Author: David Bomford
Publisher: National Gallery Publications Limited
ISBN: 9780300076967
Category : Art
Languages : en
Pages : 64
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Book Description
Through a group of masterpieces in the National Gallery Collection, which spans the artist's working life, and clusters of works relating to them, this book explores Canaletto's painting technique - the shorthand he developed for architectural detail and for figures, the way the skies and water are painted - and the larger question of his treatment of the topography of his native city. This selection of pictures - including contemporary maps and photographs of modern Venice, as well as sketchbooks, large detailed drawings, paintings and prints - takes the reader on a journey through Canaletto's Venice, along the Grand Canal from S. Simeone Piccolo and the upper reaches, past the Scuola di San Rocco to Palazzo Foscari and the Volta del Canal, on to the Carita and ending in St Mark's Square.
Author: Michael O'Neill
Publisher: Routledge
ISBN: 1317322592
Category : History
Languages : en
Pages : 236
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Book Description
In the era of the Grand Tour, Venice was the cultural jewel in the crown of Europe and the epitome of decadence. This edited collection of eleven essays draws on a range of disciplines and approaches to ask how Venice’s appeal has affected Western culture since 1800.
Author: David Barnes
Publisher: Routledge
ISBN: 1317317491
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Venice holds a unique place in literary and cultural history. Barnes looks at the themes of war, occupation, resistance and fascism to see how the political background has affected the literary works that have come out of this great city. He focuses on key British and American writers, including Byron, Ruskin, Pound and Eliot.
Author: C. A. Fletcher
Publisher: Cambridge University Press
ISBN: 9780521840460
Category : Nature
Languages : en
Pages : 742
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Book Description
A technical volume exploring the prospects for decreasing the level of flooding in and around Venice.
Author: Rosie Razzall
Publisher: Royal Collection Editions
ISBN: 9781909741409
Category : Art
Languages : en
Pages : 0
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Book Description
The Royal Collection has one of the largest and finest collections of Venetian art from the first half of the eighteenth century. It includes paintings, prints and drawings by Canaletto himself, as well as those of his contemporaries, such as Sebastiano and Marco Ricci, Antonio Visentini, Francesco Zuccarelli and Giovanni Battista Piazzetta. These artists were patronised by Consul Smith and their works were later purchased by George III. This lavishly illustrated catalogue marks the first time that the rich holdings of eighteenth-century Venetian art in the Royal Collection will have been brought together, and focuses on presenting these extraordinary works against the background of the social and artistic networks of the period. Whilst displaying and analysing the brilliant works of Canaletto himself, including his cityscapes, capriccios and paintings of architecture, this catalogue also discusses the intimate interior of Venetian life, explores the links between artists and the theatre in Venice at this time and looks at Venice as a centre for printmaking and book production.
Author: Rosemary Sweet
Publisher: Cambridge University Press
ISBN: 1139576895
Category : History
Languages : en
Pages : 343
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Book Description
How did eighteenth-century travellers experience, describe and represent the urban environments they encountered as they made the Grand Tour? This fascinating book focuses on the changing responses of the British to the cities of Florence, Rome, Naples and Venice, during a period of unprecedented urbanisation at home. Drawing on a wide range of unpublished material, including travel accounts written by women, Rosemary Sweet explores how travel literature helped to create and perpetuate the image of a city; what the different meanings and imaginative associations attached to these cities were; and how the contrasting descriptions of each of these cities reflected the travellers' own attitudes to urbanism. More broadly, the book explores the construction and performance of personal, gender and national identities, and the shift in cultural values away from neo-classicism towards medievalism and the gothic, which is central to our understanding of eighteenth-century culture and the transition to modernity.
Author: Maia Wellington Gahtan
Publisher: Routledge
ISBN: 135177820X
Category : Art
Languages : en
Pages : 456
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Book Description
This edited collection traces the impact of monographic exhibitions on the discipline of art history from the first examples in the late eighteenth century through the present. Roughly falling into three genres (retrospectives of living artists, retrospectives of recently deceased artists, and monographic exhibitions of Old Masters), specialists examine examples of each genre within their social, cultural, political, and economic contexts. Exhbitions covered include Nathaniel Hone’s 1775 exhibition, the Holbein Exhibition of 1871, the Courbet retrospective of 1882, Titian's exhibition in Venice, Poussin's Louvre retrospective of 1960, and El Greco's anniversaty exhibitions of 2014.
Author: David Bomford
Publisher:
ISBN: 9781857092196
Category : Venice (Italy)
Languages : en
Pages : 64
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Book Description
This volume forms part of a series exploring the work of major artists through paintings in the National Gallery. Canaletto is rightly considered the supreme chronicler of Venice, but his painted views are not dispassionate and are subject to highly refined artistic licence.
Author: Michael Land
Publisher: Oxford University Press
ISBN: 0191064866
Category : Science
Languages : en
Pages : 250
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Book Description
Vision is the sense by which we and other animals obtain most of our information about the world around us. Darwin appreciated that at first sight it seems absurd that the human eye could have evolved by natural selection. But we now know far more about vision, the many times it has independently evolved in nature, and the astonishing variety of ways to see. The human eye, with a lens forming an image on a sensitive retina, represents just one. Scallops, shrimps, and lobsters all use mirrors in different ways. Jumping spiders scan with their front-facing eyes to check whether the object in front is an insect to eat, another spider to mate with, or a predator to avoid. Mantis shrimps can even measure the polarization of light. Animal eyes are amazing structures, often involving precision optics and impressive information processing, mainly using wet protein - not the substance an engineer would choose for such tasks. In Eyes to See, Michael Land, one of the leading world experts on vision, explores the varied ways in which sight has evolved and is used in the natural world, and describes some of the ingenious experiments researchers have used to uncover its secrets. He also discusses human vision, including his experiments on how our eye movements help us to do everyday tasks, as well as skilled ones such as sight-reading music or driving. He ends by considering the fascinating problem of how the constantly shifting images from our eyes are converted in the brain into the steady and integrated conscious view of the world we experience.
Author: Bernardo Bellotto
Publisher: Yale University Press
ISBN: 0300091818
Category : Art
Languages : en
Pages : 308
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Book Description
Bernardo Bellotto is considered to be one of the greatest topographical and landscape painters of the eighteenth century. Trained as a painter of cityscapes, he produced vivid and memorable images of many of the greatest cities of Europe, including Venice, Florence, Rome, Dresden, Munich, Vienna, and Warsaw. He also ventured successfully into genre, portraiture, allegory, and history painting. This beautiful book, written by leading specialists on Bellotto, examines his career and artistic development, places his work in the context of the political needs of central European monarchs, and presents a selection of his major paintings from each of his principal periods and genres. Bellotto began as a painter of conventional views of Venice in the manner of his more famous uncle, Canaletto. However, his quest for new subject matter led him to visit half a dozen cities in northern and central Italy in the early 1740s, and at twenty-five he left Italy for northern Europe, where he spent the rest of his life working for royal and aristocratic patrons. In Dresden he was engaged in the service of Augustus III, where he created many glorious canvases and was awarded the title of Court Painter. He then moved to Vienna and recorded its attractions for Empress Maria Theresa. He ended his career as Court Painter in Warsaw, and his detailed paintings of the city played an important role in its reconstruction after the Second World War. The book demonstrates that in each of the places Bellotto lived, he was able to capture the particular light and life with sensitivity and imagination.
