Typographical Printing Surfaces

Typographical Printing Surfaces PDF Author: John Cameron Grant
Publisher:
ISBN: 9780598637116
Category :
Languages : en
Pages : 757

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Book Description

Typographical Printing Surfaces

Typographical Printing Surfaces PDF Author: John Cameron Grant
Publisher:
ISBN: 9780598637116
Category :
Languages : en
Pages : 757

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Book Description


Typographical Printing-surfaces

Typographical Printing-surfaces PDF Author: Lucien Alphonse Legros
Publisher: London : Longmans, Green
ISBN:
Category : Printing
Languages : en
Pages : 914

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Book Description


Typographical printing-surfaces: the technology and mechanism of their production

Typographical printing-surfaces: the technology and mechanism of their production PDF Author: Lucien Alphonse Legros
Publisher:
ISBN:
Category :
Languages : fr
Pages : 732

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Book Description


The Typographic Medium

The Typographic Medium PDF Author: Kate Brideau
Publisher: MIT Press
ISBN: 0262045850
Category : Design
Languages : en
Pages : 299

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Book Description
An innovative examination of typography as a medium of communication rather than part of print or digital media. Typography is everywhere and yet widely unnoticed. When we read type, we fail to see type. In this book, Kate Brideau considers typography not as part of "print media" or "digital media" but as a medium of communication itself, able to transcend the life and death of particular technologies. Examining the contradiction between typographic form (often overlooked) and function (often overpowering), Brideau argues that typography is made up not of letters but of shapes, and that shape is existentially and technologically central to the typographic medium. After considering what constitutes typographic form, Brideau turns to typographic function and how it relates to form. Examining typography's role in both the neurological and psychological aspects of reading, she argues that typography's functions exceed reading; typographic forms communicate, but that communication is not limited to the content they carry. To understand to what extent the design and operations of the typographic medium affect the way we perceive information, Brideau warns, we must understand the medium's own operational logic, embodied in the full diversity of typographic forms. Brideau discusses a range of topics--from intellectual property protection for typefaces to Renaissance and Enlightenment ideal letterforms--and draws on a wide variety of theoretical work, including phenomenological ideas about comprehension, German media archaeology, and the media and communication theories of Vilém Flusser and others. Hand-drawn illustrations of typographic forms accompany the text.

American Printer and Bookmaker

American Printer and Bookmaker PDF Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 1148

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The Colonial Printer

The Colonial Printer PDF Author: Lawrence C. Wroth
Publisher: Courier Corporation
ISBN: 9780486282947
Category : Art
Languages : en
Pages : 436

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Book Description
Beautifully illustrated study explores every aspect of the American printer and his craft from 1639 to 1800.

The American Printer

The American Printer PDF Author:
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 1106

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Book Description


The Librarian and Book World

The Librarian and Book World PDF Author:
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 308

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Book Description


The Nation

The Nation PDF Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 804

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Book Description


The Buddha in the Machine

The Buddha in the Machine PDF Author: R. John Williams
Publisher: Yale University Press
ISBN: 0300194471
Category : Technology & Engineering
Languages : en
Pages : 367

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Book Description
The writers and artists described in this book are joined by a desire to embrace 'Eastern' aesthetics as a means of redeeming 'Western' technoculture. The assumption they all share is that at the core of modern Western culture there lies an originary and all-encompassing philosophical error - and that Asian art offers a way out of that awful matrix. That desire, this book attempts to demonstrate, has informed Anglo- and even Asian-American debates about technology and art since the late nineteenth century and continues to skew our responses to our own technocultural environment.