and Argentina. Featuring a great diversity in the age, genres, and countries of origin of the films, these essays provide an in-depth look at how poetry has been interpreted on film over the years. By addressing a heretofore unexamined aspect of film studies, Verse, Voice, and Vision will appeal to fans and scholars of both literature and cinema.
Author: Mick Hurbis-Cherrier
Publisher: Taylor & Francis
ISBN: 0240807731
Category : Computers
Languages : en
Pages : 561
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Book Description
Voice & Vision is a comprehensive manual for the independent filmmakers and film students who want a solid grounding in the tools, techniques, and processes of narrative film in order to achieve their artistic vision. This book includes essential and detailed information on relevant film and digital video tools, a thorough overview of the filmmaking stages, and the aesthetic considerations for telling a visual story. The ultimate goal of this book is to help you develop your creative voice while acquiring the solid practical skills and confidence to use it. Unlike many books that privilege raw technical information or the line-producing aspects of production, Voice & Vision places creativity, visual expression, and cinematic ideas front and center. After all, every practical decision a filmmaker makes, like choosing a location, an actor, a film stock, a focal length, a lighting set-up, an edit point, or a sound effect is also an expressive one and should serve the filmmaker's vision. Every decision, from the largest conceptual choices to the smallest practical solutions, has a profound impact on what appears on the screen and how it moves an audience. "In Practice" sidebars throughout Voice & Vision connect conceptual, aesthetic and technical issues to their application in the real world. Some provide a brief analysis of a scene or technique from easily rentable films which illustrate how a specific technology or process is used to support a conceptual, narrative, or aesthetic choice. Others recount common production challenges encountered on real student and professional shoots which will inspire you to be innovative and resourceful when you are solving your own filmmaking challenges.
Author: Carol Shields
Publisher: Vintage Canada
ISBN: 030736724X
Category : Fiction
Languages : en
Pages : 417
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Book Description
Carol Shields's award-winning and critically acclaimed "literary mystery," first published in 1987. Swann is the story of four individuals who become entwined in the life of Mary Swann, a rural Canadian poet whose authentic and unique voice is discovered only hours before her husband hacks her to pieces.Who is Mary Swann? And how could she have produced these works of genius in almost complete isolation? Mysteriously, all traces of Swann's existence — her notebook, the first draft of her work, even her photograph — gradually vanish as the characters in this engrossing novel become caught up in their own concepts of who Mary Swann was.
Author: Janmarie Booth Hines
Publisher:
ISBN:
Category :
Languages : en
Pages : 686
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Book Description
Author: Christof Decker
Publisher: transcript Verlag
ISBN: 3839462029
Category : Social Science
Languages : en
Pages : 161
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Book Description
In American visual culture, the 1930s and 1940s were a key transitional period shaped by the era of modernism and the global confrontation of World War II. Christof Decker demonstrates that the war and its iconography of destruction challenged visual artists to find new ways of representing its consequences. Dealing with trauma and war crimes led to the emergence of complex aesthetic forms and media crossovers. Decker shows that the 1940s were a pivotal period for the creation of horrific yet also innovative representations that boosted American visual modernism and set the stage for debates about the ethics of visual culture in the post-9/11 era.
Author: Allen H. Redmon
Publisher: Univ. Press of Mississippi
ISBN: 1496832620
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Contributions by Zoe Bursztajn-Illingworth, Marc DiPaolo, Emine Akkülah Doğan, Caroline Eades, Noelle Hedgcock, Tina Olsin Lent, Rashmila Maiti, Allen H. Redmon, Jack Ryan, Larry T. Shillock, Richard Vela, and Geoffrey Wilson In Next Generation Adaptation: Spectatorship and Process, editor Allen H. Redmon brings together eleven essays from a range of voices in adaptation studies. This anthology explores the political and ethical contexts of specific adaptations and, by extension, the act of adaptation itself. Grounded in questions of gender, genre, and race, these investigations focus on the ways attention to these categories renegotiates the rules of power, privilege, and principle that shape the contexts that seemingly produce and reproduce them. Contributors to the volume examine such adaptations as Quentin Tarantino’s Death Proof, Jacques Tourneur’s Out of the Past, Taylor Sheridan’s Sicario and Sicario: Day of the Soldado, Jean-Jacques Annaud’s Wolf Totem, Spike Lee’s He’s Got Game, and Jim Jarmusch’s Paterson. Each chapter considers the expansive dialogue adaptations accelerate when they realize their capacity to bring together two or more texts, two or more peoples, two or more ideologies without allowing one expression to erase another. Building on the growing trends in adaptation studies, these essays explore the ways filmic texts experienced as adaptations highlight ethical or political concerns and argue that spectators are empowered to explore implications being raised by the adaptations.
Author: J. D. Hatfield
Publisher: Xulon Press
ISBN: 1600348548
Category : Religion
Languages : en
Pages : 126
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Book Description
Author: Joe L. Shakeenab
Publisher:
ISBN: 9781564111357
Category :
Languages : en
Pages : 50
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Book Description
Author: Franklin Baldwin Wiley
Publisher:
ISBN:
Category :
Languages : en
Pages : 110
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Book Description
Author: John Hughes
Publisher: Liverpool University Press
ISBN: 1837641544
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
John Hughes explores Hardy's claim that his art sought to intensify the expression of things through three main sections on music, the body, and voice. These offer intersecting and mutually informing discussions of the central drama of inexpression and expressivity in Hardys work, as it affects the various personae of the text, including the reader. Throughout, the book draws on themes in the work of Gilles Deleuze and Stanley Cavell to reveal how Hardys fiction and poetry express and represent the affective and physical conditions of mind, and their conflicts with social fictions of identity. The first main section on music incorporates three chapters that examine how Hardys writing stages musical experience as an expression of human desire and individuality at odds with the constraints of rationality, Victorian fiction form, and social convention. Intricate and extensive readings are linked also to larger contextual and theoretical issues in order to show how music as a theme and motif highlights the kinds of creativity and ethical cruxes that characterise Hardys work throughout his career. The second section on embodiment and sensation shows how close attention to Hardys writing on the topics of facial and bodily expression (and affectivity) reveal much about the sources of his inspiration, and its philosophical conditions and implications. The third section on voice offers three chapters, each of which centrally employs a close metrical reading of an important Hardy poem within its larger biographical and inter-textual contexts. These readings demonstrate how fundamental were Hardys innovations in meter to the power and originality of his work, and to its expressive treatment of his abiding preoccupations with love, grief, childhood, and the loss of faith.
