Author: John Ardoin
Publisher: Hal Leonard Corporation
ISBN: 9781574670646
Category : Music
Languages : en
Pages : 354
Book Description
Four stories are woven together in these pages: an intrepid arts reporter's exhilarating year of discovery in Russia; a lively portrait of the jet-setting Russian conductor; a history of the theater and its fabled occupants since its inception in 1860; and the tale of an artistic entity surmounting great odds to meet the 21st century."--BOOK JACKET.
Valery Gergiev and the Kirov
Author: John Ardoin
Publisher: Hal Leonard Corporation
ISBN: 9781574670646
Category : Music
Languages : en
Pages : 354
Book Description
Four stories are woven together in these pages: an intrepid arts reporter's exhilarating year of discovery in Russia; a lively portrait of the jet-setting Russian conductor; a history of the theater and its fabled occupants since its inception in 1860; and the tale of an artistic entity surmounting great odds to meet the 21st century."--BOOK JACKET.
Publisher: Hal Leonard Corporation
ISBN: 9781574670646
Category : Music
Languages : en
Pages : 354
Book Description
Four stories are woven together in these pages: an intrepid arts reporter's exhilarating year of discovery in Russia; a lively portrait of the jet-setting Russian conductor; a history of the theater and its fabled occupants since its inception in 1860; and the tale of an artistic entity surmounting great odds to meet the 21st century."--BOOK JACKET.
The Rest Is Noise
Author: Alex Ross
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
Publisher: Farrar, Straus and Giroux
ISBN: 1429932880
Category : Music
Languages : en
Pages : 706
Book Description
Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.
The Dusk of the Gods
Author: Richard Wagner
Publisher:
ISBN:
Category : Operas
Languages : de
Pages : 56
Book Description
Publisher:
ISBN:
Category : Operas
Languages : de
Pages : 56
Book Description
Grand Opera
Author: Charles Affron
Publisher: Univ of California Press
ISBN: 0520250338
Category : Music
Languages : en
Pages : 468
Book Description
A history of the Metropolitan Opera in New York City traces the offstage and onstage workings of the institution, surveying notable composers, actors, and performances since 1883.
Publisher: Univ of California Press
ISBN: 0520250338
Category : Music
Languages : en
Pages : 468
Book Description
A history of the Metropolitan Opera in New York City traces the offstage and onstage workings of the institution, surveying notable composers, actors, and performances since 1883.
Diversions and Animadversions
Author: Alexander Coleman
Publisher: Routledge
ISBN: 1351522035
Category : Literary Collections
Languages : en
Pages : 181
Book Description
This volume contains nearly all the criticism that Alexander Coleman wrote for The New Criterion between 1994 and 2003. A specialist in Spanish, Portuguese, and Latin American literature, Coleman was also a superb essayist on music, and his wide erudition, as revealed in these writings, demonstrates an easy mastery of the entire modernist tradition. Diversions and Animadversions is divided into three parts. The first contains Coleman's literary essays including a lengthy piece on Eba de Quieros, the great master of Portuguese realism, and shorter pieces on the Argentinian writer and Borges disciple, Adolfo Bioy Casares, as well as a review of the most recent translation of the poetry of Federico Garcia Lorca. Coleman's greatest passion, however, was for music, and part two contains essays, concert and book reviews, and reports on the cultural situation of music. Among the subjects examined here are the operas of Schoenberg, Berg, Richard Strauss, the recently published letters of Toscanini, the music criticism of Virgil Thomson, the fluctuating critical reputation of Jean Sibelius, and the authentic performance practice movement, along with considerations of such instrumentalists as Sviatoslav Richter and Alicia de Larrocha. The book concludes with Coleman's travel writings, which are both evocative mood pieces and incisive social and political commentary. Graced with personal appreciations by Roger Kimball and Denis Donoghue, this volume encapsulates the work of a writer of rare wit, capacious learning, and eager, if gently ironical, curiosity.
Publisher: Routledge
ISBN: 1351522035
Category : Literary Collections
Languages : en
Pages : 181
Book Description
This volume contains nearly all the criticism that Alexander Coleman wrote for The New Criterion between 1994 and 2003. A specialist in Spanish, Portuguese, and Latin American literature, Coleman was also a superb essayist on music, and his wide erudition, as revealed in these writings, demonstrates an easy mastery of the entire modernist tradition. Diversions and Animadversions is divided into three parts. The first contains Coleman's literary essays including a lengthy piece on Eba de Quieros, the great master of Portuguese realism, and shorter pieces on the Argentinian writer and Borges disciple, Adolfo Bioy Casares, as well as a review of the most recent translation of the poetry of Federico Garcia Lorca. Coleman's greatest passion, however, was for music, and part two contains essays, concert and book reviews, and reports on the cultural situation of music. Among the subjects examined here are the operas of Schoenberg, Berg, Richard Strauss, the recently published letters of Toscanini, the music criticism of Virgil Thomson, the fluctuating critical reputation of Jean Sibelius, and the authentic performance practice movement, along with considerations of such instrumentalists as Sviatoslav Richter and Alicia de Larrocha. The book concludes with Coleman's travel writings, which are both evocative mood pieces and incisive social and political commentary. Graced with personal appreciations by Roger Kimball and Denis Donoghue, this volume encapsulates the work of a writer of rare wit, capacious learning, and eager, if gently ironical, curiosity.
New York Magazine
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Publisher:
ISBN:
Category :
Languages : en
Pages : 118
Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
The People's Artist
Author: Simon Morrison
Publisher: Oxford University Press
ISBN: 0199830983
Category : Music
Languages : en
Pages : 504
Book Description
Sergey Prokofiev was one of the twentieth century's greatest composers--and one of its greatest mysteries. Until now. In The People's Artist, Simon Morrison draws on groundbreaking research to illuminate the life of this major composer, deftly analyzing Prokofiev's music in light of new archival discoveries. Indeed, Morrison was the first scholar to gain access to the composer's sealed files in the Russian State Archives, where he uncovered a wealth of previously unknown scores, writings, correspondence, and unopened journals and diaries. The story he found in these documents is one of lofty hopes and disillusionment, of personal and creative upheavals. Morrison shows that Prokofiev seemed to thrive on uncertainty during his Paris years, stashing scores in suitcases, and ultimately stunning his fellow emigrés by returning to Stalin's Russia. At first, Stalin's regime treated him as a celebrity, but Morrison details how the bureaucratic machine ground him down with corrections and censorship (forcing rewrites of such major works as Romeo and Juliet), until it finally censured him in 1948, ending his career and breaking his health.
Publisher: Oxford University Press
ISBN: 0199830983
Category : Music
Languages : en
Pages : 504
Book Description
Sergey Prokofiev was one of the twentieth century's greatest composers--and one of its greatest mysteries. Until now. In The People's Artist, Simon Morrison draws on groundbreaking research to illuminate the life of this major composer, deftly analyzing Prokofiev's music in light of new archival discoveries. Indeed, Morrison was the first scholar to gain access to the composer's sealed files in the Russian State Archives, where he uncovered a wealth of previously unknown scores, writings, correspondence, and unopened journals and diaries. The story he found in these documents is one of lofty hopes and disillusionment, of personal and creative upheavals. Morrison shows that Prokofiev seemed to thrive on uncertainty during his Paris years, stashing scores in suitcases, and ultimately stunning his fellow emigrés by returning to Stalin's Russia. At first, Stalin's regime treated him as a celebrity, but Morrison details how the bureaucratic machine ground him down with corrections and censorship (forcing rewrites of such major works as Romeo and Juliet), until it finally censured him in 1948, ending his career and breaking his health.
Outsider
Author: John Rockwell
Publisher: Hal Leonard Corporation
ISBN: 9780879103675
Category : Music
Languages : en
Pages : 576
Book Description
(Limelight). Now available in paperback, this compilation by longtime New York Times music and arts critic John Rockwell features the creme de la creme of the renowned journalist's arts criticism and commentary over the past 40 years. Taken mostly from the Times , but also including pieces from 17 other sources, such as the Los Angeles Times , The New Republic , the San Francisco Examiner , High Fidelity , Opera , and the Village Voice , these writings present Rockwell's unique vision of the arts scene over the past 40 years, with essays on classical music (including the breadth of contemporary works), rock, dance, art, film, theater, general arts topics, and reports from abroad. Rockwell's analysis includes parallels among the arts, insights from one to another, as he brilliantly communicates his aesthetic experiences to the reader.
Publisher: Hal Leonard Corporation
ISBN: 9780879103675
Category : Music
Languages : en
Pages : 576
Book Description
(Limelight). Now available in paperback, this compilation by longtime New York Times music and arts critic John Rockwell features the creme de la creme of the renowned journalist's arts criticism and commentary over the past 40 years. Taken mostly from the Times , but also including pieces from 17 other sources, such as the Los Angeles Times , The New Republic , the San Francisco Examiner , High Fidelity , Opera , and the Village Voice , these writings present Rockwell's unique vision of the arts scene over the past 40 years, with essays on classical music (including the breadth of contemporary works), rock, dance, art, film, theater, general arts topics, and reports from abroad. Rockwell's analysis includes parallels among the arts, insights from one to another, as he brilliantly communicates his aesthetic experiences to the reader.
The Penguin Companion to Classical Music
Author: Paul Griffiths
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1412
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.
Publisher: Penguin UK
ISBN: 0141909765
Category : Music
Languages : en
Pages : 1412
Book Description
This superbly authoratitive new work provides a comprehensive A-Z guide to some 1000 years of Western music. It explores in detail the lives and achievements of a vast range of composers, as well as looking at such key topics as music history (from medieval plainchant to contemporary minimalism), performers, theory and jargon. Throught Griffiths skilfully blends lightly worn scholarship with personal insight, whether examining the emotional colouring that different musical keys achieve or charting the rise and development of the symphony.
The Political in Rimsky-Korsakov's Operas
Author: John Nelson
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.
Publisher: Cambridge Scholars Publishing
ISBN: 1527579050
Category : Music
Languages : en
Pages : 265
Book Description
During the 19th and early 20th centuries, opposition to the tsarist autocracy grew in Russia. To counter this, Tsar Nicholas I instigated the Official Nationality Decree of 1833 basing this on “Orthodoxy, Autocracy, Nationality”. Subsequent tsars who enforced repression, censorship and the suppression of the peripheral counties of the Empire upheld this policy. Nikolai Rimsky-Korsakov questioned whether this “Official Nationality” truly represented the views of the Russian people, and, through his operas, he demonstrated that the interpretation of these three premises was questionable. This book examines each of these facets of nationality and how Rimsky-Korsakov presents them in a new light in his operas. It also shows how the composer’s socio-political views, supported by his use of politically radical Russian writers, and as expressed through his correspondence and discussions with family and colleagues, clearly demonstrate that his political ideology, as well as his opposition to the tsar and his bureaucracy, gave a new interpretation of Russian “nationality”.