V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market

V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 622

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V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market

V.1-9, No.7; Mar. 1961-Sept. 1969, International Art Market PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 622

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Bibliography of Agriculture

Bibliography of Agriculture PDF Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1210

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Guide to Microforms in Print

Guide to Microforms in Print PDF Author:
Publisher:
ISBN:
Category : Microcards
Languages : en
Pages : 748

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International Art Market (1961).

International Art Market (1961). PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Who's who in the Theatre

Who's who in the Theatre PDF Author: Ian Herbert
Publisher: Gale Cengage
ISBN: 9780810302365
Category : Reference
Languages : en
Pages : 320

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Who's who in the Theatre

Who's who in the Theatre PDF Author:
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 320

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Bibliography of Agriculture

Bibliography of Agriculture PDF Author:
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 1106

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Book World

Book World PDF Author:
Publisher:
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Category : Books
Languages : en
Pages : 622

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Creative Industries

Creative Industries PDF Author: Richard E. Caves
Publisher: Harvard University Press
ISBN: 0674253388
Category : Business & Economics
Languages : en
Pages : 442

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Book Description
This book explores the organization of creative industries, including the visual and performing arts, movies, theater, sound recordings, and book publishing. In each, artistic inputs are combined with other, "humdrum" inputs. But the deals that bring these inputs together are inherently problematic: artists have strong views; the muse whispers erratically; and consumer approval remains highly uncertain until all costs have been incurred. To assemble, distribute, and store creative products, business firms are organized, some employing creative personnel on long-term contracts, others dealing with them as outside contractors; agents emerge as intermediaries, negotiating contracts and matching creative talents with employers. Firms in creative industries are either small-scale pickers that concentrate on the selection and development of new creative talents or large-scale promoters that undertake the packaging and widespread distribution of established creative goods. In some activities, such as the performing arts, creative ventures facing high fixed costs turn to nonprofit firms. To explain the logic of these arrangements, the author draws on the analytical resources of industrial economics and the theory of contracts. He addresses the winner-take-all character of many creative activities that brings wealth and renown to some artists while dooming others to frustration; why the "option" form of contract is so prevalent; and why even savvy producers get sucked into making "ten-ton turkeys," such as Heaven's Gate. However different their superficial organization and aesthetic properties, whether high or low in cultural ranking, creative industries share the same underlying organizational logic.

Theatre World 1995-1996

Theatre World 1995-1996 PDF Author: John Willis
Publisher: Hal Leonard Corporation
ISBN: 9781557833235
Category : Performing Arts
Languages : en
Pages : 292

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Book Description
Scenes from the plays and portraits of leading actors accompany a statistical record of the current season