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Author: Ekpo Eyo
Publisher:
ISBN:
Category : African diaspora
Languages : en
Pages : 250
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Book Description
Author: Ekpo Eyo
Publisher:
ISBN:
Category : African diaspora
Languages : en
Pages : 250
Get Book Here
Book Description
Author: Ekpo Eyo
Publisher:
ISBN:
Category : Sculpture, Nigerian
Languages : en
Pages : 238
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Book Description
Author: Eckpo Eyo
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ekpo Eyo
Publisher: Chinazor Onianwah
ISBN:
Category : Art
Languages : en
Pages : 246
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Book Description
The Federal Republic of Nigeria maintains a rich artistic legacy that is more than two thousand years old. As such, it provides some interesting counterpoints to Western art history. Nigeria's ancient Nok art, for example, predated the golden age of Greece, and the exquisite bronzes of lgbo Ukwu (9th-10th C), Ife (12th-15th C), and Benin (15th-19th C) compare favorably to European traditions. Furthermore, the art of Benin thrived under the patronage of a single, unbroken dynasty during a time when many European governments rose and fell.Yet, for many reasons, the Western world would not recognize this artistic heritage until modern times. In this volume, Ekpo Eyo explains the prirnitivist viewpoint that once dominated the Western perception of African art and recalls the efforts of certain more open-minded individuals from Nigeria's colonial past who, in their efforts to collect, preserve, and present important sculptures and other artworks, were instrumental in founding the country's first museums. Their successor, today's National Commission for Museums and Monuments, has collected many additional works from their original settings, placing them in the limelight of the world through publications and museum exhibitions, to which the author has contributed much throughout his career. Eyo therefore discusses Nigerian art in the broader context of the world's art history, arguing that the art of Nigeria is fundamentally a testament to universal human creativity. From Shrines to Showcases: Masterpieces of Nigerian Art includes examples selected from all major regions of the country, spanning the distant past to the modern age, which are to be considered amongst the greatest artistic achievements of humanity.
Author: Emeka Anyaoku
Publisher: Liverpool University Press
ISBN: 085323812X
Category : Political Science
Languages : en
Pages : 585
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Book Description
Chief Emeka Anyaoku, third Commonwealth Secretary-General and the first African holder of the office, has immense international experience and commands wide international respect, having been a key player in world diplomacy. Emeka Anyaoku has a long involvement with the Commonwealth, having been Assistant Director, and then Director of International Affairs (1966-75); Assistant Secretary-General (1975-77); and Deputy Secretary-General (1978-83 and 1984-89). His first elected term as Secretary-General began in 1990. This selection of insightful and inspirational speeches, mainly from Anyaoku's first period of office (1990-95), on major world events and themes highlights the role he has played in world affairs. It also shows the often unrecognized strength and influence of the Commonwealth in altering the course of history for the improvement of the lot and condition of mankind-particularly where deep deprivation and absence of basic human rights are involved. Emeka Anyaoku's selected speechesare grouped into a series of themes: The Changing Commonwealth; Democracy; The Commonwealth and the Making of the New South Africa; Sustainable Development; Development and Democracy in Africa; Nigeria in Transition; Peace and Security in a Pluralistic World; Toward a Common Humanity. In a context-setting introduction, Chief Anyaoku explains the choice of speeches, drawing out common threads. He also has a word about the title of the book, which reflects the "missing headlines", the often unreported aspects of the Commonwealth's work. This book will, Anyaoku hopes, 'reveal some of these "missing headlines" and encourage greater public debate on the work of the Commonwealth. As we enter the newmillennium, this book offers a major insight into key issues and emerging international concerns.
Author: Amitabh SenGupta
Publisher: Partridge Publishing India
ISBN: 1482821257
Category : Social Science
Languages : en
Pages : 217
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Book Description
Memoir of an Artist is a compelling account of an unpredictable life that stretches through India, Nigeria, and Paris. As a student, he was a witness to the student revolt in Paris in 1968; in the seventies, he was in Nigeria observing the post-Biafra scenario as a teacher in the university. As a product of institutional education that shaped and groomed the new artists, he realizes the impact of Eurocentric dialogue on Indian art so imposing that it makes Indian art in perpetual transit. Again, in the process of creating dialogue within Kolkata life, author discovers contemporary art indeed has no social connectivity; thus, the educated progressive is unable to dialogue with the progressing art. Indian modernism has become a manufactured brand within art commerce, aligned to global marketing. Meanwhile, life has many spectrums, and the author has observed the modernistic agenda exists in contemporary art, as in many activities of Indian life, but each is like an island without connectivity.
Author:
Publisher:
ISBN:
Category : Nigeria
Languages : en
Pages : 522
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Book Description
Author: Sylvester Okwunodu Ogbechie
Publisher: University Rochester Press
ISBN: 9781580462358
Category : Art
Languages : en
Pages : 338
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Book Description
An intellectual biography of a modern African artist and his immense contribution to twentieth-century art history. The history of world art has long neglected the work of modern African artists and their search for forms of modernist expression as either irrelevant to the discourse of modern art or as fundamentally subservient to the established narrative of Western European modernist practice. With this engaging new volume, Sylvester Ogbechie refutes this approach by examining the life and work of Ben Enwonwu (1917-94), a premier African modernist and pioneer whose career opened the way for the postcolonial proliferation and increased visibility of African art. In the decades between Enwonwu's birth and death, modernization produced new political structures and new forms of expression inAfrican cultures, inspiring important developments in modern African art. Within this context, Ogbechie evaluates important issues such as the role of Anglo-Nigerian colonial culture in the development of modern Nigerian art, andEnwonwu's involvement with international discourses of modernism in Europe, Africa, and the United States over a period of five decades. The author also interrogates Enwonwu's use of the radical politics of Negritude ideology to define modern African art against canonical interpretations of Euro-modernism; and the artist's visual and critical contributions to Pan Africanism, Nigerian nationalism, and postcolonial interpretations of African modernity. First and foremost an intellectual biography of Ben Enwonwu as a modern African artist, rather than an exhaustive critical exploration of the discourse of modernism in African art history or in modern art in general, Ben Enwonwu situates the artist historically and interprets his work in ways that surpass traditional discourse around the canon of modern art. Sylvester Ogbechie is Associate Professor of Art History at the University of California, Santa Barbara.
Author: Howard Morphy
Publisher: John Wiley & Sons
ISBN: 1405155329
Category : Social Science
Languages : en
Pages : 576
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Book Description
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.
Author: Bénédicte Savoy
Publisher: Princeton University Press
ISBN: 0691234736
Category : Art
Languages : en
Pages : 224
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Book Description
"A major new history of how, between 1965 and 1985, African nations sought the restitution of works of art stolen during the colonial period, written by the most important and influential figure in the field"--
