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Author: Serena Cant
Publisher:
ISBN: 9781848660014
Category : Painters
Languages : da
Pages : 159
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Book Description
Den hollandske maler Vermeers liv og værk. Med gengivelser og analyser af værkerne
Author: Serena Cant
Publisher:
ISBN: 9781848660014
Category : Painters
Languages : da
Pages : 159
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Book Description
Den hollandske maler Vermeers liv og værk. Med gengivelser og analyser af værkerne
Author: Renzo Villa
Publisher: Silvana Editoriale
ISBN: 9788836624140
Category :
Languages : en
Pages : 0
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Book Description
"This volume--the new standard Vermeer monograph--reproduces all 34 paintings, augmenting each with close-ups that lay bare the loving care Vermeer lavished upon each painstaking work." from publisher's website
Author: Norbert Schneider
Publisher: Taschen
ISBN: 9783822863237
Category : Art
Languages : en
Pages : 104
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Book Description
Vermeer's record of the tasks and duties of women The 35 paintings that have come down to us from the hand of Jan Vermeer (1632-1675) place him beside Rembrandt and Frans Hals as one of the great masters of the golden age of Dutch art. Most of his pictures (all of which are reproduced in this book) show women about their daily business. Vermeer records the tasks and duties of women, the imperatives of virtue under which their lives were lived, and the dreams that provided the substance of their contrasting counter-world. About the Series: Each book in TASCHEN's Basic Art series features: a detailed chronological summary of the life and oeuvre of the artist, covering his or her cultural and historical importance a concise biography approximately 100 illustrations with explanatory captions
Author: Johannes Vermeer
Publisher:
ISBN:
Category :
Languages : en
Pages : 52
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Book Description
Author: Philip Steadman
Publisher:
ISBN: 9780192803023
Category : Art
Languages : en
Pages : 238
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Book Description
Art historians have long speculated on how Vermeer achieved the uncanny mixture of detached precision, compositional repose, and perspective accuracy that have drawn many to describe his work as "photographic." Indeed, many wonder if Vermeer employed a camera obscura, a primitive form of camera, to enhance his realistic effects? In Vermeer's Camera, Philip Steadman traces the development of the camera obscura--first described by Leonaro da Vinci--weighs the arguments that scholars have made for and against Vermeer's use of the camera, and offers a fascinating examination of the paintings themselves and what they alone can tell us of Vermeer's technique. Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself. Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.
Author: Timothy Brook
Publisher: Bloomsbury Publishing USA
ISBN: 159691727X
Category : History
Languages : en
Pages : 289
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Book Description
In this critical darling Vermeer's captivating and enigmatic paintings become windows that reveal how daily life and thought-from Delft to Beijing--were transformed in the 17th century, when the world first became global. A Vermeer painting shows a military officer in a Dutch sitting room, talking to a laughing girl. In another canvas, fruit spills from a blue-and-white porcelain bowl. Familiar images that captivate us with their beauty--but as Timothy Brook shows us, these intimate pictures actually give us a remarkable view of an expanding world. The officer's dashing hat is made of beaver fur from North America, and it was beaver pelts from America that financed the voyages of explorers seeking routes to China-prized for the porcelains so often shown in Dutch paintings of this time, including Vermeer's. In this dazzling history, Timothy Brook uses Vermeer's works, and other contemporary images from Europe, Asia, and the Americas to trace the rapidly growing web of global trade, and the explosive, transforming, and sometimes destructive changes it wrought in the age when globalization really began.
Author: Marjorie E. Wieseman
Publisher: National Gallery London
ISBN: 9781857095678
Category : Art
Languages : en
Pages : 0
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Book Description
Of Johannes Vermeer's 36 surviving paintings, 12 depict musical themes or a musical instrument. These include the magnificent 'Young Woman Standing at a Virginal', 'Young Woman Seated at a Virginal', 'The Music Lesson' and 'The Guitar Player'. All are featured in this book, which provides new insight into the cultural significance of these images.
Author: Jane Jelley
Publisher: Oxford University Press
ISBN: 0192506900
Category : Art
Languages : en
Pages : 369
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Book Description
Johannes Vermeer's luminous paintings are loved and admired around the world, yet we do not understand how they were made. We see sunlit spaces; the glimmer of satin, silver, and linen; we see the softness of a hand on a lute string or letter. We recognise the distilled impression of a moment of time; and we feel it to be real. We might hope for some answers from the experts, but they are confounded too. Even with the modern technology available, they do not know why there is no evidence of any preliminary drawing; why there are shifts in focus; and why his pictures are unusually blurred. Some wonder if he might possibly have used a camera obscura to capture what he saw before him. The few traces Vermeer has left behind tell us little: there are no letters or diaries; and no reports of him at work. Jane Jelley has taken a new path in this detective story. A painter herself, she has worked with the materials of his time: the cochineal insect and lapis lazuli; the sheep bones, soot, earth, and rust. She shows us how painters made their pictures layer by layer; she investigates old secrets; and hears travellers' tales. She explores how Vermeer could have used a lens in the creation of his masterpieces. The clues were there all along. After all this time, now we can unlock the studio door, and catch a glimpse of Vermeer inside, painting light.
Author: Walter A. Liedtke
Publisher:
ISBN: 9789461300416
Category :
Languages : en
Pages : 208
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Book Description
Johannes Vermeer (16321675) has been one of the most widely admired European painters since his so-called rediscovery in the second half of the nineteenth century. Until quite recently, the Romantic roots of writing on the Sphinx of Delft have encouraged the image of him as an isolated genius; the artists private life and religion, his supposed use of a camera obscura, and the fact that his teacher has not been identified have all contributed to an air of mystery. As this new monograph demonstrates, Vermeers life is actually well documented and his work may be more appropriately understood by placing the painter in the context of the Delft school as a whole and of Delft society. The fact that one local patron acquired about twenty pictures by the artist (only thirty-six are known today) must have been significant for Vermeers subtleties of meaning and refinements of technique and style. In the end, however, the most historical approach to Vermeer still leaves us with a master whose rare sensibility and extraordinary powers of observation may be described but not explained.
Author: Gary Schwartz
Publisher:
ISBN: 9789491819711
Category : Painting, Dutch
Languages : en
Pages : 280
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Book Description
Vermeer In Detail is an introduction to the great Dutch artist through the most beautiful and evocative details in his paintings. Vermeer was uniquely gifted in his ability to combine two of the most attractive qualities of old master painting. His objects from everyday life and faces and figures of women are completely convincing and captivating as realistic descriptions. At the same time, they are endowed with a poetic aura that carries his pictures past the realm of visual delight into the viewer's daydreams. He achieves this through the power of suggestion. As explicit as they seem, his images are invitations to fantasize, an invitation that is impossible to resist. The 140 well-chosen details in the book are divided into ten themes that characterize Vermeer's sometimes unexpected interests. For example, although he has no obvious predecessor in older Dutch art of his time nor an identified master, Vermeer furnishes his interiors with images of paintings by other artists in a gesture of admiring tribute. One kind of detail stands out more than any other: the faces of young women and their shawls, caps, hats, ribbons and curls. It is they who attract our gaze, which they sometimes return, and afford us entrance into the spaces in which they live.
