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Author: Rainer Ganahl
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986003353
Category :
Languages : en
Pages : 46
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Book Description
Alfred Jarry first presented his absurdist, expletive-filled play King Ubu in Paris in 1896, and instantly ignited a literary scandal. King Ubu not only influenced artistic movements such as Dada, Surrealism, and the Absurd Theater of Jean Genet and Samuel Beckett, but it anticipated, with frightening perspicacity, the catastrophic political madness of the 21st century. Written in a rudimentary and comically nonsensical way-it even incorporates some of Jarry's high-school stunts-the play lends itself to updating with contemporary slang and subjects. About 10 years ago, Rainer Ganahl rewrote Jarry's text as Ubu Lenin, with Vladimir Lenin and his wife Nadezhda Krupskaya as the protagonists. Now, the advent of Donald Trump has presented an even more appropriately divisive, madcap, narcissistic stand-in for King Ubu. Ganahl's Ubu Trump will take place in Harlem, a neighborhood filled with many of the very people Trump supporters would like to see deported, banned, or put behind "big, beautiful walls." Just like Jarry's King Ubu, Trump and his cronies run their administration like a mafia family business, with barely fig-leafed personal enrichment schemes layered upon corrupt policies and, in all likelihood, treason. In Ubu Trump, the father, King Ubu, has been replaced with Ubu Trump, while Mama Ubu is reincarnated as Ubu Ivanka. Originally set in Poland and Russia, the new play blends Warsaw with Washington, and Poland with the USA, alluding to Trump's special dealings with Putin and the new right-wing government in Poland. The actors perform behind three simple graphic panels based on Jarry's own sketches of King Ubu, and overlapped with renderings of the ruling Trump family: Donald, Ivanka, Jared, and their Russian guest, Putin. This theatrical performance will be staged at a morgue in Harlem, the neighborhood where Ganahl has been living for more than 20 years.
Author: Rainer Ganahl
Publisher: Createspace Independent Publishing Platform
ISBN: 9781986003353
Category :
Languages : en
Pages : 46
Get Book
Book Description
Alfred Jarry first presented his absurdist, expletive-filled play King Ubu in Paris in 1896, and instantly ignited a literary scandal. King Ubu not only influenced artistic movements such as Dada, Surrealism, and the Absurd Theater of Jean Genet and Samuel Beckett, but it anticipated, with frightening perspicacity, the catastrophic political madness of the 21st century. Written in a rudimentary and comically nonsensical way-it even incorporates some of Jarry's high-school stunts-the play lends itself to updating with contemporary slang and subjects. About 10 years ago, Rainer Ganahl rewrote Jarry's text as Ubu Lenin, with Vladimir Lenin and his wife Nadezhda Krupskaya as the protagonists. Now, the advent of Donald Trump has presented an even more appropriately divisive, madcap, narcissistic stand-in for King Ubu. Ganahl's Ubu Trump will take place in Harlem, a neighborhood filled with many of the very people Trump supporters would like to see deported, banned, or put behind "big, beautiful walls." Just like Jarry's King Ubu, Trump and his cronies run their administration like a mafia family business, with barely fig-leafed personal enrichment schemes layered upon corrupt policies and, in all likelihood, treason. In Ubu Trump, the father, King Ubu, has been replaced with Ubu Trump, while Mama Ubu is reincarnated as Ubu Ivanka. Originally set in Poland and Russia, the new play blends Warsaw with Washington, and Poland with the USA, alluding to Trump's special dealings with Putin and the new right-wing government in Poland. The actors perform behind three simple graphic panels based on Jarry's own sketches of King Ubu, and overlapped with renderings of the ruling Trump family: Donald, Ivanka, Jared, and their Russian guest, Putin. This theatrical performance will be staged at a morgue in Harlem, the neighborhood where Ganahl has been living for more than 20 years.
Author: Alfred Jarry
Publisher: Eyewear Publiishing
ISBN: 9781911335931
Category : Kings and rulers
Languages : en
Pages : 0
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Book Description
Drama. Translated and Entirely Updated by Rosanna Hildyard. Though ostensibly Surrealist, Alfred Jarry's 1888 play Ubu Roi bears disconcertingly close resemblance to America in 2017. This new version, which brings Ubu to the USA, is a bombastic, irreverent romp through the misadventures of the titular usurper of the White House, with a sharp eye for materialism and political infighting. Slightly Shakespearean, mostly scatological; the ridiculous UBU TRUMP is more than a spoof. This satirical translation-palimpsest forms a terrifyingly relevant comment on our world turned upside down.
Author: Claudia Orenstein
Publisher: Taylor & Francis
ISBN: 1000918424
Category : Performing Arts
Languages : en
Pages : 212
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Book Description
Drawing on the author’s two decades of seeing, writing on, and teaching about puppetry from a critical perspective, this book offers a collection of insights into how we watch, understand, and appreciate puppetry. Reading the Puppet Stage uses examples from a broad range of puppetry genres, from Broadway shows and the Muppets to the rich field of international contemporary performing object experimentation to the wealth of Asian puppet traditions, as it illustrates the ways performing objects can create and structure meaning and the dramaturgical interplay between puppets, performers, and language onstage. An introductory approach for students, critics, and artists, this book underlines where significant artistic concerns lie in puppetry and outlines the supportive networks and resources that shape the community of those who make, watch, and love this ever-developing art.
Author: Tara Brabazon
Publisher: Emerald Group Publishing
ISBN: 1787697827
Category : Social Science
Languages : en
Pages : 218
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Book Description
This book addresses the seismic political events of Donald Trump's presidency and the British vote to leave the EU. It explores why citizens vote against their own best interests, and demonstrates the role and value of universities in a time when evidence, expertise and facts often dissolve into opinion, emotion and fake news.
Author: Mike Ingham
Publisher: Springer Nature
ISBN: 3031451988
Category : Performing Arts
Languages : en
Pages : 293
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Book Description
Anglo-American Stage and Screen Drama analyses and discusses the contemporary role of stage and screen drama as a critical forum for progressive thinking in an increasingly polarised geopolitical world. The book addresses the cultural politics of socially engaged 21st century stage plays and films, and makes the case for drama as a sociopolitical forum, in which the complex and contentious issues that confront society can be explored and debated. It conceives of Anglophone political drama as a significant intervention in today’s culture wars, representing the latter as a convenient distraction from the ongoing depredations of neoliberalism. In the main part of the book selected case-study plays and films from each of the first two decades illustrate drama’s capacity to influence critical debate on social justice issues. All of the case-study texts under discussion express a powerful aesthetics of resistance to right-wing ideology, and promote inclusive and enlightened values. This broader orientation underlines drama’s role as a channel for critical agency in today’s putative post-socialist, post-democratic climate.
Author: Hal Foster
Publisher: Verso Books
ISBN: 1788738128
Category : Art
Languages : en
Pages : 256
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Book Description
If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/11, including the use and abuse of trauma, paranoia, and kitsch. A second reviews the neoliberal makeover of art institutions during the same period. Finally, a third section surveys transformations in media as reflected in recent art, film, and fiction. Among the phenomena explored here are "machine vision" (images produced by machines for other machines without a human interface),"operational images" (images that do not represent the world so much as intervene in it), and the algorithmic scripting of information so pervasive in our everyday lives.
Author: Véronique Tadjo
Publisher: Taylor & Francis
ISBN: 0429534361
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
This volume deals with the manifold ways in which histories are debated and indeed historicity and historiography themselves are interrogated via the narrative modes of the truth commissions. It traces the various medial responses (memoirs, fiction, poetry, film, art) which have emerged in the wake of the truth commissions. The 1990s and the 2000s saw a spate of so-called truth commissions across the Global South. From the inaugural truth commissions in post-juntas 1980s Latin America, to the Truth and Reconciliation Commission set up by the incoming post-apartheid government in South Africa and the twinned gacaca courts and National Unity and Reconciliation Commission in Rwanda and that in indigenous Australia, various truth commissions have sought to lay bare human rights abuses. The chapters in this volume explore how truth commissions crystallized a long tradition of dissenting and resisting cultures of memorialization in the public sphere across the Global South and provided a significant template for contemporary attempts to work through episodes of violence and oppression across the region. Drawing on studies from Latin America, Africa, Asia and Australia, this book illuminates the modes in which societies remember and negotiate with traumatic pasts. This book will be of great interest to scholars and researchers of human rights, popular culture and art, literature, media, politics and history.
Author: Jane Taylor
Publisher: Juta and Company Ltd
ISBN: 9781919713168
Category : Drama
Languages : en
Pages : 100
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Book Description
"Ubu and the Truth Commission" is the full play text of a multi-dimensional theatre piece that tries to make sense of the madness that overtook South Africa during apartheid.
Author: Catherine Trenchfield
Publisher: Cambridge Scholars Publishing
ISBN: 1527586618
Category : Performing Arts
Languages : en
Pages : 255
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Book Description
This book explores Kneehigh Theatre Company’s notions of “Brand Kneehigh”, discussing how their theatrical style enjoyed local and global appeal, in relation to theories of globalisation, localisation and cultural exchange. It defines Kneehigh’s theatrical brand, indicating Cornish cultural identity as a core component in conjunction with international influences. By looking at the history of this company, the book’s analysis of key productions reflects on qualities attributed to “Brand Kneehigh” and considers the ‘local’ and ‘global’ nature of their work. The selection and review of productions examined here reveals the changes and reinventions Kneehigh have undergone to incorporate shifting interests and socioeconomic engagements. This book explores Kneehigh’s ambitions to establish themselves as a company delivering material that is ‘popular’ in appeal, meeting the needs of a Cornish (local) community and an international (global) audience. However, tensions working between local and global interests are also exposed, with an investigation into Kneehigh’s own cited solution: their self-created performance space, the Asylum.
Author: Michiko Kakutani
Publisher: Crown
ISBN: 0525574832
Category : Political Science
Languages : en
Pages : 210
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Book Description
NEW YORK TIMES BESTSELLER • From the Pulitzer Prize–winning critic comes an impassioned critique of America’s retreat from reason We live in a time when the very idea of objective truth is mocked and discounted by the occupants of the White House. Discredited conspiracy theories and ideologies have resurfaced, proven science is once more up for debate, and Russian propaganda floods our screens. The wisdom of the crowd has usurped research and expertise, and we are each left clinging to the beliefs that best confirm our biases. How did truth become an endangered species in contemporary America? This decline began decades ago, and in The Death of Truth, former New York Times critic Michiko Kakutani takes a penetrating look at the cultural forces that contributed to this gathering storm. In social media and literature, television, academia, and politics, Kakutani identifies the trends—originating on both the right and the left—that have combined to elevate subjectivity over factuality, science, and common values. And she returns us to the words of the great critics of authoritarianism, writers like George Orwell and Hannah Arendt, whose work is newly and eerily relevant. With remarkable erudition and insight, Kakutani offers a provocative diagnosis of our current condition and points toward a new path for our truth-challenged times.
