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Author: Fray Baroque
Publisher:
ISBN:
Category : Anarchism
Languages : en
Pages : 428
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Book Description
This is a Bash Back! anthology. It takes a peek at the radical Queer tendency and/or (non)organization from 2007 to 2011. The anthology includes interviews, analysis, communiques, and other documents relating to Bash Back! and the tendency that it spawned. We view queer as the blurring of sexual and gender identities. Queer is the refusal of fixed identities. It is a war on all identity. In line with the Bash Back! tendency, for the uses of this anthology queer is trans because the gender binary is inherently oppressive. More often than not, our use of the term queer is interchangeable with our use of trans, though that is not necessarily true of the way in which trans-whatever is used. With these notions we are not naïve. We acknowledge that society ensures Queer is an oppressed identity. Anti-Queer oppression is the systematic violence that people who fall outside of traditional sexual or gender categories encounter.
Author: Laurent Bouzereau
Publisher: Citadel Press
ISBN: 9780806520452
Category : Performing Arts
Languages : en
Pages : 266
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Book Description
A history of extreme violence in movies analyzes the public response to this ever-growing phenomenon, tracing its beginnings in films such as Bonnie and Clyde and discussing how it fits into the artistic vision of filmmakers including Quentin Tarantino and Martin Scorcese. Original.
Author: Fray Baroque
Publisher:
ISBN:
Category : Anarchism
Languages : en
Pages : 428
Get Book Here
Book Description
This is a Bash Back! anthology. It takes a peek at the radical Queer tendency and/or (non)organization from 2007 to 2011. The anthology includes interviews, analysis, communiques, and other documents relating to Bash Back! and the tendency that it spawned. We view queer as the blurring of sexual and gender identities. Queer is the refusal of fixed identities. It is a war on all identity. In line with the Bash Back! tendency, for the uses of this anthology queer is trans because the gender binary is inherently oppressive. More often than not, our use of the term queer is interchangeable with our use of trans, though that is not necessarily true of the way in which trans-whatever is used. With these notions we are not naïve. We acknowledge that society ensures Queer is an oppressed identity. Anti-Queer oppression is the systematic violence that people who fall outside of traditional sexual or gender categories encounter.
Author: Lana Del Rey
Publisher: Simon and Schuster
ISBN: 1760858927
Category : Poetry
Languages : en
Pages : 112
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Book Description
THE HIGHLY ANTICIPATED DEBUT BOOK OF POETRY FROM LANA DEL REY, VIOLET BENT BACKWARDS OVER THE GRASS “Violet Bent Backwards Over the Grass is the title poem of the book and the first poem I wrote of many. Some of which came to me in their entirety, which I dictated and then typed out, and some that I worked laboriously picking apart each word to make the perfect poem. They are eclectic and honest and not trying to be anything other than what they are and for that reason I’m proud of them, especially because the spirit in which they were written was very authentic.”—Lana Del Rey Lana’s breathtaking first book solidifies her further as “the essential writer of her times” (The Atlantic). The collection features more than thirty poems, many exclusive to the book: Never to Heaven, The Land of 1,000 Fires, Past the Bushes Cypress Thriving, LA Who Am I to Love You?, Tessa DiPietro, Happy, Paradise Is Very Fragile, Bare Feet on Linoleum, and many more. This beautiful hardcover edition showcases Lana’s typewritten manuscript pages alongside her original photography. The result is an extraordinary poetic landscape that reflects the unguarded spirit of its creator. Violet Bent Backwards Over the Grass is also brought to life in an unprecedented spoken word audiobook which features Lana Del Rey reading fourteen select poems from the book accompanied by music from Grammy Award-winning musician Jack Antonoff.
Author: Stephen Prince
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 1172
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Book Description
More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced. Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response. Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created. Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.
Author: Stephen Prince
Publisher: A&C Black
ISBN: 9780485300956
Category : Philosophy
Languages : en
Pages : 294
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Book Description
Following the release in 1967 of "Bonnie and Clyde" and "The Dirty Dozen", violence has been seen as a defining feature of the modern film. Is it art or exploitation? Danger or liberation? This volume provides an exmination of the history and effects of graphic violence on film.
Author: Franklin Horton
Publisher: Mad Mick
ISBN: 9781723880940
Category : Fiction
Languages : en
Pages : 232
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Book Description
"Rock-solid characters, buzz-saw action and backstories deserving of books of their own. Amazing..." Conor Maguire nearly lost his daughter Barb when she was three years old, injured by the drunk driver that killed his wife. When the justice system failed him, Conor -- the son and grandson of IRA bombers -- retaliated against the driver in dramatic and gruesome fashion. While an ironclad alibi prevented the police from pinning the murder on Conor, it did not prevent a covert agency within the US government from recruiting the talented young bomber and machinist. For over twenty-five years, Conor designed and built custom weapons of death and destruction at his compound in the mountains of Virginia. Then a series of devastating terror attacks brought down the United States. Conor and Barb assumed they were safe in their secure compound. They had food and a water source. They were armed and highly-trained. Then Barb was kidnapped. The kidnappers, needing slave labor for their farm, didn't know why Conor was known as The Mad Mick. They didn't know the fear and respect his name invoked in the shadowy world of covert operations. They didn't know that when it came to protecting his family, he was without conscience, without compassion, and without equal. But they would soon find out.
Author: John S. Nelson
Publisher: Routledge
ISBN: 1317253973
Category : Political Science
Languages : en
Pages : 252
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Book Description
Popular movies can be surprisingly smart about politics - from the portentous politics of state or war, to the grassroots, everyday politics of family, romance, business, church and school. Politics in Popular Movies analyses the politics in many well-known films across four popular genres: horror, war, thriller and science fiction. The book's aims are to appreciate specific movies and their shared forms, to understand their political engagements and to provoke some insightful conversations. The means are loosely related 'film takes' that venture ambitious, playful and engaging arguments on political styles encouraged by recent films. Politics in Popular Movies shows how conspiracy films expose oppressive systems; it explores how various thrillers prefigured American experiences of 9/11 and shaped aspects of the War on Terror; how some horror films embrace new media, while others use ultra-violence to spur political action; it argues that a popular genre is emerging to examine non-linear politics of globalisation, terrorism and more. Finally it analyses the ways in which sci-fi movies reflect populist politics from the Occupy and Tea Party movements, rethink the political foundations of current societies and even remake our cultural images of the future.
Author: Natalie Bennett
Publisher:
ISBN: 9781672082938
Category :
Languages : en
Pages : 350
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Book Description
ULTRA+VIOLENCENounRandom acts of violence with no justification.Unprovoked, usually brutal.Done simply for thrill and entertainment.A man shrouded in mystery and as fickle as they come, Levi Silas was my one and only crux.Acid to alkaline.Fire and gasoline.Both deemed insane and dangerous, a million people would tell you the two of us should have never come together.But we did.And the world around us turned to chaos and mayhem.One corpse at a time.*Now a complete standalone. Contains explicit violence and steam.*
Author: Joseph H. Kupfer
Publisher: State University of New York Press
ISBN: 143840980X
Category : Philosophy
Languages : en
Pages : 232
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Book Description
Joseph Kupfer removes aesthetics from the exclusive province of museums, concert halls, and the periphery of human interests to reveal the impact of aesthetic experience on daily living. He combines philosophical aesthetics and critical analysis to indicate the status of aesthetic values in ordinary life, showing how aesthetic qualities and relations contribute to social, moral, and personal values. In examining the practical implications of aesthetic values for sports, sexual relationships, violence, and education, Kupfer also looks at the effect of aesthetic deprivation.
Author: James Franco
Publisher:
ISBN: 9781576877999
Category :
Languages : en
Pages : 0
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Book Description
Best-selling author David Shields, and multi-talented writer, actor and director James Franco team up to transform a conversation into a highly original study of celebrity. Flip-Side is a work of dialogue that explores the relationship between performance and persona, on the one hand, and underlying pain and trauma, on the other. The text is complimented by dozens of selfies of James and Lana.
