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Author: Francis Courtney Wemyss
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 422
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Book Description
Author: Francis Courtney Wemyss
Publisher:
ISBN:
Category : Actors
Languages : en
Pages : 422
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Book Description
Author: Francis Courtney Wemyss
Publisher:
ISBN:
Category : Acting
Languages : en
Pages : 200
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Book Description
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 832
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Book Description
Author: K. Meira Goldberg
Publisher: Cambridge Scholars Publishing
ISBN: 1527579425
Category : Art
Languages : en
Pages : 492
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Book Description
This collection of essays poses a series of questions revolving around nonsense, cacophony, queerness, race, and the dancing body. How can flamenco, as a diasporic complex of performance and communities of practice frictionally and critically bound to the complexities of Spanish history, illuminate theories of race and identity in performance? How can we posit, and argue for, genealogical relationships within and between genres across the vast expanses of the African—and Roma—diaspora? Neither are the essays presented here limited to flamenco, nor, consequently, are the responses to these questions reduced to this topic. What all the contributions here do share is the wish to come together, across disciplines and subject areas, within the academy and without, in the whirling, raucous, and messy spaces where the body is free—to celebrate its questioning, as well as the depths of the wisdom and knowledge it holds and sometimes reveals.
Author:
Publisher:
ISBN:
Category : American essays
Languages : en
Pages : 590
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Book Description
Author: Charles Fenno Hoffman
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 604
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Book Description
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 606
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Book Description
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category :
Languages : en
Pages : 834
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Book Description
Author: S. Austin Allibone
Publisher:
ISBN:
Category :
Languages : en
Pages : 1240
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Book Description
Author: Francis Hodge
Publisher: University of Texas Press
ISBN: 0292761546
Category : Performing Arts
Languages : en
Pages : 373
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Book Description
The famous "Stage Yankees," with their eccentric New England dialect comedy, entertained audiences from Boston to New Orleans, from New York to London in the years between 1825 and 1850. They provided the creative energy for the development of an American-type character in early plays of native authorship. This book examines the full range of their theatre activity, not only as actors, but also as playmakers, and re-evaluates their contribution to the growth of the American stage. Yankee theatre was not an oddity, a passing fad, or an accident of entertainment; it was an honest exploitation of the materials of American life for an audience in search of its own identification. The delineation of the American character—a full-length realistic portrait in the context of stage comedy—was its projected goal; and though not the only method for such delineation, the theatre form was the most popular and extensive way of disseminating the American image. The Yankee actors openly borrowed from what literary sources were available to them, but because of their special position as actors, who were required to give flesh-and-blood imitations of people for the believable acceptance of others viewing the same people about them, they were forced to draw extensively on their actors' imaginations and to present the American as they saw him. If the image was too often an external one, it still revealed the Yankee as a hardy individual whose independence was a primary assumption; as a bargainer, whose techniques were more clever than England's sharpest penny-pincher; as a country person, more intelligent, sharper and keener in dealings than the city-bred type; as an American freewheeler who always landed on top, not out of naive honesty but out of a simple perception of other human beings and their gullibility. Much new evidence in this study is based on London productions, where the view of English audiences and critics was sharply focused on what Americans thought about themselves and the new culture of democracy emerging around them. The shift from America, the borrower, to America, the original doer, can be clearly seen in this stager activity. Yankee theatre, then, is an epitome of the emerging American after the Second War for Independence. Emerging nationalism meant emerging national definition. Yankee theatre thus led to the first cohesive body of American plays, the first American actors seen in London, and to a new realistic interpretation of the American in the "character" plays of the 1870s and 1880s.
