Une Odalisque; cadre en bois sculpté et doré. Bois, cent. 21 X 30

Une Odalisque; cadre en bois sculpté et doré. Bois, cent. 21 X 30 PDF Author: Antonio Rivas
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Une Odalisque; cadre en bois sculpté et doré. Bois, cent. 21 X 30

Une Odalisque; cadre en bois sculpté et doré. Bois, cent. 21 X 30 PDF Author: Antonio Rivas
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UNE ODALISQUE assise, les jambes croisées, vue de face. Toile. Beau cadre en bois sculpté et doré. Haut. 1.60 - Larg. 1.18

UNE ODALISQUE assise, les jambes croisées, vue de face. Toile. Beau cadre en bois sculpté et doré. Haut. 1.60 - Larg. 1.18 PDF Author: Odoardo Gelli
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La Madeleine; cadre en bois sculpté et doré. Toile, cent. 6l X 48

La Madeleine; cadre en bois sculpté et doré. Toile, cent. 6l X 48 PDF Author: Anonymous
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Paysage avec Figures; cadre en bois sculpté et doré. Toile, cent. 33 X 45

Paysage avec Figures; cadre en bois sculpté et doré. Toile, cent. 33 X 45 PDF Author: Kotarbinsky
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Solitaires dans le Bois; cadre doré. Bois, centimètres 30 X 21

Solitaires dans le Bois; cadre doré. Bois, centimètres 30 X 21 PDF Author: Francois Nardi
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ODALISQUE assise sous une moucharabie. Toile. Cadre eu bois doré. Haut. 1.20 - Larg. 0.80

ODALISQUE assise sous une moucharabie. Toile. Cadre eu bois doré. Haut. 1.20 - Larg. 0.80 PDF Author: Odoardo Gelli
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La Partie à l'Ecarté; cadre en bois sculpté et doré. Bois, cent. 31 X 20

La Partie à l'Ecarté; cadre en bois sculpté et doré. Bois, cent. 31 X 20 PDF Author: R. S. Contell
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Pierre Bonnard

Pierre Bonnard PDF Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210

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"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket

La Danse des Ivrogenes;cadre en bois sculpté et doré. Peinture d'une très fine exécution. Bois, cent. 35 X 25

La Danse des Ivrogenes;cadre en bois sculpté et doré. Peinture d'une très fine exécution. Bois, cent. 35 X 25 PDF Author: L. Kerreman
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L'Amour fraternel; cadre en bois sculpté et doré. Toile, cent. 80 X 57

L'Amour fraternel; cadre en bois sculpté et doré. Toile, cent. 80 X 57 PDF Author: Anonymous
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