Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 144222164X
Category : History
Languages : en
Pages : 433
Book Description
Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.
Twilight of the Belle Epoque
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 144222164X
Category : History
Languages : en
Pages : 433
Book Description
Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.
Publisher: Rowman & Littlefield
ISBN: 144222164X
Category : History
Languages : en
Pages : 433
Book Description
Mary McAuliffe’s Dawn of the Belle Epoque took the reader from the multiple disasters of 1870–1871 through the extraordinary re-emergence of Paris as the cultural center of the Western world. Now, in Twilight of the Belle Epoque, McAuliffe portrays Paris in full flower at the turn of the twentieth century, where creative dynamos such as Picasso, Matisse, Stravinsky, Debussy, Ravel, Proust, Marie Curie, Gertrude Stein, Jean Cocteau, and Isadora Duncan set their respective circles on fire with a barrage of revolutionary visions and discoveries. Such dramatic breakthroughs were not limited to the arts or sciences, as innovators and entrepreneurs such as Louis Renault, André Citroën, Paul Poiret, François Coty, and so many others—including those magnificent men and women in their flying machines—emphatically demonstrated. But all was not well in this world, remembered in hindsight as a golden age, and wrenching struggles between Church and state as well as between haves and have-nots shadowed these years, underscored by the ever-more-ominous drumbeat of the approaching Great War—a cataclysm that would test the mettle of the City of Light, even as it brutally brought the Belle Epoque to its close. Through rich illustrations and evocative narrative, McAuliffe brings this remarkable era from 1900 through World War I to vibrant life.
Dawn of the Belle Epoque
Author: Mary McAuliffe
Publisher: Rowman & Littlefield Publishers
ISBN: 1442209291
Category : History
Languages : en
Pages : 405
Book Description
A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.
Publisher: Rowman & Littlefield Publishers
ISBN: 1442209291
Category : History
Languages : en
Pages : 405
Book Description
A humiliating military defeat by Bismarck's Germany, a brutal siege, and a bloody uprising—Paris in 1871 was a shambles, and the question loomed, "Could this extraordinary city even survive?" With the addition of an evocative new preface, Mary McAuliffe takes the reader back to these perilous years following the abrupt collapse of the Second Empire and France's uncertain venture into the Third Republic. By 1900, Paris had recovered and the Belle Epoque was in full flower, but the decades between were difficult, marked by struggles between republicans and monarchists, the Republic and the Church, and an ongoing economic malaise, darkened by a rising tide of virulent anti-Semitism. Yet these same years also witnessed an extraordinary blossoming in art, literature, poetry, and music, with the Parisian cultural scene dramatically upended by revolutionaries such as Monet, Zola, Rodin, and Debussy, even while Gustave Eiffel was challenging architectural tradition with his iconic tower. Through the eyes of these pioneers and others, including Sarah Bernhardt, Georges Clemenceau, Marie Curie, and César Ritz, we witness their struggles with the forces of tradition during the final years of a century hurtling towards its close. Through rich illustrations and vivid narrative, McAuliffe brings this vibrant and seminal era to life.
The Belle Époque
Author: Dominique Kalifa
Publisher: Columbia University Press
ISBN: 0231554389
Category : History
Languages : en
Pages : 167
Book Description
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
Publisher: Columbia University Press
ISBN: 0231554389
Category : History
Languages : en
Pages : 167
Book Description
The years before the First World War have long been romanticized as a zenith of French culture—the “Belle Époque.” The era is seen as the height of a lost way of life that remains emblematic of what it means to be French. In a vast range of texts and images, it appears as a carefree time full of joie de vivre, fanfare and frills, artistic daring, and scientific innovation. The Moulin Rouge shared the stage with the Universal Exposition, Toulouse-Lautrec rubbed elbows with Marie Curie and La Belle Otero, and Fantômas invented automatic writing. This book traces the making—and the imagining—of the Belle Époque to reveal how and why it became a cultural myth. Dominique Kalifa lifts the veil on a period shrouded in nostalgia, explaining the century-long need to continuously reinvent and even sanctify this moment. He sifts through images handed down in memoirs and reminiscences, literature and film, art and history to explore the many facets of the era, including its worldwide reception. The Belle Époque was born in France, but it quickly went global as other countries adopted the concept to write their own histories. In shedding light on how the Belle Époque has been celebrated and reimagined, Kalifa also offers a nuanced meditation on time, history, and memory.
When Paris Sizzled
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 1442253339
Category : History
Languages : en
Pages : 345
Book Description
When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era’s good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.
Publisher: Rowman & Littlefield
ISBN: 1442253339
Category : History
Languages : en
Pages : 345
Book Description
When Paris Sizzled vividly portrays the City of Light during the fabulous 1920s, les Années folles, when Parisians emerged from the horrors of war to find that a new world greeted them—one that reverberated with the hard metallic clang of the assembly line, the roar of automobiles, and the beat of jazz. Mary McAuliffe traces a decade that saw seismic change on almost every front, from art and architecture to music, literature, fashion, entertainment, transportation, and, most notably, behavior. The epicenter of all this creativity, as well as of the era’s good times, was Montparnasse, where impoverished artists and writers found colleagues and cafés, and tourists discovered the Paris of their dreams. Major figures on the Paris scene—such as Gertrude Stein, Jean Cocteau, Picasso, Stravinsky, Diaghilev, and Proust—continued to hold sway, while others now came to prominence—including Ernest Hemingway, Coco Chanel, Cole Porter, and Josephine Baker, as well as André Citroën, Le Corbusier, Man Ray, Sylvia Beach, James Joyce, and the irrepressible Kiki of Montparnasse. Paris of the 1920s unquestionably sizzled. Yet rather than being a decade of unmitigated bliss, les Années folles also saw an undercurrent of despair as well as the rise of ruthless organizations of the extreme right, aimed at annihilating whatever threatened tradition and order—a struggle that would escalate in the years ahead. Through rich illustrations and evocative narrative, Mary McAuliffe brings this vibrant era to life.
Belle Epoque
Author: Elizabeth Ross
Publisher: Ember
ISBN: 0385741472
Category : Young Adult Fiction
Languages : en
Pages : 353
Book Description
When Maude Pichon runs away from provincial Brittany to Paris, her romantic dreams vanish as quickly as her savings. Desperate for work, she answers an unusual ad. The Durandeau Agency provides its clients with a unique service—the beauty foil. Hire a plain friend and become instantly more attractive. Monsieur Durandeau has made a fortune from wealthy socialites, and when the Countess Dubern needs a companion for her headstrong daughter, Isabelle, Maude is deemed the perfect adornment of plainness. Isabelle has no idea her new "friend" is the hired help, and Maude's very existence among the aristocracy hinges on her keeping the truth a secret. Yet the more she learns about Isabelle, the more her loyalty is tested. And the longer her deception continues, the more she has to lose. The paperback of Belle Epoque has brand new content that includes a translation and extended author's note about the short story by Emile Zola that inspired the book. A William C. Morris YA Debut Award Finalist A Junior Library Guild Selection “Both touching and fun, this is a story about many things—true friendship, real beauty, being caught between two worlds—and it will delight fans of historical fiction.”—Publisher’s Weekly “A refreshingly relevant and inspiring historical venture.”—Kirkus Reviews “A compelling story about friendship, the complexity of beauty, and self-discovery…full of strong female characters.”—School Library Journal “With resonant period detail, elegant narration, and a layered exploration of class and friendship, this provocative novel is rife with satisfaction.”—Booklist “Much to offer a contemporary YA audience…flirtation and match-making to tantalize romance fans…prime book-club fare.”—The Bulletin "This delectable Parisian tale left me sighting with sweet satisfaction. J'adore Belle Epoque!"-Sonya Sones, author of What My Mother Doesn't Know and To Be Perfectly Honest
Publisher: Ember
ISBN: 0385741472
Category : Young Adult Fiction
Languages : en
Pages : 353
Book Description
When Maude Pichon runs away from provincial Brittany to Paris, her romantic dreams vanish as quickly as her savings. Desperate for work, she answers an unusual ad. The Durandeau Agency provides its clients with a unique service—the beauty foil. Hire a plain friend and become instantly more attractive. Monsieur Durandeau has made a fortune from wealthy socialites, and when the Countess Dubern needs a companion for her headstrong daughter, Isabelle, Maude is deemed the perfect adornment of plainness. Isabelle has no idea her new "friend" is the hired help, and Maude's very existence among the aristocracy hinges on her keeping the truth a secret. Yet the more she learns about Isabelle, the more her loyalty is tested. And the longer her deception continues, the more she has to lose. The paperback of Belle Epoque has brand new content that includes a translation and extended author's note about the short story by Emile Zola that inspired the book. A William C. Morris YA Debut Award Finalist A Junior Library Guild Selection “Both touching and fun, this is a story about many things—true friendship, real beauty, being caught between two worlds—and it will delight fans of historical fiction.”—Publisher’s Weekly “A refreshingly relevant and inspiring historical venture.”—Kirkus Reviews “A compelling story about friendship, the complexity of beauty, and self-discovery…full of strong female characters.”—School Library Journal “With resonant period detail, elegant narration, and a layered exploration of class and friendship, this provocative novel is rife with satisfaction.”—Booklist “Much to offer a contemporary YA audience…flirtation and match-making to tantalize romance fans…prime book-club fare.”—The Bulletin "This delectable Parisian tale left me sighting with sweet satisfaction. J'adore Belle Epoque!"-Sonya Sones, author of What My Mother Doesn't Know and To Be Perfectly Honest
Paris
Author: Mary McAuliffe
Publisher: Rowman & Littlefield
ISBN: 1538173344
Category : History
Languages : en
Pages : 305
Book Description
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
Publisher: Rowman & Littlefield
ISBN: 1538173344
Category : History
Languages : en
Pages : 305
Book Description
Follow in the footsteps of history to discover the hidden places, extraordinary people, and captivating stories of Paris. Paris: Secret Gardens, Hidden Places, and Stories of the City of Light, Mary McAuliffe’s multilayered exploration of Paris, weaves a narrative that takes the reader into secret and hidden places, even in the midst of the most well-known Paris destinations. McAuliffe’s hidden places can be small but are always revealing, whether a bas-relief on an ignored corner of Notre-Dame or an overlooked courtyard inside an ancient and busy hospital. She takes the reader below the streets and sidewalks of Paris to discover ancient aqueducts and a lost river, and she prompts the reader to notice overlooked treasures in the most trafficked of museums. Always, McAuliffe’s focus is on people and their stories. Evil queens, designing noblemen, bold chevaliers, and desperate lovers mingle with Resistance fighters and obsessed artists rising out of abject poverty into unexpected fame and fortune, adding to the tidal wave of creativity that is the lifeblood of the City of Light. One person, place, and story lead to another, each linked by a common thread within the layered richness of Paris’s past. The story of Paris is not a chronology but an exploration of the many layers of this remarkable city throughout the ages.
Ballad of the Anarchist Bandits
Author: John Merriman
Publisher: Bold Type Books
ISBN: 1568589891
Category : History
Languages : en
Pages : 374
Book Description
The thrilling story of the Bonnot Gang, a band of anarchist bank robbers whose crimes terrorized Belle Ã?oque Paris, and whose escapades reflected the fast-paced, dizzyingly modern, and increasingly violent period on the eve of World War I. For six terrifying months in 1911-1912, the citizens of Paris were gripped by a violent crime streak. A group of bandits went on a rampage throughout the city and its suburbs, robbing banks and wealthy Parisians, killing anyone who got in their way, and always managing to stay one step ahead of the police. But Jules Bonnot and the Bonnot Gang weren't just ordinary criminals; they were anarchists, motivated by the rampant inequality and poverty in Paris. John Merriman tells this story through the eyes of two young, idealistic lovers: Victor Kibaltchiche (later the famed Russian revolutionary and writer Victor Serge) and Rirette Maîejean, who chronicled the Bonnot crime spree in the radical newspaper L'Anarchie. While wealthy Parisians frequented restaurants on the Champs-Ã?ysé, attended performances at the magnificent new opera house, and enjoyed the decadence of the so-called Belle Ã?oque, Victor, Rirette, and their friends occupied a vast sprawl of dank apartments, bleak canals, and smoky factories. Victor and Rirette rejected the violence of Bonnot and his cronies, but to the police it made no difference. Victor was imprisoned for years for his anarchist beliefs, Bonnot was hunted down and shot dead, and his fellow bandits were sentenced to death by guillotine or lifelong imprisonment. Fast-paced and gripping, Ballad of the Anarchist Bandits is a tale of idealists and lost causes--and a vivid evocation of Paris in the dizzying years before the horrors of World War I were unleashed.
Publisher: Bold Type Books
ISBN: 1568589891
Category : History
Languages : en
Pages : 374
Book Description
The thrilling story of the Bonnot Gang, a band of anarchist bank robbers whose crimes terrorized Belle Ã?oque Paris, and whose escapades reflected the fast-paced, dizzyingly modern, and increasingly violent period on the eve of World War I. For six terrifying months in 1911-1912, the citizens of Paris were gripped by a violent crime streak. A group of bandits went on a rampage throughout the city and its suburbs, robbing banks and wealthy Parisians, killing anyone who got in their way, and always managing to stay one step ahead of the police. But Jules Bonnot and the Bonnot Gang weren't just ordinary criminals; they were anarchists, motivated by the rampant inequality and poverty in Paris. John Merriman tells this story through the eyes of two young, idealistic lovers: Victor Kibaltchiche (later the famed Russian revolutionary and writer Victor Serge) and Rirette Maîejean, who chronicled the Bonnot crime spree in the radical newspaper L'Anarchie. While wealthy Parisians frequented restaurants on the Champs-Ã?ysé, attended performances at the magnificent new opera house, and enjoyed the decadence of the so-called Belle Ã?oque, Victor, Rirette, and their friends occupied a vast sprawl of dank apartments, bleak canals, and smoky factories. Victor and Rirette rejected the violence of Bonnot and his cronies, but to the police it made no difference. Victor was imprisoned for years for his anarchist beliefs, Bonnot was hunted down and shot dead, and his fellow bandits were sentenced to death by guillotine or lifelong imprisonment. Fast-paced and gripping, Ballad of the Anarchist Bandits is a tale of idealists and lost causes--and a vivid evocation of Paris in the dizzying years before the horrors of World War I were unleashed.
Air Power Supremo
Author: William Pyke
Publisher: Pen and Sword Military
ISBN: 1399095536
Category : Biography & Autobiography
Languages : en
Pages : 391
Book Description
Sir John Slessor was one of the twentieth century’s most distinguished wartime commanders and incisive military thinkers, and William Pyke’s comprehensive new biography reveals how he earned this remarkable reputation. Slessor, a polio victim who always walked with a stick, became a First World War pilot in the Sudan and on the Western Front and a squadron and wing commander in India between the wars. When aerial warfare was still a new concept, he was one of the first to develop practical tactics and strategies in its application. In the Second World War, as the Commander-in-Chief of Coastal Command during the Battle of the Atlantic and the RAF in the Mediterranean during the Italian and Balkan campaigns, he made a remarkable contribution to the success of Allied air power. Then, after the war, as a senior commander he established himself as one of the foremost experts on strategic bombing and nuclear deterrence. That is why this insightful biography of a great British airman and his achievements is so timely and important as we enter a new era of strategic doubts and deterrence at the beginning of the twenty-first century. William Pyke follows each stage of Slessor’s brilliant career as a pilot and commander in vivid detail. In particular he concentrates on Slessor’s writings, from his treatise on the application of air power in support of land armies to his thinking on nuclear deterrence and Western strategy.
Publisher: Pen and Sword Military
ISBN: 1399095536
Category : Biography & Autobiography
Languages : en
Pages : 391
Book Description
Sir John Slessor was one of the twentieth century’s most distinguished wartime commanders and incisive military thinkers, and William Pyke’s comprehensive new biography reveals how he earned this remarkable reputation. Slessor, a polio victim who always walked with a stick, became a First World War pilot in the Sudan and on the Western Front and a squadron and wing commander in India between the wars. When aerial warfare was still a new concept, he was one of the first to develop practical tactics and strategies in its application. In the Second World War, as the Commander-in-Chief of Coastal Command during the Battle of the Atlantic and the RAF in the Mediterranean during the Italian and Balkan campaigns, he made a remarkable contribution to the success of Allied air power. Then, after the war, as a senior commander he established himself as one of the foremost experts on strategic bombing and nuclear deterrence. That is why this insightful biography of a great British airman and his achievements is so timely and important as we enter a new era of strategic doubts and deterrence at the beginning of the twenty-first century. William Pyke follows each stage of Slessor’s brilliant career as a pilot and commander in vivid detail. In particular he concentrates on Slessor’s writings, from his treatise on the application of air power in support of land armies to his thinking on nuclear deterrence and Western strategy.
The Evolution of the French Courtesan Novel
Author: Courtney Sullivan
Publisher: Springer
ISBN: 1137597097
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
‘Sullivan’s outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male “backlash” inspire Colette in previously unseen ways.’ — Nicholas White, University of Cambridge, UK This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Céleste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine’s life beyond prostitution and youth.
Publisher: Springer
ISBN: 1137597097
Category : Literary Criticism
Languages : en
Pages : 135
Book Description
‘Sullivan’s outstanding book is the first to show how French courtesans were fully-fledged masters of the pen as well as proverbial ladies of the night. We learn how their rewriting of classics such as The Lady of the Camellias and their response to a male “backlash” inspire Colette in previously unseen ways.’ — Nicholas White, University of Cambridge, UK This book is about the autobiographical fictions of nineteenth-century French courtesans. In response to damaging representations of their kind in Zola and Alexandre Dumas' novels, Céleste de Chabrillan, Valtesse de la Bigne, and Liane de Pougy crafted fictions recounting their triumphs as celebrities of the demi-monde and their outcries against the social injustices that pushed them into prostitution. Although their works enjoyed huge success in the second half of the nineteenth century, male writers penned faux-memoirs mocking courtesan novels, and successfully sowed doubt about their authorship in a backlash against the profitable notoriety the novels earned these courtesans. Colette, who did not write from personal experience but rather out of sympathy for the courtesans with whom she socialized, innovated the genre when she wrote three novels exploring the demi-mondaine’s life beyond prostitution and youth.
The Hypocrisy of Justice in the Belle Epoque
Author: Benjamin F. Martin
Publisher: LSU Press
ISBN: 9780807124949
Category : History
Languages : en
Pages : 276
Book Description
The Dreyfus Affair of the 1890s and the violent controversies that surrounded it appeared to pass two very different judgments on the France of the Third Republic. The outcome o the trial—Captain Dreyfus convicted without guilt and the real traitor acquitted despite guilt—demonstrated without question the extraordinary hypocrisy of the military justice system. But the furor raised by Dreyfus' conviction and the agitation for his release suggested that the injustice of the courts' verdict was uncharacteristic of French society; that for France as a nation the rendering of justice was paramount, even at the expense of disgracing both the military and a conspiring government. In The Hypocrisy of Justice in the Belle Epoque, Benjamin Martin examines the events of three sensational criminal cases to reveal that the willful mangling of justice that occurred in the Dreyfus trial was far from rare in the Third Republic France. He finds, in fact, that justice in the Belle Epoque was "hypocritical in the extreme," with the outcome of trials easily tainted by the power and influence of politics, money, and illicit sex. At times, justice deviated so far from the ideal that its goal was not the strict application of the law or even the discovery of the truth, but rather the imposition of a system of rewards and punishments meted out in accordance with a capricious vision of social utility. Martin begins with the case of Marguerite Steinheil, the wife of an artist of only middling talent. A strikingly beautiful woman, she presided over a famous salon and was the lover of influential politicians. When she was tried for the brutal murders of her husband and her mother, Marguerite defended herself with a flurry of extravagant stories and unlikely counter-accusations. Even so, she was found innocent of all charges, and the crimes were left unsolved. The second trial considered is that of Thérèse Humbert, a young woman who used an apparently innate talent for elaborate deception in rising from poverty to the upper reaches of Parisian society. With the aid of her husband and her brothers, Thérèse created a series of specious lawsuits over an illusory American legacy. Then, playing on the greed of dozens of investors, she skillfully manipulated the French courts to perpetrate a fraud that would last for twenty years, yield millions, and make her salon one of the most dazzling in Europe until the day when the ruse was finally found out. The third case is that of Henriette Caillaux, the wife of an important leader in the Radical party. She admitted shooting Gaston Calmette, the influential newspaper editor who had been carrying out a campaign of vilification against her husband. But when she was tried for the murder in 1914, Henriette was found innocent and allowed to go free. The sensational trials of Marguerit Steinheil, Thérèse Humbert, and Henriette Caillaux mirrored in many the stalemate society of the Belle Epoque itself. By examining the hypocrisy of justice in the Third Republic, Benjamin Martin uncovers the vast extent of that society's corruption, the amorality and sordidness that were cloaked only partially by the mantle of respectability.
Publisher: LSU Press
ISBN: 9780807124949
Category : History
Languages : en
Pages : 276
Book Description
The Dreyfus Affair of the 1890s and the violent controversies that surrounded it appeared to pass two very different judgments on the France of the Third Republic. The outcome o the trial—Captain Dreyfus convicted without guilt and the real traitor acquitted despite guilt—demonstrated without question the extraordinary hypocrisy of the military justice system. But the furor raised by Dreyfus' conviction and the agitation for his release suggested that the injustice of the courts' verdict was uncharacteristic of French society; that for France as a nation the rendering of justice was paramount, even at the expense of disgracing both the military and a conspiring government. In The Hypocrisy of Justice in the Belle Epoque, Benjamin Martin examines the events of three sensational criminal cases to reveal that the willful mangling of justice that occurred in the Dreyfus trial was far from rare in the Third Republic France. He finds, in fact, that justice in the Belle Epoque was "hypocritical in the extreme," with the outcome of trials easily tainted by the power and influence of politics, money, and illicit sex. At times, justice deviated so far from the ideal that its goal was not the strict application of the law or even the discovery of the truth, but rather the imposition of a system of rewards and punishments meted out in accordance with a capricious vision of social utility. Martin begins with the case of Marguerite Steinheil, the wife of an artist of only middling talent. A strikingly beautiful woman, she presided over a famous salon and was the lover of influential politicians. When she was tried for the brutal murders of her husband and her mother, Marguerite defended herself with a flurry of extravagant stories and unlikely counter-accusations. Even so, she was found innocent of all charges, and the crimes were left unsolved. The second trial considered is that of Thérèse Humbert, a young woman who used an apparently innate talent for elaborate deception in rising from poverty to the upper reaches of Parisian society. With the aid of her husband and her brothers, Thérèse created a series of specious lawsuits over an illusory American legacy. Then, playing on the greed of dozens of investors, she skillfully manipulated the French courts to perpetrate a fraud that would last for twenty years, yield millions, and make her salon one of the most dazzling in Europe until the day when the ruse was finally found out. The third case is that of Henriette Caillaux, the wife of an important leader in the Radical party. She admitted shooting Gaston Calmette, the influential newspaper editor who had been carrying out a campaign of vilification against her husband. But when she was tried for the murder in 1914, Henriette was found innocent and allowed to go free. The sensational trials of Marguerit Steinheil, Thérèse Humbert, and Henriette Caillaux mirrored in many the stalemate society of the Belle Epoque itself. By examining the hypocrisy of justice in the Third Republic, Benjamin Martin uncovers the vast extent of that society's corruption, the amorality and sordidness that were cloaked only partially by the mantle of respectability.