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Author: Adrienne Kennedy
Publisher: Theatre Communications Grou
ISBN: 9781559361255
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
A revealing collection of words, memories and pictures-an autobiographical scrapbook--by an outstanding contemporary playwright.
Author: Adrienne Kennedy
Publisher: Theatre Communications Grou
ISBN: 9781559361255
Category : Biography & Autobiography
Languages : en
Pages : 148
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Book Description
A revealing collection of words, memories and pictures-an autobiographical scrapbook--by an outstanding contemporary playwright.
Author: Adrienne Kennedy
Publisher: Theatre Communications Group
ISBN: 1559369280
Category : Drama
Languages : en
Pages : 100
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Book Description
In her first new work in a decade, Adrienne Kennedy journeys into Georgia and New York City in the 1940s to lay bare the devastating effects of segregation and its aftermath. The story of a doomed interracial love affair unfolds through fragmented pieces--letters, recollections from family members, songs from the time--to present a multifaceted view of our cultural history that resists simple interpretation. This volume also includes Etta and Ella on the Upper West Side and Mom, How Did You Meet The Beatles?
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
ISBN: 9780573621666
Category : Drama
Languages : en
Pages : 26
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Book Description
"Drama / 3m, 5f / wing and drop"--Back cover.
Author: Adam P. Kennedy
Publisher: Dramatists Play Service, Inc.
ISBN: 9780822218128
Category : Drama
Languages : en
Pages : 68
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Book Description
THE STORY: In this autobiographical drama, a broken taillight leads to the brutal beating of a highly educated, middle-class black man by a policeman in suburban Virginia. The Kennedys interweave the trial of the victimized son (accused of assaulti
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
ISBN: 1452904855
Category : Drama
Languages : en
Pages : 327
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Book Description
Introduction by Werner Sollors Adrienne Kennedy has been a force in American theatre since the early 1960s, influencing generations of playwrights with her hauntingly fragmentary lyrical dramas. Exploring the violence racism visits upon people's lives, Kennedy's plays express poetic alienation, transcending the particulars of character and plot through ritualistic repetition and radical structural experimentation. Frequently produced, read, and taught, they continue to hold a significant place among the most exciting dramas of the past fifty years. This first comprehensive collection of her most important works traces the development of Kennedy's unique theatrical oeuvre from her Obie-winning Funnyhouse of a Negro (1964) through significant later works such as A Movie Star Has to Star in Black and White (1976), Ohio State Murders (1992), and June and Jean in Concert, for which she won an Obie in 1996. The entire contents of Kennedy's groundbreaking collections In One Act and The Alexander Plays are included, as is her earliest work "Because of the King of France" and the play An Evening with Dead Essex (1972). More recent prose writings "Secret Paragraphs about My Brother," "A Letter to Flowers," and "Sisters Etta and Ella" are fascinating refractions of the themes and motifs of her dramatic works, even while they explore new material on teaching and writing. An introduction by Werner Sollors provides a valuable overview of Kennedy's career and the trajectory of her literary development. Adrienne Kennedy (b. 1931) is a three-time Obie-award winning playwright whose works have been widely performed and anthologized. Among her many honors are the American Academy of Arts and Letters award and the Guggenheim fellowship. In 1995-6, the Signature Theatre Company dedicated its entire season to presenting her work. She has been commissioned to write works for the Public Theater, Jerome Robbins, the Royal Court Theatre, the Mark Taper Forum, and Juilliard, and she has been a visiting professor at Yale, Princeton, Brown, the University of California at Berkeley, and Harvard. She lives in New York City.
Author: Paul K. Bryant-Jackson
Publisher: U of Minnesota Press
ISBN: 9780816620166
Category : Drama
Languages : en
Pages : 254
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Book Description
Adrienne Kennedy's plays have been highly regarded in the world of American theater for many years. Intersecting Boundaries, a collage of fascinating essays and interviews that represents the first major critical study of her work, explores the complexity and richness of Kennedy's innovative dramas.
Author: Adrienne Kennedy
Publisher: Samuel French, Inc.
ISBN: 0573662355
Category : Drama
Languages : en
Pages : 41
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Book Description
An intriguing, unusual and chilling look at the destructiveness of racism in the U.S.
Author: Philip C. Kolin
Publisher: Gulf Professional Publishing
ISBN: 9781570035791
Category : Drama
Languages : en
Pages : 252
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Book Description
Philip C. Kolin explores the interrelationship of life and work of one of the most respected African American playwrights. For more than four decades Kennedy’s theater has raised profound issues about race, gender, selfhood, and performativity in American culture. Kolin offers in-depth analyses of her plays, political scripts, and experimental autobiography, People Who Led to My Plays, as well as examines her neglected novel, Deadly Triplets, and examples of her short fiction.
Author: Adrienne Kennedy
Publisher:
ISBN: 9780573703959
Category : Diseases
Languages : en
Pages : 21
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Book Description
Set in Ghana, Suzanne waits in her room listening to radio broadcasts about her husband who has mysteriously disappeared while she attempts to write about and communicate with composer Ludwig van Beethoven. Her world is infiltrated by snatches of Ghanaian string music, the revolutionary words of Frantz Fanon and strains of Beethoven's Fidelio. Suzanne, recovering from an unspecified illness hovers in displaced time and space fluctuating between Vienna, Austria, in 1803, and Accra, Ghana, in 1961.
Author: Adrienne Kennedy
Publisher: U of Minnesota Press
ISBN: 9781452901510
Category : American drama
Languages : en
Pages : 152
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Book Description
Adrienne Kennedy's plays, which have been said to have transformed the landscape of Black American theatre in the past two decades, are highly experimental. Infused with colliding images of torment and tranquility, violence and peace, horror and beauty, her surrealistic dramas open a window into her life. Her characters are a condensed expression of a theatrical mind that aims to integrate autobiographical, political and aesthetic images into a personal narrative. This book is an extension of Kennedy's plays. It consists of two separate, yet linked, entities, The "Theatre Mystery" (fiction) and "Theatre Journal" (non-fiction) exist as mirror images of one another. Each presents layer upon layer of images rather than progressive action to develop their story, an interior monologue that sees the character as author coming to terms with the life of the author as character.
