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Author:
Publisher: Macmillan Education AU
ISBN: 9781876832285
Category :
Languages : en
Pages : 464
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Book Description
Author:
Publisher: Macmillan Education AU
ISBN: 9781876832285
Category :
Languages : en
Pages : 464
Get Book Here
Book Description
Author: Art Gallery of New South Wales
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Steven Miller
Publisher: Wakefield Press
ISBN: 1743050178
Category : Art
Languages : en
Pages : 202
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Book Description
DOGS IN AUSTRALIAN ART looks at Australian art through the lens of dog painting, showcasing over 150 masterworks that illustrate the deep bond between Australians and their best friends. Steven Miller's whimsical text argues that all the major shifts which occurred in Australia art, and which have traditionally been attributed to the environment or historical factors, really occurred because of dogs. His book is also a study of how the various dog breeds have been depicted from colonial times until the present.
Author: Judy Annear
Publisher:
ISBN:
Category : Aboriginal Australians
Languages : en
Pages : 128
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Book Description
Portraits of Oceania is drawn from the collection of the Art Gallery of New South Wales and other collections in Australia and New Zealand. It is the first exhibition by an Australian art museum to look at the nature of photographic portraiture of some of the indigenous peoples of Oceania during the first fifty years of photography -- Foreword.
Author:
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 24
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Book Description
Author: Graham Coulter-Smith
Publisher: Black Incorporated
ISBN:
Category : Art, Australian
Languages : en
Pages : 222
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author: Kate R. Robertson
Publisher: Bloomsbury Publishing USA
ISBN: 1501332864
Category : Art
Languages : en
Pages : 256
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Book Description
An irresistible call lured Australian artists abroad between 1890 and 1914, a transitional period immediately pre- and post-federation. Travelling enabled an extension of artistic frontiers, and Paris – the centre of art – and London – the heart of the Empire – promised wondrous opportunities. These expatriate artists formed communities based on their common bond to Australia, enacting their Australian-ness in private and public settings. Yet, they also interacted with the broader creative community, fashioning a network of social and professional relationships. They joined ateliers in Paris such as the Académie Julian, clubs like the Chelsea Arts Club in London and visited artist colonies including St Ives in England and Étaples in France. Australian artists persistently sought a sense of belonging, negotiating their identity through activities such as plays, balls, tableaux, parties, dressing-up and, of course, the creation of art. While individual biographies are integral to this study, it is through exploring the connections between them that it offers new insights. Through utilising extensive archival material, much of which has limited or no publication history, this book fills a gap in existing scholarship. It offers a vital exploration re-consideration of the fluidity of identity, place and belonging in the lives and work of Australian artists in this juncture in British-Australian history.
Author: Lee Kinsella
Publisher: Apollo Books
ISBN: 9781742588223
Category : Art, Australian
Languages : en
Pages : 208
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Book Description
Miriam Stannage (b. 1939) is a relentless innovator. Her practice is founded upon a deep intellectual engagement with, and curiosity about, the challenges and nature of contemporary life. For the last fifty years, she has produced a dazzling range of works that resist easy categorization. Stannage has developed an aesthetic that celebrates the strange and beautiful that can be found in the everyday: from industrial building sites to suburban street verges laden with abandoned goods, and crumbling ghost towns as they disappear into the soil of the vast Australian continent. Miriam Stannage: Time Framed provides an analysis on this important contemporary artist's work, exploring her use of words and symbols, and the concept of vision in all of its senses. This survey presents Stannage's works, many of which have not been seen publicly, and documents the media she has worked in, specifically installation, photography, painting, video, prints and drawings, and artist's books. (Book accompanies exhibition of Stannage's work at the Lawrence Wilson Art Gallery, U. of Western Australia 7/30/16-9/24/16.) [Subject: Art, Biography]Ã?Â?Ã?Â?Ã?Â?Ã?Â?
Author: Sally Quin
Publisher: Government Printing Office
ISBN: 9781742585987
Category : Artists
Languages : en
Pages : 162
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Book Description
"German artist Elise Blumann arrived in Western Australia in 1938, having fled Nazi Germany in 1934. With her husband and two sons, she set up home on the banks of the Swan River and began to paint. Over the next ten years she produced a series of portraits set against the river and the Indian Ocean, and pursued an anlysis of plant forms ... to brilliant effect. In this study Sally Quin traces Blumann's formative student years in Berlin and her first decade in Australia, where the artist reinvented her working method in response to the intense light and colour of the local landscape ... Blumann was a conservative modernist, but the Perth art scene was not prepared for her expressive style, and when she exhibited for the first time in 1944 her art was met with bewilderment. The book considers attitudes to modernism in Perth and the influence on local culture of European refugees and emigrés newly arrived in the city ... Quin establishes Blumann as a significant figure in the story of Australian modernism"--Publisher's description.
