United States of America V. McMutuary

United States of America V. McMutuary PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 138

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United States of America V. Vaughn

United States of America V. Vaughn PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 202

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United States of America V. Stefonek

United States of America V. Stefonek PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 100

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Crucean V. United States of America

Crucean V. United States of America PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 88

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Cases Reported

Cases Reported PDF Author:
Publisher: Tuttle Publishing
ISBN:
Category :
Languages : en
Pages : 858

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Federal Criminal Practice

Federal Criminal Practice PDF Author:
Publisher:
ISBN:
Category : Criminal procedure
Languages : en
Pages : 1030

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Acting

Acting PDF Author: Joe Alberti
Publisher:
ISBN: 9780972745031
Category : Method acting
Languages : en
Pages : 176

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Book Description
Joe Alberti provides a step by step approach to the acting method developed by distinguished teacher Earle Gister. This is a comprehensive treatment of the work long practiced by never written down by Gister. Joe has compiled the book from personal interviews and hundreds of hours of audio recordings of Earle Gister, the master teacher of acting.

Cloud Tectonics

Cloud Tectonics PDF Author: José Rivera
Publisher: Broadway Play Publishing
ISBN: 9780881451375
Category : Drama
Languages : en
Pages : 0

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Book Description
During a record-breaking Los Angeles deluge, a man gives shelter to a beautiful, pregnant hitch-hiker who is searching for the father of her child. "... CLOUD TECTONICS, José Rivera's often enchanting new play ... Rivera has successfully mixed two styles in which he previously dabbled, realism and magic realism, to produce a naturalistic play interlaced with symbols and magical occurrences. In doing so, he has found a voice to probe the mystery of the kind of love that stops your heart as surely as it does your sense of time and space. And he does it without goo." -Laurie Winer, Los Angeles Times "The operative phrase for José Rivera's work is 'magic realism, ' which doesn't mean much until you've been put under the spell of his brief and lovely play, CLOUD TECTONICS. It's a love story, an old boy-meets-girl story, but ... it's also a story of theatrical enchantment, in which the ordinary is suddenly transformed into the miraculous. On a fantastically rainy night in Los Angeles, the city of Angels, a plain Joe named Anibal de la Luna picks up and brings home with him a poor, bedraggled woman hitchhiker who calls herself Celestina del Sol. She is fifty-four years old, she says, and she has been pregnant two years. She is indeed a rare and heavenly creature, a mystic wanderer with no sense of time and an infinite capacity to love. Alone in his little house, sealed off from the wails of the decaying city outside, De la Luna and Del Sol come together, joining their bodies and their dreams." -Richard Christiansen, Chicago Tribune

Making God Laugh

Making God Laugh PDF Author: Sean Grennan
Publisher:
ISBN:
Category : Families
Languages : en
Pages : 92

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Book Description
Making God Laugh follows one typical American family over the course of thirty years' worth of holidays. Starting in 1980, Ruthie and Bill's grown children -- a priest, an aspiring actress, and a former football star -- all return home, where we learn of their plans and dreams as they embark on their adult lives. The empty-nester parents contend with their own changes, too, as old family rituals are trotted out and ancient tensions flare up. As time passes, the family discovers that, despite what we may have in mind, we often arrive at unexpected destinations.

The Goodman Theatre's Festival Latino

The Goodman Theatre's Festival Latino PDF Author: Henry D. Godinez
Publisher:
ISBN: 9780810129436
Category : Drama
Languages : en
Pages : 406

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Book Description
Drawn from the first ten years of the Goodman Theatre’s renowned biennial festival of Latino plays, the works in this collection expand the definition of Latino theater, resisting the confines of a particular language, locale, or assumed audience. Instead of focusing on similarities that outline the boundaries of Latino identity, these plays look outward, representing the multiplicity of actual Latino experience. The plays were written and performed sometimes in English and sometimes in Spanish; their stories are set in heterogeneous milieus; they’re directed at both Latino and non-Latino audiences; and they incorporate cultural or theatrical elements from vastly different traditions. As a group, these plays indicate the extraordinary range of the festival’s offerings and show how it has contributed to a more complex notion of what Latino theater is and can be.