Unconformities in Shakespeare’s Tragedies PDF Download
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Author: Kristian Smidt
Publisher: Springer
ISBN: 1349111201
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This work attempts to analyze Shakespeare's tragedies, concentrating on the accidental irregularities and the inspired "unconformities" to the found there. The aim is to understand Shakespeare's mind and craft by an interpretion of the plays to see what problems of consistency they present.
Author: Kristian Smidt
Publisher: Springer
ISBN: 1349111201
Category : Literary Criticism
Languages : en
Pages : 278
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Book Description
This work attempts to analyze Shakespeare's tragedies, concentrating on the accidental irregularities and the inspired "unconformities" to the found there. The aim is to understand Shakespeare's mind and craft by an interpretion of the plays to see what problems of consistency they present.
Author: K. Smidt
Publisher: Springer
ISBN: 1349168033
Category : Literary Criticism
Languages : en
Pages : 216
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Book Description
Author: Emma Smith
Publisher: John Wiley & Sons
ISBN: 0470776897
Category : Literary Criticism
Languages : en
Pages : 384
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Book Description
This Guide steers students through the critical writing on Shakespeare’s tragedies from the sixteenth century to the present day. Guides students through four centuries of critical writing on Shakespeare’s tragedies. Covers both significant early views and recent critical interventions. Substantial editorial material links the articles and places them in context. Annotated suggestions for further reading allow students to investigate further.
Author: K. Smidt
Publisher: Springer
ISBN: 1349184217
Category : Literary Criticism
Languages : en
Pages : 250
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Book Description
Author: Peter Holland
Publisher: Cambridge University Press
ISBN: 1316061876
Category : Literary Criticism
Languages : en
Pages : 1030
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Book Description
Shakespeare Survey is a yearbook of Shakespeare studies and productions. Since 1948, the Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of that year's textual and critical studies and of the year's major British performances. The theme for Volume 67 is 'Shakespeare's Collaborative Work'. The complete set of Survey volumes is also available online at http://www.cambridge.org/online/shakespearesurvey. This fully searchable resource enables users to browse by author, essay and volume, search by play, theme and topic, and save and bookmark their results.
Author: Imtiaz H. Habib
Publisher: Susquehanna University Press
ISBN: 9780945636373
Category : Drama
Languages : en
Pages : 264
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Book Description
The presentation of a complex character such as Shylock bears resemblance to the technique of anamorphic portraiture and trick perspective in the sense that, seen one way he appears a villain, but seen another way he appears a persecuted victim. The clashing and merging of opposed frames of ideological reference that cannot be held apart or resolved and that remain in a kind of uneasy balance may be a technique of comic characterization that exploits relativism and ambiguity in the presentation of human personality and self on stage. A similar technique can be seen at work in the Histories in the characters of Richard and Bolingbroke, who, as has long been noted, compete contrarily for the audience's ideological sympathies over the course of the play.
Author: Kristian Smidt
Publisher: Palgrave Macmillan
ISBN: 9780312036645
Category : Tragedy.
Languages : en
Pages : 265
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Book Description
Author: Darl Larsen
Publisher: McFarland
ISBN: 0786481099
Category : Performing Arts
Languages : en
Pages : 360
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Book Description
At first consideration, it would seem that Shakespeare and Monty Python have very little in common other than that they're both English. Shakespeare wrote during the reign of a politically puissant Elizabeth, while Python flourished under an Elizabeth figurehead. Shakespeare wrote for rowdy theatre whereas Python toiled at a remove, for television. Shakespeare is The Bard; Python is-well-not. Despite all of these differences, Shakespeare and Monty are in fact related; this work considers both the differences and similarities between the two. It discusses Shakespeare's status as England's National Poet and Python's similar elevation. It explores various aspects of theatricality (troupe configurations, casting and writing choices, allusions to classical literature) used by Shakespeare, Ben Jonson and Monty Python. It also covers the uses and abuses of history in Shakespeare and Python; humor, especially satire, in Shakespeare, Jonson, Dekker and Python; and the concept of the "Other" in Shakespearean and Pythonesque creations.
Author: Lena Cowen Orlin
Publisher: A&C Black
ISBN: 1408184540
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
Othello has a long history of provoking profound emotion in its audiences and readers. This 'freeze frame' volume showcases current debates and ideas about the play's provocative effects. Each chapter has been carefully selected for its originality and relevance to the needs of students, teachers, and researchers. Key issues and themes include: - Gender, Love, and Desire - Race, Ethnicity, and Difference - Social Relations, Status, and Ambition - Tragedy, Comedy, and Parody - Language, Expression, and Characterization All the essays offer new perspectives and combine to give readers an up-to-date understanding of what's exciting and challenging about Othello. The approach based on an individual play, unlike that of topic-based series, reflects how Shakespeare is most commonly studied and taught.
Author: William Shakespeare
Publisher: Oxford University Press
ISBN: 0198130015
Category : Drama
Languages : en
Pages : 241
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Book Description
This is the first fully annotated and comprehensive modern-spelling edition of King Henry VIII to appear for over a decade. It makes full use of current scholarship on the dating, authorship, printing, and sources of the play, as well as critical interpretations. The editor concludes that Shakespeare and his younger colleague John Fletcher worked on the script together but that Shakespeare was probably the guiding spirit.
