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Author: Thomas LaMarre
Publisher: Duke University Press
ISBN: 9780822325185
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Literary criticism of classical Japanese poetry, focusing on the emergence of "Kokinwakashu, ' an imperial anthology of waka poetry compiled in the 9th century.
Author: Thomas LaMarre
Publisher: Duke University Press
ISBN: 9780822325185
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Literary criticism of classical Japanese poetry, focusing on the emergence of "Kokinwakashu, ' an imperial anthology of waka poetry compiled in the 9th century.
Author: Jindan Ni
Publisher: Rowman & Littlefield
ISBN: 1793634424
Category : Literary Criticism
Languages : en
Pages : 219
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Book Description
In The Tale of Genji and Its Chinese Precursors: Beyond the Boundaries of Nation, Class, and Gender, Jindan Ni departs from a “nativist” tradition which views The Tale of Genji as epitomizing an exclusively Japanese aesthetic distinct from Chinese influence and Buddhist values. Ni contests the traditional focus on Japanese essentialism by detailing the impact of Chinese literary forms and presenting the Japanese Heian Court as a site of dynamic and complex literary interchange. Combining close reading, the archival work of Japanese and Chinese scholars, and comparative literary theory, Ni argues that Murasaki Shikibu avoided the constraint of a single literary tradition by drawing on Chinese intertexts. Ni’s account reveals the heterogeneity that makes The Tale of Genji a masterpiece with enduring appeal.
Author: Paul Gordon Schalow
Publisher: University of Hawaii Press
ISBN: 0824861280
Category : Literary Criticism
Languages : en
Pages : 233
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Book Description
Western scholars have tended to read Heian literature through the prism of female experience, stressing the imbalance of power in courtship and looking for evidence that women hoped to move beyond the constraints of marriage politics. Paul Schalow’s original and challenging work inherits these concerns about the transcendence of love and carries them into a new realm of inquiry—the suffering of noblemen and the literary record of their hopes for transcendence through friendship. He traces this recurring theme, which he labels "courtly male friendship," in five important literary works ranging from the tenth-century Tale of Ise to the early eleventh-century Tale of Genji. Whether authored by men or women, the depictions of male friendship addressed in this work convey the differing perspectives of male and female authors profoundly shaped by their gender roles in the court aristocracy. Schalow’s analysis clarifies in particular how Heian literature articulates the nobleman’s wish to be known and appreciated fully by another man.
Author: Kristopher W. Kersey
Publisher: Penn State Press
ISBN: 0271098163
Category : Art
Languages : en
Pages : 325
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Book Description
If we want to decolonize the history of art, argues Kristopher Kersey, we must rethink our approach to the historical record. This means dispensing with Eurocentric binaries—divisions between Western and non-Western, modern and premodern—and making a commitment to artworks that challenge the perspectives we build upon them. In Facing Images, the question takes elegant and intriguing form: If the aesthetic hallmarks of “modernity” can be found in twelfth-century art, what does it really mean to be “modern”? Kersey’s answer to this question models a new historiography. Facing Images begins by tracing the turbulent discourse surrounding the emergence of Japanese art history as a modern field. In lieu of examining canonical works from the twelfth century, Kersey foregrounds the elusive and the enigmatic in artworks little known and understudied outside Japan; the manuscripts he selects defy traditional art-historical narratives by exhibiting decidedly modern techniques, including montage, self-reference, reuse, noise, dissonance, and chronological disarray. Kersey weaves these medieval case studies together with insights from a wide range of interdisciplinary scholarship, using a methodology that will prove important for historians: Facing Images produces a history of non-Western art in which diverse and anachronic works are brought responsibly and equitably into dialogue with the present, without being subsumed under Eurocentric formalisms or false universals. A timely intervention in the history of medieval Japanese art, art historiography, and the history of global modernism, Facing Images redefines the relationship of the “premodern” non-West to “modern” art. It will be of particular interest to scholars of medieval Japanese art and of modernism.
Author: Nina Cornyetz
Publisher: Routledge
ISBN: 1134031548
Category : History
Languages : en
Pages : 353
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Book Description
Perversion and modern Japan focuses on the psychoanalytic approach to the study of modern Japan. Using a wide range of psychoanalytic approaches the contributors to this book have brought together chapters on everything from the Ajase complex to underpants, from fascist modernism in literature to internet-based suicide pacts.
Author: Mikiso Hane
Publisher: Routledge
ISBN: 0429974442
Category : Political Science
Languages : en
Pages : 236
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Book Description
Japanese historian Louis Perez brings Mikiso Hane's rich and beloved account of early Japanese history up-to-date in this thoroughly revised Second Edition of Premodern Japan. The text traces the key developments of Japanese history in the premodern period, including the establishment of the imperial dynasty, early influences from China and Korea, the rise of the samurai class and the establishment of feudalism, the culture and society of the long Tokugawa period, the rise of Confucianism and Shinto nationalism, and finally, the end of Tokugawa rule. While the text provides many political developments through the early modern period, it also integrates the social, cultural, and intellectual aspects of Japanese history as well. Perez's updates to the text provide a comprehensive overview of the major social, political, and religious trends in premodern Japan as well as offering the most current scholarship.
Author: Atsuko Sakaki
Publisher: University of Hawaii Press
ISBN: 9780824829186
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Using close readings of a range of premodern and modern texts, Atsuko Sakaki focuses on the ways in which Japanese writers and readers revised—or in many cases devised—rhetoric to convey "Chineseness" and how this practice contributed to shaping a national Japanese identity. The volume begins by examining how Japanese travelers in China, and Chinese travelers in Japan, are portrayed in early literary works. An increasing awareness of the diversity of Chinese culture forms a premise for the next chapter, which looks at Japan’s objectification of the Chinese and their works of art from the eighteenth century onward. Chapter 3 examines gender as a factor in the formation and transformation of the Sino-Japanese dyad. Sakaki then continues with an investigation of early modern and modern Japanese representations of intellectuals who were marginalized for their insistence on the value of the classical Chinese canon and literary Chinese. The work concludes with an overview of writing in Chinese by early Meiji writers and the presence of Chinese in the work of modern writer Nakamura Shin’ichiro. A final summary of the book’s major themes makes use of several stories by Tanizaki Jun’ichiro.
Author: Thomas LaMarre
Publisher: U of M Center for Japanese Studies
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 432
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Book Description
Reevaluates representations of race, sex, nation, and modernity in the work of a celebrated early 20th-century Japanese filmmaker and critic
Author: James McMullen
Publisher: Oxford University Press
ISBN: 0190655003
Category : Philosophy
Languages : en
Pages : 329
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Book Description
Murasaki Shikibu's The Tale of Genji is variously read as a work of feminist protest, the world's first psychological novel and even as a post-modern masterpiece. Commonly seen as Japan's greatest literary work, its literary, cultural, and historical significance has been thoroughly acknowledged. As a work focused on the complexities of Japanese court life in the Heian period, however, the The Tale of Genji has never before been the subject of philosophical investigation. The essays in this volume address this oversight, arguing that the work contains much that lends itself to philosophical analysis. The authors of this volume demonstrate that The Tale of Genji confronts universal themes such as the nature and exercise of political power, freedom, individual autonomy and agency, renunciation, gender, and self-expression; it raises deep concerns about aesthetics and the role of art, causality, the relation of man to nature, memory, and death itself. Although Murasaki Shikibu may not express these themes in the text as explicitly philosophical problems, the complex psychological tensions she describes and her observations about human conduct reveal an underlying framework of philosophical assumptions about the world of the novel that have implications for how we understand these concerns beyond the world of Genji. Each essay in this collection reveals a part of this framework, situating individual themes within larger philosophical and historical contexts. In doing so, the essays both challenge prevailing views of the novel and each other, offering a range of philosophical interpretations of the text and emphasizing the The Tale of Genji's place as a masterful work of literature with broad philosophical significance.
Author: Joseph T. Sorensen
Publisher: BRILL
ISBN: 9004219315
Category : Poetry
Languages : en
Pages : 306
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Book Description
In Optical Allusions: Screens, Paintings, and Poetry in Classical Japan (ca. 800-1200), Joseph T. Sorensen illustrates how painted screens and other visual art objects contributed to the development of some of the essential characteristics of Japanese court poetry.
