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Author: Carlos Rojas
Publisher: Yale University Press
ISBN: 030021796X
Category : Fiction
Languages : en
Pages : 309
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Book Description
"Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair."--
Author: Carlos Rojas
Publisher: Yale University Press
ISBN: 030021796X
Category : Fiction
Languages : en
Pages : 309
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Book Description
"Rojas re-creates the nineteenth-century corridors of power and portrays the relationship between Goya and King Fernando VII, a despot bent on establishing a cruel regime after Spain’s War of Independence. Goya obliges the king’s request for a portrait, but his depiction not only fails to flatter but reflects a terrible darkness and grotesqueness. More than a century later, transcending conventional time, Goya observes Franco’s body lying in state and experiences again a dark and monstrous despair."--
Author: Donald Katz
Publisher: AtRandom
ISBN: 0679647228
Category : Social Science
Languages : en
Pages : 240
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Book Description
Few writers can match journalist Donald Katz’s ability to make an exotic locale familiar or transform an ordinary place into something peculiar if not completely weird. The Valley of the Fallen and Other Places gathers a pastiche of stories from around the world, each of which subtly underlines the relationship between geography and politics. Locations, counties, regions of the world emerge as characters in Katz’s panoramic cast–as fully drawn as the unusual people that occupy them–so that one realizes of each particular account, that this could only happen in a place like this. The setting for each of these pieces–whether home or abroad–provides a resonant backdrop for Katz’s startling perceptions and cultural acumen. He paints a portrait of Spain in which people are dying of political repression and vividly depicts Italy in the throes of a postwar capitalist hangover. Katz describes Arkansas, its history of racial strife notwithstanding, as an “American cultural ark” where respect for old-fashioned gumption and the tolerance for human eccentricity have fostered a renaissance of spirit. He captures the poignant ruin of political ideals gone amuck in the image of columns of Ethiopian children being herded through the night at gunpoint, undergoing political re-education. Katz’s observations of the Sinai, where “beliefs, convictions, even hunches become howling zeal,” contrast with Santa Fe’s “philosophical cogitating and quality-of-life improvement projects” in a New Age mecca that breeds tamer but equally fervent faiths. The cumulative effect of reading this eclectic collection is one of wonder about the mysterious and dazzling world in which we live, and the way our lives are shaped by our place in it.
Author: Jeremy Treglown
Publisher: Farrar, Straus and Giroux
ISBN: 1429943424
Category : History
Languages : en
Pages : 338
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Book Description
An open-minded and clear-eyed reexamination of the cultural artifacts of Franco's Spain True, false, or both? Spain's 1939-75 dictator, Francisco Franco, was a pioneer of water conservation and sustainable energy. Pedro Almodóvar is only the most recent in a line of great antiestablishment film directors who have worked continuously in Spain since the 1930s. As early as 1943, former Republicans and Nationalists were collaborating in Spain to promote the visual arts, irrespective of the artists' political views. Censorship can benefit literature. Memory is not the same thing as history. Inside Spain as well as outside, many believe-wrongly-that under Franco's fascist dictatorship, nothing truthful or imaginatively worthwhile could be said or written or shown. In his groundbreaking new book, Franco's Crypt: Spanish Culture and Memory Since 1936, Jeremy Treglown argues that oversimplifications like these of a complicated, ambiguous actuality have contributed to a separate falsehood: that there was and continues to be a national pact to forget the evils for which Franco's side (and, according to this version, his side alone) was responsible. The myth that truthfulness was impossible inside Franco's Spain may explain why foreign narratives (For Whom the Bell Tolls, Homage to Catalonia) have seemed more credible than Spanish ones. Yet La Guerra de España was, as its Spanish name asserts, Spain's own war, and in recent years the country has begun to make a more public attempt to "reclaim" its modern history of fascism. How it is doing so, and the role played in the process by notions of historical memory, are among the subjects of this wide-ranging and challenging book. Franco's Crypt reveals that despite state censorship, events of the time were vividly recorded. Treglown looks at what's actually there-monuments, paintings, public works, novels, movies, video games-and considers, in a captivating narrative, the totality of what it shows. The result is a much-needed reexamination of a history we only thought we knew.
Author: Giles Tremlett
Publisher: Bloomsbury Publishing USA
ISBN: 0802716741
Category : History
Languages : en
Pages : 402
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Book Description
An eloquent odyssey through Spain's dark history journeys into the heart of the Spanish Civil War to examine the causes and consequences of a painful recent past, as well as its repercussions in terms of the discovery of mass graves containing victims of Franco's death squads and the lives of modern-day Spaniards. Reprint.
Author: Sarah Glenn Marsh
Publisher: Penguin
ISBN: 044849440X
Category : Young Adult Fiction
Languages : en
Pages : 402
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Book Description
"This edgy fantasy doesn't just blur boundaries of genre, of gender, of past and present, life and death--it explodes them." --Cinda Williams Chima, New York Times bestselling author of the Seven Realms series and the Shattered Realms series. Without the dead, she'd be no one. Odessa is one of Karthia's master necromancers, catering to the kingdom's ruling Dead. Whenever a noble dies, it's Odessa's job to raise them by retrieving their soul from a dreamy and dangerous shadow world called the Deadlands. But there is a cost to being raised: the Dead must remain shrouded. If even a hint of flesh is exposed, a grotesque transformation begins, turning the Dead into terrifying, bloodthirsty Shades. A dramatic uptick in Shade attacks raises suspicions and fears around the kingdom. Soon, a crushing loss of one of her closest companions leaves Odessa shattered, and reveals a disturbing conspiracy in Karthia: Someone is intentionally creating Shades by tearing shrouds from the Dead--and training them to attack. Odessa is forced to contemplate a terrifying question: What if her magic is the weapon that brings the kingdom to its knees? Fighting alongside her fellow mages--and a powerful girl as enthralling as she is infuriating--Odessa must untangle the gruesome plot to destroy Karthia before the Shades take everything she loves. Perfect for fans of Three Dark Crowns and Red Queen, Reign of the Fallen is a gutsy, unpredictable read with a surprising and breathtaking LGBT romance at its core.
Author: Gareth Stockey
Publisher:
ISBN: 9781602710269
Category : Madrid (Spain)
Languages : en
Pages : 109
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Book Description
Perhaps the most notorious symbolic and material expression of the bitter "memory wars" that have gripped Spain in recent years is a monument which remains one of the country's most popular tourist sites, El Valle de los Caídos (The Valley of the Fallen). It was erected by the Franco regime in the aftermath of the civil war "to defy time and oblivion" and commemorate Franco's victory. It also became the resting place of the dictator himself after 1975, and a site of nostalgic homage for those groups and individuals who remained supportive of the regime after the transition to democracy in Spain. This book examines the ongoing controversies over The Valley of the Fallen and its place within the wider memory wars. It demonstrates that the monument was intended as a site of triumphalist Francoist memory, and a means of further dividing the nation between victors and vanquished in the aftermath of civil war. The book treats The Valley of the Fallen as an historical source in its own right, contextualising the cultural universe in which the monument was constructed, and within which visitors were expected to read its message since it was opened to the public in 1959. Finally, the book examines some of the ways in which the meaning and purpose of The Valley of the Fallen have been (deliberately) obscured in order to respond to criticism from both inside and outside Spain.
Author: Junta Local de Información, Turismo y Educación Popular (El Escorial
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Miguel Ángel del Arco Blanco
Publisher: Taylor & Francis
ISBN: 1000911152
Category : History
Languages : en
Pages : 436
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Book Description
This book explores the history and legacy of monuments to the fallen from the Francoist side in the Spanish Civil War. Del Arco Blanco studies thousands of monuments in towns and cities across Spain to provide a detailed account of the history and memory of the civil war, Francoism, and the transition to democracy. Chapters in the book focus on the myth of those said to have 'fallen for God and for Spain'—a phrase that encapsulated and shaped the dichotomy between ‘good’ and ‘bad’ Spaniards. They also focus on the use of monuments to control political and ideological ideals and to legitimise the Francoist dictatorship. Further chapters study Spanish society’s struggle to deal with its past of mass killing, denial, and exclusion. Del Arco Blanco also pays attention to the way the Francoist authorities used monuments and memory for their political and ideological advantage and to control people, power as well as the political agenda. The book draws on extensive research to reconstruct both the specific history of monuments scattered throughout the country and their role within manipulative Francoist memory of the Spanish Civil War. In these ways, monuments helped shape the Francoist narrative and memory, but they also became part of the landscape of contemporary Spanish history. This book is an excellent resource for postgraduate students and professional researchers studying the aftermath of the Spanish Civil War, and the influence of monuments on the construction of national memory, culture, and society in Spain both at the time and through to the present day.
Author: José Luis Sancho Gaspar
Publisher:
ISBN: 9788471202253
Category :
Languages : en
Pages : 0
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Book Description
Author: Erin K. Hogan
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228021472
Category : Performing Arts
Languages : en
Pages : 132
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Book Description
Something is rotten in the state of Spain. The uninterred corpse of a patriarchal figure populates the visual landscapes of Iberian cinemas. He is chilled, drugged, perfumed, ventilated, presumed dead, speared in the cranium, and worse. Analyzing a series of Iberian cinematic dark comedies from the 1950s to the present day, Patriarchy’s Remains argues that the cinematic trope of the patriarchal death symbolizes the lingering remains of the Francisco Franco dictatorship in Spain (1939–75). These films, created as satirical responses to persisting economic, social, and political issues, demonstrate that Spain’s transition to democracy following the Francoist period is an incomplete and ongoing process. Within the theme of patriarchal decay, the significance of the figure differs across cinematic representations, from his indispensability to his obstructionism and exploitation. Erin Hogan traces the prevalence of patriarchal death by analyzing its relationship with the surrounding characters who must depend on the deceased. Hogan demonstrates how the patriarch’s persistence in film both reveals and challenges an array of discriminations and inequalities in the cinematic grotesque tradition, in Iberian cinemas more broadly, and in Iberian society as a whole. Despite Spain’s ongoing transition towards democratic pluralism, Patriarchy’s Remains serves as a reminder that the remnants of an entrenched although not interred patriarchal culture continue to haunt Iberian society.
